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With the Hard Threshold and the Sidechain HPF Filter in action you can rely on the HM2 to add compression above the desired frequency selected, without being affected by the bass information below it.\u003c\/p\u003e\n\n\n\n\u003cp\u003eA Mix knob on the HM2 is another neat feature of the unit, allowing you to vary the amount of compression you are applying without resetting input levels. 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The \"Source Switch\" set to Instrument feeds both the EQ section\/main output and the transformer output simultaneously, which is useful for FOH and external effects or power amps.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eHigh and Low Pass Filters\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe high and low pass filters are fixed second-order 12dB per octave type, with knees at 9 kHz and 150 Hz. Both filters work whether the EQ switch is in or out, affecting only the Main\/EQ Output.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eDirect Out Mult\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Output Mult provides a 600 ohm, +4dbm transformer-balanced output that does not disturb the signal feeding the EQ section. This allows the Instrument or Microphone signal to be sent to two different places simultaneously, such as FOH or effects, and through the EQ to the Main Output.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eInsert Return\/EQ Input\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThis allows external compressors and effects to be directly added to the signal path through the EQ to the main output.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eConclusion\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eIn the studio or on stage, the Ventura SE exemplifies a \"no frills, no compromise\" audio philosophy, ensuring pure sonic capture and reproduction.\u003c\/p\u003e","brand":"MTR Ltd","offers":[{"title":"Default Title","offer_id":44941410697508,"sku":"ITM000017","price":1665.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/A-designs-ventura-se-kmr.jpg?v=1721732296"},{"product_id":"acme-audio-motown-di-wb-3","title":"Acme Audio Motown DI WB-3","description":"\u003cp\u003eThe \u003cb\u003eAcme Audio Motown DI WB-3 \u003c\/b\u003ebrings the exact character of the original 1960’s Motown DI box.\u003c\/p\u003e\n\u003cp\u003eThe Acme Audio Motown DI WB-3 is built to exacting standards with the same materials as the original unit to recreate the unmistakable tone of those classic records. Unlike most similar units, the Motown DI Wolf Box-3 doesn’t exhibit Low-frequency magnetic saturation which makes it an ideal audio interface \/ level converter as well as giving providing your sound artillery with a piece of audio legend.\u003c\/p\u003e\n\u003cp\u003eAlthough Al Sutton painstakingly designed the unit to exacting standards, few modern appointments have been introduced, such as an improved variable attenuator to accommodate high-level input and a custom made rugged steel case.\u003c\/p\u003e\n\u003cp\u003eSpecifically made transformers in these units are built by the original manufacturer after 35 years to provide the exact same performance true to the original.\u003c\/p\u003e\n\u003cp\u003eThe original Motown DI was a significant part of the Motown sound in the late 50’s and were immediately loved by Motown greats for its unique and colourful distortion that can be heard on classic records becoming their signature sound. \u003cspan\u003eThe DI box was adopted by such Motown greats as James Jamerson Sr., Dennis Coffey and Bob Babbitt, who defined the sound of a generation.\u003c\/span\u003e\u003c\/p\u003e","brand":"Acme Audio","offers":[{"title":"Default Title","offer_id":44941410992420,"sku":"ITM000026","price":415.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/acme_audio_wb3_mowtown_di.jpg?v=1680168256"},{"product_id":"acme-audio-mtp-66-tube-micorphone-preamp","title":"Acme Audio MTP-66 Motown Tube Preamp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe \u003cstrong\u003eAcme Audio MTP-66\u003c\/strong\u003e is a remarkable single-channel mic preamp and DI box designed to infuse your music with the iconic Motown sound. Originally conceptualised by the chief engineer at Motown Records in 1966, this all-tube DI device was the backbone of the Motown sound that drove numerous hits from 1966 to 1972. From the legendary in-house rhythm section known as the Funk Brothers, to the unsung yet highly influential musicians like James Jamerson, Dennis Coffey, Bob Babbitt, Robert White, and Joe Messina, the MTP-66 captures the essence of their captivating music.