{"title":"Latest Arrivals","description":"","products":[{"product_id":"api-512v","title":"API 512V Mono Mic\/Line Pre","description":"\u003ch2\u003eAPI AUDIO 512V\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eAPI 512V\u003c\/strong\u003e is a low-noise 500-series microphone, Line and instrument with API's traditional 2520 Op amp, providing 65dB of clean gain.\u003c\/p\u003e\n\u003cp\u003eThe API 512V is an update of the legendary 512 mic preamp adding Line level input and a variable output level control. The 512V allows you to add the API mojo to your music. Additional features include a switchable 3:1 output transformer.  It also boasts the usual phantom power, polarity switch and a -20dB pad.\u003c\/p\u003e\n\u003cp\u003eWith a combo (XLR\/ 1\/4\" Jack) connector on the front and the existing XLR socket of your 500 Series chassis makes it easy to connect in any situation.\u003c\/p\u003e\n\u003cp\u003eYou can use the 512V as a traditional microphone or instrument preamplifier during the recording stage, or use a pair on a bus or summing while the transformer stage can add punch and colour at the mastering stage.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAPI 512V 500 Series Discrete Mic\/Line Preamp Main Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMic Preamp with 65 dB of gain\u003c\/li\u003e\n\u003cli\u003eVariable Output Level Control\u003c\/li\u003e\n\u003cli\u003e3:1 Output Transformer Tap Selection\u003c\/li\u003e\n\u003cli\u003eFront and Back Panel Mic Input Access\u003c\/li\u003e\n\u003cli\u003eLine\/Instrument Preamp with 45 dB of gain\u003c\/li\u003e\n\u003cli\u003eFront Panel Combo-style XLR + 1\/4 inch Line\/Instrument Input\u003c\/li\u003e\n\u003cli\u003eLED VU meter for Gain Level indication\u003c\/li\u003e\n\u003cli\u003e20 dB pad switch, applies to mic\/line\/instrument\u003c\/li\u003e\n\u003cli\u003e48v Phantom switchable power\u003c\/li\u003e\n\u003cli\u003eTraditional API fully discrete circuit design with 2520 Op Amp\u003c\/li\u003e\n\u003cli\u003eFeatures API's unique Five Year Warranty\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ATI Group","offers":[{"title":"Default Title","offer_id":44941422854436,"sku":"ITM000440","price":829.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/API512V_front.jpg?v=1726348874"},{"product_id":"api-550b-4-band-switched-eq1","title":"API 550B","description":"\u003cp\u003e7 switched frequency centres per band, fully discrete, click detente in 2 dB steps with 12 dB boost or cut, hi and lo shelf switches, unique proportional Q, high headroom, silent bypass.  \u003c\/p\u003e\n\n\u003cp\u003eThis is the EQ fitted to all large format API consoles.   +4 balanced XLR I\/O.     \t\u003c\/p\u003e\n\n\u003cp\u003e\"I can see why these eqs  should be so highly prized, the sound is quite special\" - Dave Foister. Studio Sound, February 1996.\u003c\/p\u003e","brand":"ATI Group","offers":[{"title":"Default Title","offer_id":44941423182116,"sku":"ITM000450","price":1079.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/api-550b-kmr_audio-87.jpg?v=1680168493"},{"product_id":"atc-scm25a-mkii-pair","title":"ATC SCM25A Pro mkII (Pair)","description":"\u003ch2\u003eATC SCM25A Pro MkII\u003c\/h2\u003e\n\u003cp\u003eThe ATC SCM25A Pro MkII is a compact 3-way active ported studio reference monitor with a 6.5\"\/164mm bass driver loaded in a 25-litre vented cabinet and an integrated 235W amplifier, well suited for smaller to medium studios.\u003c\/p\u003e\n\u003cp\u003eThe 3-way design features the ATC SM75-150 Soft Dome mid-range driver  (3\"\/75mm) which handles mid frequencies between 380Hz and 3.5kHz.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATC SCM25A Pro MkII has all ATC-designed and produced proprietary drive units. A 6.5\"\/164mm bass speaker handles low frequencies below 380Hz.