\u003c\/p\u003e\n\u003cp\u003eAcme Audio has faithfully re-created the Motown \"Input Box\" from the original schematics, adding a killer mic preamp section. Encased in a rugged lunchbox chassis with a stylish retro blue paint job, the MTP-66 delivers a fat, harmonically rich bottom end, authoritative upper-midrange presence, and an exciting tube sheen on the high end. If you're seeking that vibey vintage tube colour and punch for your music, the Acme Audio MTP-66 is a must-have addition to your studio setup.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThe MTP-66 does not provide phantom power. An external phantom power supply with a condenser or other microphones requiring 48-volt phantom power will be needed.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eFaithful Recreations and Expanded Legacy of Motown's Sound\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003eManufactured by Acme Audio, this device has caused quite a stir in the professional music community due to its faithful re-creations of iconic Motown equipment. Its all-tube signal path, powered by hand-selected tubes driving a CineMag output transformer, further expands the rich legacy of Motown's sound. The MTP-66 functions as an instrument-to-line-level tube preamp and features a microphone preamp section based on an original Motown engineering design, incorporating a fixed-gain pentode with an Acme Audio\/Triad input transformer. Moreover, this unit boasts adjustable input and output controls for precise sound tweaking, a feature not present in the original, granting you the perfect amount of drive and compression for your audio.\u003c\/p\u003e\n\u003ch2\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eUnleashing the Distinctive Power of the MTP-66\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe MTP-66 \u003cstrong\u003eintentionally excludes phantom power,\u003c\/strong\u003e which may seem unusual to some users. However, this purposeful omission encourages the use of tube, passive ribbon, and dynamic microphones, ensuring a funkier and more distinctive signal. It breathes new life into dynamic and ribbon microphones, adding an exhilarating tube sheen on the high end, subtly scooping the lower mids, and enriching the bottom frequencies. Even passive ribbons, previously considered too dark for certain sources, find new uses with the MTP-66. Your brighter mics will also shine with renewed brilliance, as this device coaxes out the gloss on acoustic guitars, brings out beautiful stick presence on cymbals, and offers captivating crispness through its unique tube saturation.\u003c\/p\u003e\n\u003ch2\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eTransformative DI Section and Vintage Tube Vibe\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003eRegarding DI'd bass sounds, the MTP-66 goes above and beyond expectations. Its DI section impresses with a fat, harmonically rich bottom end and punchy upper-midrange presence, transforming a bass guitar into a commanding force that drives the track with authority. Moreover, when driven to its limits, the MTP-66 imparts the presence and sustain of a bass amp while adding body and interest to lacklustre instruments. Additionally, this device works wonders on analogue monosynths, making it an essential tool for professional users seeking a serious vintage tube vibe.\u003c\/p\u003e\n\u003cp\u003eIn conclusion, the Acme Audio MTP-66 is a must-have addition to any professional music studio. With its faithful re-creation of the Motown \"Input Box\" sound and its impressive tube preamp and DI capabilities, it caters to those who desire authentic vintage tones and unparalleled sonic possibilities. Elevate your music production with the Acme Audio MTP-66, and experience the magic the Motown sound can bring to your creative endeavours.\u003c\/p\u003e","brand":"Acme Audio","offers":[{"title":"Default Title","offer_id":44941411025188,"sku":"ITM000028","price":1915.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/acme-mtp66-kmr.jpg?v=1680168260"},{"product_id":"acme-audio-opticom-xla-3-mkiii","title":"Acme Audio Opticom XLA-3 MkII","description":"\u003ch2\u003e\n\u003cmeta charset=\"utf-8\"\u003eACME AUDIO OPTICOM XLA-3 MKIII\u003c\/h2\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"group w-full text-gray-800 dark:text-gray-100 border-b border-black\/10 dark:border-gray-900\/50 bg-gray-50 dark:bg-[#444654]\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"flex p-4 gap-4 text-base md:gap-6 md:max-w-2xl lg:max-w-[38rem] xl:max-w-3xl md:py-6 lg:px-0 m-auto\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"relative flex w-[calc(100%-50px)] flex-col gap-1 md:gap-3 lg:w-[calc(100%-115px)]\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"flex flex-grow flex-col gap-3\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"min-h-[20px] flex items-start overflow-x-auto whitespace-pre-wrap break-words flex-col gap-4\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"markdown prose w-full break-words dark:prose-invert light\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe\u003cstrong\u003e \u003c\/strong\u003eAcme Audio Opticom XLA-3 MKIII is a single-channel all-valve optical limiter, drawing inspiration from the legendary Teletronix LA-2. It is meticulously crafted to meet stringent military-style specifications.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Acme Audio Opticom XLA-3 MKIII unleashes the potential of a distinctive triple optoelectronic circuit, seamlessly combining the finest qualities from three separate compression curves into a unified unit, resulting in a captivating array of non-linear dynamic effects. This cutting-edge device exhibits sonic versatility that spans the spectrum, offering pristine clarity at one end and irresistibly warm and overdriven tones at the other.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eInnovative Design and Uncompromising Quality\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAt the heart of the Opticom lies a powerful combination of high-speed cadmium-selenide optical photocells for precise detection and an all-valve circuitry with point-to-point wiring, ensuring top-notch quality and durability. Encased in a robust 16-gauge solid steel chassis, every component, including the military-grade elements and custom-ordered bakelite analogue control knobs, exudes excellence. Further enhancing usability, full-sized backlit panel meters and Neutrik\/cliff connectors guarantee reliable performance for years.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eRevolutionary Performance and Timeless Character\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInspired by the granddaddy of tube-levelling amplifiers, the Acme Audio Opticom XLA-3 MKIII has taken the professional audio realm by storm. Emanating rich, fat, and warm sonic character akin to traditional tube optical limiters, it also delivers impressive speed and versatility, surprising users.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eDynamic Precision and Harmonic Versatility\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe triple optoelectronic circuit unlocks the ability to dial in three distinct response curves, offering maximum dynamic control and preserving transients even under heavy gain reduction. With the added charm of a CineMag input transformer that infuses harmonic bite, the Opticom XLA-3 MKIII emerges as the go-to dynamics controller for virtually any signal.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIts unrivalled adaptability makes the XLA-3 MKIII the reliable choice for easily handling vocals and instruments. With a vast tonal range from clean and transparent to harmonically rich and saturated, alongside compression curves ranging from gentle to aggressive, it embodies unparalleled versatility. And when pushed to the limit, it ensures lead vocals are firmly embedded in the mix, thanks to its harmonically biting capabilities.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eAdaptive Modes and Triple Optoelectronic Circuit\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEquipped with Normal, Fast, and Slow modes, the XLA-3 MKIII caters to subtle transient enhancement and comprehensive dynamics control. The proprietary triple optoelectronic circuit amalgamates the best qualities of three compression curves, elevating its performance close to that of FET designs, while retaining its high-speed optical limiter essence.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eThe Ultimate Flexible Optical Limiter\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eProducing great-sounding results is effortless with the Opticom XLA-3 MKIII, a standout among the most flexible optical limiters. Whether taming the dynamic range of a vocal, enriching a bass guitar's timbre, or applying creative compression to a drum track, achieving your desired outcome is intuitive. With its ability to create a wide range of captivating nonlinear dynamic effects, the XLA-3 MKIII is an invaluable asset in any musical setting.