\u003c\/p\u003e\n\u003ch2\u003eUpdated Tweeter Design\u003c\/h2\u003e\n\u003cp\u003eIn addition, the new ATC SCM25A Pro MKII has ATC's SH25-76S Dual-Suspension 1\"\/25mm soft dome tweeter which handles high frequencies exceeding 3.5kHz. This HF driver upgrade is the crucial difference between the Mk1 and Mk2 models. The update with ATC’s latest SH25-76S ‘Dual Suspension’ tweeter, extends the high-frequency response also providing a reduction in distortion.\u003c\/p\u003e\n\u003cp\u003eThe enclosure is a ported\/vented design tuned to 32Hz and has a 3\"\/75mm diameter port with flared entrance and exit to reduce port air noise.\u003c\/p\u003e\n\u003ch2\u003eClass A\/B Amp\u003c\/h2\u003e\n\u003cp\u003eA 3-way class A\/B amp pack installed in the back of the cabinet actively drives the SCM25A Pro Mk2. Each driving unit is equipped with its power amplifier. The audio input is a 3-pin female XLR on the back panel, and the power is an IEC mains power inlet. The user may adjust input sensitivity and bass' boost'. Crossovers are 4th order Linkwitz-Riley with all-pass filters to improve tone accuracy, imaging, and on and off-axis frequency response. To reduce amplifier' hard-clipping,' FET peak limiters are added. A front-panel-mounted bi-colour LED indicates that the power and limiter are functioning.\u003c\/p\u003e\n\u003cp\u003eHand built in the UK with a 6-year warranty\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlease note we cannot ship ATC speakers outside of the UK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBalanced Input: 1 x Rear Panel Mounted Female XLR, pin 2 hot.\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 20kŒ© (differential).\u003c\/li\u003e\n\u003cli\u003eInput CMRR: \u0026gt;82dB (10kHz).\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity: 2.2dBu \/ 1Vrms for full power\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity Control: Continuously Variable from 2.2dBu ‚Äì 8.2dBu \/ 1Vrms - 2Vrms (-6dB)\u003c\/li\u003e\n\u003cli\u003eBass Boost Control: Continuously variable from 0dB to +3dB.\u003c\/li\u003e\n\u003cli\u003eCrossover Filters: 4th Order Linkwitz-Riley at 380Hz and 3.5kHz.\u003c\/li\u003e\n\u003cli\u003eFrequency Response: \u0026lt;2Hz to \u0026gt;200kHz (-3dB).\u003c\/li\u003e\n\u003cli\u003eAmplifier type: Grounded Source MOSFET based Class A\/B, convection cooled.\u003c\/li\u003e\n\u003cli\u003eOutput Power: Bass 150W (8Œ©), Mid 60W (8Œ©), HF 32W (6Œ©)\u003c\/li\u003e\n\u003cli\u003eTHD+N: \u0026lt;0.003%\/-92dB (1kHz, 1dB below rated power, 90kHz BW)\u003c\/li\u003e\n\u003cli\u003eLimiter: ATC Active FET Momentary Gain Reduction, limiter 'active' indicated via front panel LED.\u003c\/li\u003e\n\u003cli\u003eMains Input: 220-230V or 115V ‚Äì Factory set. Please observe panel markings and labels!\u003c\/li\u003e\n\u003cli\u003ePower Consumption: Idle 24W\/35VA. 1\/8th Power 117W\/159VA. Full Power 255W\/324VA.\u003c\/li\u003e\n\u003cli\u003eHeat Output: Idle 82BTU\/hr. 1\/8th power 335 BTU\/hr. 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However, despite their substantial aspect, they remain surprisingly lightweight.\u003c\/p\u003e\n\n\u003cp\u003eThe MM-500 are handcrafted in Audeze’s Southern California workshop with all the care and attention of their skilled team, and bring the next level in pro audio performance.\u003c\/p\u003e","brand":"KS DISTRIBUTION","offers":[{"title":"Default Title","offer_id":44941437894948,"sku":"ITM000995","price":1207.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/audeze-mm500-kmr.jpg?v=1680168716"},{"product_id":"black-box-hg-2","title":"Black Box HG-2","description":"\u003ch2\u003eBlack Box Analog Design HG-2\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eBlack Box Analog Design HG-2\u003c\/strong\u003e is a stereo mixbuss saturation device designed to add colour, natural compression and increased RMS on the masterbus. It is ideal for mixing and mastering, adding colour and texture easily without sacrificing the sound.