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Acme Audio","offers":[{"title":"Default Title","offer_id":44941411057956,"sku":"ITM000029","price":2249.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/acme-opticom-xla-3-mkiii-kmr.jpg?v=1680168260"},{"product_id":"acme-audio-opticom-xla-500","title":"Acme Audio Opticom XLA-500","description":"\u003ch2\u003e\n\u003cmeta charset=\"utf-8\"\u003eACME AUDIO OPTICOM XLA-500\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Acme Audio Opticom XLA-500 is an impressive dual-slot single-channel valve limiter designed for the popular 500 series format, drawing inspiration from the renowned Opticom XLA-3 MkII. Meticulously crafted to retain the essential character of its larger sibling, the XLA-500 cleverly incorporates a tube in its makeup gain circuit, resulting in a more focused and rich sound.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt remains faithful to the triple optoelectronic circuit of its predecessor while benefiting from the added enhancements of Cinemag input and output transformers, ensuring it delivers the same functionalities as the original but with a distinct sonic personality.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe XLA-500 captures the same fat and warm sonic character typical of traditional tube optical limiters while surprising users with impressive speed and versatility. Its forgiving handling of vocals and instruments makes it a reliable go-to for any audio source. But unlike older opto compressors, this unit is far from a one-trick pony. It offers diverse tones, from clean and transparent to harmonically rich and even saturated and dirty.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith compression curves spanning from slow and gentle to very fast and aggressive, the XLA-500 showcases exceptional flexibility.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eMulti-Mode Optical Limiter with Innovative Triple Compression Curves\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe XLA-500 features three distinct modes: Normal, Fast, and Slow. In Slow mode, it preserves initial transients, offering subtle transient enhancement and dynamics control characteristics of conventional opto compressors. However, it doesn't stop there—thanks to its proprietary triple optoelectronic circuit, it blends the most desirable characteristics of three different compression curves into one unit. Add a Class A gain stage and CineMag input and output transformers to the mix, and you have a high-speed optical limiter capable of rivalling the performance of FET designs.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eA Versatile 500 Series Optical Limiter\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConsidered one of the most versatile 500 Series optical limiters available, the Opticom XLA-500 facilitates a myriad of audio applications. Whether it's gently controlling the dynamic range of a vocal, adding thickness and weight to a bass guitar, or achieving aggressive drum track compression, the XLA-500 accomplishes it all effortlessly. With its ability to produce a wide range of nonlinear dynamic effects, this limiter is a perfect fit for any musical setting, allowing artists and engineers to explore and create confidently.\u003c\/p\u003e","brand":"Acme Audio","offers":[{"title":"Default Title","offer_id":44941411254564,"sku":"ITM000031","price":832.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/acme-opticom-xla500-kmr.jpg?v=1680168261"},{"product_id":"adam-s2v","title":"ADAM S2V (Pair)","description":"\u003cp\u003eThe \u003cstrong\u003eAdam S2V\u003c\/strong\u003e is a two-way active studio speaker with 7” woofer designed for use as nearfield monitors in small and medium-sized control rooms.\u003c\/p\u003e\n\n\u003cp\u003eThe Adam S2V boasts a highly accurate frequency response with stunning low end and wide dynamic range thanks to Adam’s new ELE bass driver. Built using the latest in computer modelling technology, the ELE drive delivers accurate audio reproduction with incredible resolution. A highly stable honeycomb cone, combined with low weight and refined inner damping, removes any resonance and distortion, delivering a new level of clarity and transparency even at high levels.\u003c\/p\u003e\n\n\u003cp\u003eFurthermore, Adam’s S-ART ribbon has been refined to provide even finer details and higher level of precision. Long praised for it ability to provide incredible High-frequency detail, this latest iteration provides even more dynamic range with fewer signs of fatigue.