\u003c\/p\u003e\n\u003ch2\u003eDual Valve Design\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe Black Box HG2 uses a combination of 6U8A Pentode and 12AX7 valve stages to deliver subtle harmonic enhancement to full on saturation. A Cinemag input transformers feeds both paths which are then controlled by a 3-way tilt switch which affects the frequency content of the signal feeding the circuit. The Low position saturates all the low and mid content while the Flat position saturates the full bandwidth. The high position only affects high mid and high frequencies to add a sheen to dull tracks without affecting the rest of the signal.\u003c\/p\u003e\n\u003cp\u003eThe Harmonics dial lets you control how much of the harmonically enhanced signal is fed into the pentode stage. An Air switch also adds a subtle lift of the top end while the “Alt” control lets you choose between two different 12AX7 valves in the parallel circuit.\u003c\/p\u003e\n\u003cp\u003eThe HG-2 is extremely versatile and can bring a mix back to life with its unprecedented level of control.\u003c\/p\u003e\n\u003cp\u003eSpecifications :\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"margin-bottom: 0px; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"margin-bottom: 0px;\"\u003eHigh voltage Pentode \u0026amp; Triode tube stages\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"margin-bottom: 0px; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"margin-bottom: 0px;\"\u003eParallel saturation with mix control\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"margin-bottom: 0px; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"margin-bottom: 0px;\"\u003eSelectable parallel saturation frequency\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"margin-bottom: 0px; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"margin-bottom: 0px;\"\u003eInstantly selectable saturation tubes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"margin-bottom: 0px; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"margin-bottom: 0px;\"\u003e“Air” lift\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"margin-bottom: 0px; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"margin-bottom: 0px;\"\u003eUltra fine L\/R trim adjust\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"margin-bottom: 0px; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"margin-bottom: 0px;\"\u003eCustom input and output transformers\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"margin-bottom: 0px; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"margin-bottom: 0px;\"\u003eTrue bypass\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"margin-bottom: 0px; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"margin-bottom: 0px;\"\u003eSelectable 30 segment meter (3 modes)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"margin-bottom: 0px; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"margin-bottom: 0px;\"\u003eIlluminated push buttons \u0026amp; sealed relays\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"margin-bottom: 0px; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"margin-bottom: 0px;\"\u003eInternally modular design for easy servicing\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kensington Audio","offers":[{"title":"Default Title","offer_id":44941453689124,"sku":"ITM001541","price":3165.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/blackbox_hg2_front.jpg?v=1680169006"},{"product_id":"cranborne-audio-camden-500","title":"Cranborne Audio Camden 500","description":"\u003ch2\u003eCamden 500 Preamp\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003e Cranborne Audio Camden 500 \u003c\/strong\u003eis a supremely clean, linear and transparent 500 series mic preamp with added coloured options.\u003c\/p\u003e\n\u003cp\u003eThe Cranborne Audio Camden 500 has been designed in the UK with the intention of being the ultimate front-end for recording engineers. It uses a unique custom preamp topology nicknamed ‘ Camden’ that delivers impressive performance from extreme low-noise and low distortion to frequency and phase linearity at all gain settings.\u003c\/p\u003e\n\u003cp\u003eThis translates in THD+N as low as 0.0002% and a frequency response of +\/-0.7dB between 5Hz to 200kHz at max gain. Phase shift is also inferior to 2 degrees between 20Hz and 20kHz. It provides up to 68dB of gain, enough to power any microphone without sacrificing any of the precision and natural sound.\u003c\/p\u003e\n\u003ch2\u003eMojo Circuit\u003c\/h2\u003e\n\u003cp\u003eFor those instances where you may require colour and vibe, the Camden 500 includes a unique Mojo circuitry replacing the more traditional transformers with two discrete analogue saturation styles. Mojo consists of an array of filters and discrete second and third harmonic generators that provide the characteristics of vintage transformer and valve equipment. 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None of the tone-shaping is achieved through equalisation ensuring a fuller and tighter sound with no smeariness.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLow-noise and low-distortion performance: -129.8dB EIN (150ohm, unweighted) and THD+N as low as 0.0002%.\u003c\/li\u003e\n\u003cli\u003eFrequency and phase linearity: ±0.7dB frequency response from 5Hz to 200kHz at max gain and \u0026lt;2° phase shift @ 50Hz – 20kHz.\u003c\/li\u003e\n\u003cli\u003eTransformerless front-end topology with 68.5dB of gain\u003c\/li\u003e\n\u003cli\u003e+26.5dBu of input headroom\u003c\/li\u003e\n\u003cli\u003eEIN: \u0026lt;-129.5dBu, 150 ohm source, unweighted \u0026lt;-135.5dBu, Inputs common, unweighted\u003c\/li\u003e\n\u003cli\u003eTHD+N: \u0026lt;0.0004%, 1kHz, 35dB gain, 24dBu out\u003c\/li\u003e\n\u003cli\u003ePhase Shift: \u0026lt;2.25°, 40dB gain, 20Hz to 20kHz \u0026lt;4°, Max gain, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eFreq. 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Both low and high frequencies can be set to shelf or bell and have separate controls for boost and cut to create a resonant shelf. Low boost and high-cut shifts, switches move the mid-frequency of the boost and cut relative to each other. The Mid-frequency offers a wide range of frequencies between 200Hz to 7kHz and can be either used in boost or cut mode.\u003c\/p\u003e\n\u003cp\u003eThe Empress uses a tube amplifier stage using Military-grade vacuum tubes which can be pushed for more colouration thanks to the Tube Boost switch to add further colouration.\u003c\/p\u003e\n\u003cp\u003eThe Gainlab Empress is extremely versatile and can be used for recording, mixing and even mastering applications. Each control uses stepped attenuators for precise settings and easy recall every time.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eINPUT: 2 x Balanced XLR\u003c\/li\u003e\n\u003cli\u003eOUTPUT: 2 x Balanced XLR\u003c\/li\u003e\n\u003cli\u003eMax. Input: +23dBu\u003c\/li\u003e\n\u003cli\u003einput impedance: \u0026gt;10Kohm\u003c\/li\u003e\n\u003cli\u003einput impedance: \u0026gt;10Kohm\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20Hz-20Khz +\/- 2dB\u003c\/li\u003e\n\u003cli\u003eSize: 483x280x89\u003c\/li\u003e\n\u003cli\u003eWeight: 5.6Kg\u003c\/li\u003e\n\u003cli\u003eMains: 230V AC (EU), 110V AC (US)\u003c\/li\u003e\n\u003cli\u003eMax. 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It also includes a Hi-Z audio input to connect instruments such as a guitar or bass. \u003c\/p\u003e\n\n\u003cp\u003eCreating a sound happens by the simple physical interaction between the player or a third object to generate organic textures. Tap, wipe, caress the elements to create unique textures that respond to the textures of the objects used.