\u003c\/p\u003e\n\n\u003cp\u003eFor the first time ever, the Adam S2V now boasts high-performing DSP to optimise the crossover and ensure optimised frequency response and maximum dynamic range. It also provides a wide range of in-room optimisation such as level control, shelving filters and six fully parametric EQs.\u003c\/p\u003e","brand":"Focusrite Audio Engineering Ltd","offers":[{"title":"Default Title","offer_id":44941411615012,"sku":"ITM000044","price":2765.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/adam-audio-s2v-kmr.jpg?v=1680168276"},{"product_id":"adam-s3h-pair","title":"ADAM S3H (Pair)","description":"\u003cp\u003eThe \u003cstrong\u003eAdam S3H\u003c\/strong\u003e is a 3-way active studio monitor for midfield applications designed to deliver Adam's new standard in audio reproduction.\u003c\/p\u003e\n\n\u003cp\u003eThe Adam S3H boasts a dual 7\" ELE bass drivers powered by two 500 Watts Class-D amplifiers extending the frequency range down to 32Hz. The bass drivers have been designed using the latest computer modelling techniques to deliver outstanding resolution. Powering the bass drivers are newly developed Symmetrical Magnet Assembly which provides a maximum excursion three times as much as previous designs delivering much higher output without distortion.\u003c\/p\u003e\n\n\u003cp\u003eA 4\" DCH driver, newly developed by Adam, combines the advantages of Cone and Soft-dome drivers to deliver superior precision between 250Hz and 3kHz. It provides the clean decay and linear frequency response of dome drivers combined with the high excursion of cone drivers, providing high output levels free from distortion.\u003c\/p\u003e\n\n\u003cp\u003eThe S-ART ribbon tweeter is now augmented by a new high precision, HPS waveguide to deliver incredibly transparent and three-dimensional audio.\u003c\/p\u003e\n\n\u003cp\u003eFinally, the S3H features a high-performance DSP engine to perfect the crossover to deliver the best frequency response and maximum dynamic range. The DSP also includes in-room optimisation such as two parametric shelving filters and six fully parametric EQs.\u003c\/p\u003e","brand":"Focusrite Audio Engineering Ltd","offers":[{"title":"Default Title","offer_id":44941411713316,"sku":"ITM000049","price":4998.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/adam-audio-s3h-kmr.jpg?v=1680168276"},{"product_id":"adam-s3v-pair","title":"ADAM S3V (Pair)","description":"\u003cp\u003eThe \u003cstrong\u003eAdam S3V \u003c\/strong\u003eis a 4-way active studio monitor for midfield applications designed to deliver Adam’s new standard in audio reproduction.\u003c\/p\u003e\n\n\u003cp\u003eThe Adam S3V boasts a dual 7” ELE bass drivers powered by two 500 Watts Class-D amplifiers extending the frequency range down to 32Hz.  The bass drivers have been designed using the latest computer modelling techniques to deliver outstanding resolution. Powering the bass drivers are newly developed Symmetrical Magnet Assembly which provides a maximum excursion three times as much as previous designs delivering much higher output without distortion.\u003c\/p\u003e\n\n\u003cp\u003eA 4” DCH driver, newly developed by Adam, combines the advantages of Cone and Soft-dome drivers to deliver superior precision between 250Hz and 3kHz. It provides the clean decay and linear frequency response of dome drivers combined with the high excursion of cone drivers, providing high output levels free from distortion.\u003c\/p\u003e\n\n\u003cp\u003eThe S-ART ribbon tweeter is now augmented by a new high precision, HPS waveguide to deliver incredibly transparent and three-dimensional audio.\u003c\/p\u003e\n\n\u003cp\u003eFinally, the S3V features a high-performance DSP engine to perfect the crossover to deliver the best frequency response and maximum dynamic range. The DSP also includes in-room optimisation such as two parametric shelving filters and six fully parametric EQs.\u003c\/p\u003e","brand":"Focusrite Audio Engineering Ltd","offers":[{"title":"Default Title","offer_id":44941411778852,"sku":"ITM000052","price":3915.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/adam-audio-s3v-kmr.jpg?v=1680168276"},{"product_id":"adam-s5h-pair","title":"ADAM S5H (Pair)","description":"\u003cp\u003eThe \u003cstrong\u003eAdam S5H \u003c\/strong\u003eis an active studio monitor designed farfield applications designed to meet the requirements of the most rigorous control rooms.\u003c\/p\u003e\n\n\u003cbr\u003e\n\n\u003cp\u003eThe Adam S5H is built for horizontal positioning and boasts two 10” ELE bass drivers designed using the latest computer modelling techniques, ensuring truly accurate reproduction of low frequencies and superior resolution. Its low-weight and highly stable honeycomb cone and optimised inner dampings deliver a clear and transparent sound free from unwanted resonance and distortion. \u003c\/p\u003e\n\n\u003cbr\u003e\n\n\u003cp\u003ePowering these two bass drivers are a new symmetrical magnet assembly design which provides a maximum excursion three times greater than previous designs, ensuring accurate low-frequency signals.\u003c\/p\u003e\n\n\u003cbr\u003e\n\n\u003cp\u003eFollowing the bass drivers are a new specially engineered 4” midrange driver which uses a hybrid design to combine the advantages of both cone and soft dome drivers. Indeed, the new driver delivers the clean decay and linear frequency response of dome drivers, combined with the high excursions of cone designs. The new DCH midrange driver delivers improved transparency in the midrange resulting from the lack of distortion.\u003c\/p\u003e\n\n\u003cbr\u003e\n\n\u003cp\u003eThe S5H also boasts the S-ART tweeter providing greater resolution and precision thus allowing for longer operation without signs of fatigue.\u003c\/p\u003e\n\n\u003cbr\u003e\n\n\u003cp\u003eThe S5H is powered by a Class D amp with high-performance DSP engine which perfects the crossover for optimised frequency response and maximum dynamic range. The DSP provides in-room optimisation such as overall level, parametric shelving filters and six fully parametric EQs.\u003c\/p\u003e","brand":"Focusrite Audio Engineering Ltd","offers":[{"title":"Default Title","offer_id":44941411811620,"sku":"ITM000061","price":14815.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/adam-audio-s5h-kmr.jpg?v=1680168277"},{"product_id":"adam-s5v-pair","title":"ADAM S5V (Pair)","description":"\u003cp\u003eThe \u003cstrong\u003eAdam S5V \u003c\/strong\u003eis an active studio monitor designed farfield applications designed to meet the requirements of the most rigorous control rooms.\u003c\/p\u003e\n\n\u003cbr\u003e\n\n\u003cp\u003eThe Adam S5V is built for horizontal positioning and boasts two 12” ELE bass drivers designed using the latest computer modelling techniques, ensuring truly accurate reproduction of low frequencies and superior resolution. 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The concept of the horizontal symmetry of the drivers is greatly affected by the generous proportions of the larger diaphragms, resulting in both exceptionally flat frequency response and extremely realistic dynamic reproduction across the entire audio spectrum. Numerous controls at the front panel allow detailed adaptations to different acoustic environments.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThis main monitor offers very high accuracy and power in sheer abundance. SPL peaks beyond 120 dB are produced without any compression or harshness. The S6X is a top shelf choice for larger control rooms and film or sound studios.\u003c\/p\u003e\n\n\n\n\u003ch2\u003e\u003cstrong\u003eControl panel (S6X \u0026amp; S7A Mk2)\u003c\/strong\u003e\u003c\/h2\u003e\n\n\n\n\u003cp\u003eNumerous controls on the front panel introduce a new degree of control for main monitors. 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A lot of time was spent listening to what the microphone was capturing before even looking at the measurements to ensure that the tone was fully captured\u003c\/p\u003e\n\n\u003cp\u003eThe AEA N22 is an extremely flexible microphone designed for the musician as well as the engineer, and is equally at home on stage or in the studio. Superb sounding on acoustic guitars and vocals, is no less impressive when mic’ing an electric guitar or bass cabinet, and unlike most ribbon microphones, it can also deal with high SPL imparting the beautiful character of ribbon microphones to drum kits.\u003c\/p\u003e\n\n\u003cp\u003eAEA’s first microphone in the Nuvo series represents a new step in AEA’s approach to manufacturing ribbon microphones and is the realisation of Wes Dooley’s vision on  the evolution of ribbon microphones. 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Unlike the N22 which was designed for close-miking techniques for singer song-writers or guitarists, the N8 also known as the \"dark knight\" was built to reproduce acoustic spaces as faithfully as possible making it the ideal microphone to record drum overheads, rooms, strings, choirs, classical ensembles, orchestras and more. The N8 can also be used in close-miking situations with guitar cabs or bass amps where it delivers exceptional clarity and warmth. It also responds extremely well to EQs without ever sounding harsh.\u003c\/p\u003e\n\n\u003cp\u003eDespite its resemblance to the N22, the N8 employs similar design philosophy as the R88 stereo ribbon microphone to deliver a truly astonishing open and natural sound. It also features the same aluminium Big Ribbon used in the flagship R44 microphone making it a modern descendent of the legendary RCA 44 microphone. A custom German transformer is being employed to deliver low-level detail and superior distortion performance even with long cable runs.\u003c\/p\u003e\n\n\u003cp\u003eThe N8 \"Dark Knight\" uses a black matt finish which makes it very discreet and ideal for orchestral and TV work thanks to its ease of positioning. 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Unlike the N22 which was designed for close-miking techniques for singer song-writers or guitarists, the N8 also known as the “dark knight” was built to reproduce acoustic spaces as faithfully as possible making it the ideal microphone to record drum overheads, rooms, strings, choirs, classical ensembles, orchestras and more. The N8 can also be used in close miking situations with guitar cabs or bass amps where it delivers exceptional clarity and warmth. It also responds extremely well to EQs without ever sounding harsh.\u003c\/p\u003e\n\n\u003cp\u003eDespite its resemblance to the N22, the N8 employs similar design philosophy as the R88 stereo ribbon microphone to deliver a truly astonishing open and natural sound. It also features the same aluminium Big Ribbon used in the flagship R44 microphone making it a modern descendent of the legendary RCA 44 microphone. 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That warm, wide smooth sound that ribbon microphones are fabled for, the subtle but marked tonal variety you can obtain with slight positional changes - the sheer musicality of their sound, are all there in the AEA R44CXE.\u003c\/p\u003e\n\n\n\n\u003cp\u003eKeeping the flame of ribbon microphone technology burning fiercely has been the mission of Audio Engineering Associates since they started - by developing the AEA R44CXE they are giving you the chance to understand what makes them so special.\u003c\/p\u003e","brand":"Studiocare Professional Audio Ltd","offers":[{"title":"Default Title","offer_id":44941414859044,"sku":"ITM000111","price":3224.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/aea-r44cxe-kmraudio.jpg?v=1680168325"},{"product_id":"aea-r84","title":"AEA R84","description":"\u003cp\u003eThe \u003cstrong\u003eAEA R84 Big Ribbon\u003c\/strong\u003e is a high quality, professional ribbon microphone inspired by the legendary RCA 44 ribbon microphone.\u003c\/p\u003e\n\n\u003cp\u003eThe AEA R84 has a bi-directional (figure of eight) polar pattern obtained through a 1.8 micron thick pure aluminium ribbon, the same as on the AEA R44. The Large Ribbon Geometry (LRG) design uses a ribbon measuring 4.7mm wide by 60mm high and ensures a quick response, ideal for capturing transients.  Perfect for solo and accent work it delivers superb performance in all situations, delivering a natural, warm and rich sound that complements any instruments from brass instruments, strings, piano, percussion, guitars and much more.\u003c\/p\u003e\n\n\u003cp\u003eThe R84 ribbon microphone offers a superb frequency response with beautiful solid lows and clean highs all the way up to 20kHz, and is capable of handling more that 165dB SPL at higher frequencies. Difference in colour between the front and the back of the microphone is obtained by a difference in blast production and allows for subtle colouration. 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The ribbon is centred in a magnetic gap but is designed to produce slight different tonalities from the front and the rear of the microphones offering a choice of two colours. The rear side can also be used to handle plosives better.\u003c\/p\u003e\n\n\u003cp\u003eIts JFET impedance buffer circuitry allows the R84A to be used with lower preamp impedance without affecting the sound while the high output sensitivity reduces noise considerably and permits long cable run. You can therefore use any valve mic pre or any mic pre of your choice adding further colouration to your chain.\u003c\/p\u003e\n\n\u003cp\u003eThe A840 is ideal for digital recording setups, offering a smoother, more natural sound than condenser microphones helping you to capture a smooth, and easy to EQ sound. 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