\u003c\/p\u003e\n\n\u003cp\u003eThe two contact mics are amplified up to a hundred times by a built-in preamp to capture all the most subtle sonic interaction with the instrument. When connecting an instrument to Hi-Z input, one of the contact microphone is disconnected.\u003c\/p\u003e\n\n\u003cp\u003eThe Microphonic Soundbox is battery-operated and can therefore be used anywhere at any time.\u003c\/p\u003e","brand":"Leaf Audio","offers":[{"title":"Default Title","offer_id":44941561692452,"sku":"ITM004153","price":187.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/Microphonic_Soundbox_mk2_2023-03_Small_TN.png?v=1742998867"},{"product_id":"neumann-u87-studioset","title":"Neumann U87 AI Studio Set - Nickel","description":"\u003ch2\u003eNeumann U87 AI Studio Set\u003c\/h2\u003e\n\u003cp\u003eThis is the \u003cstrong\u003eNeumann U87\u003c\/strong\u003e + \u003cstrong\u003eEA87\u003c\/strong\u003e shockmount combined in a single package, available in Nickel or Black. The U87 is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the head grille. \u003c\/p\u003e\n\u003cp\u003eA 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. Furthermore, the low-frequency response can be reduced to compensate for proximity effect. The cardioid setting has a smooth frequency response at a distance of about 30cm to 40cm, whilst the figure-8 is very balanced at a distance of 15cm to 20cm.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/U87_grill_image2.jpg?v=1723936277\" alt=\"\" style=\"float: none;\"\u003e\u003c\/div\u003e\n\u003ch2\u003eClassic Sound since 1967 \u003c\/h2\u003e\n\u003cp\u003eThe Neumann U87 has been the standard of the recording industry since 1967 and the letter A in the name indicates the most recent model generation, compared to the U87i microphones that were built between 1967 and 1986. The U87 is famous for its well-balanced characteristics with the current model yielding a 6dB improvement in signal-to-noise over its predecessor.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAcoustical operating principle: Pressure gradient transducer\u003c\/li\u003e\n\u003cli\u003eDirectional pattern: Omnidirectional, cardioid and figure-8\u003c\/li\u003e\n\u003cli\u003eFrequency range: 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity at 1 kHz into 1 kohm: 20\/28\/22 mV\/Pa*\u003c\/li\u003e\n\u003cli\u003eRated impedance: 200 ohms\u003c\/li\u003e\n\u003cli\u003eRated load impedance: 1000 ohms\u003c\/li\u003e\n\u003cli\u003eEquivalent SPL CCIR 468-3: 26\/23\/25 dB*\u003c\/li\u003e\n\u003cli\u003eEquivalent SPL DIN\/IEC 651: 15\/12\/14 dB-A*\u003c\/li\u003e\n\u003cli\u003eS\/N ratio CCIR 468-3: 68\/71\/69 dB*\u003c\/li\u003e\n\u003cli\u003eS\/N ratio DIN\/IEC 651: 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Mic\/Line level inputs can be found at the front or at the back of the unit allowing for easy integration and even allow for use at the mixing stage. An option mastering-grade digital card is also available allowing you to communicate with your digital recording system.\u003c\/p\u003e\n\u003cp\u003eThe Neve 1073 SPX delivers the warmth and depth of the classic 1073 and brings the essence of the Neve sound, including the subtle detail and ambience and precise imaging.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGenuine 1073® transformer-coupled microphone preamplifier \/ EQ circuit, in a single 1U 19″ rack-mount enclosure\u003c\/li\u003e\n\u003cli\u003eExclusive Neve® Marinair® transformers used on input and output stages\u003c\/li\u003e\n\u003cli\u003eConvenient connections for Mic, Line \u0026amp; DI inputs on the front of the unit, with switchable mic\/line input connections on the rear of the unit\u003c\/li\u003e\n\u003cli\u003eSwitchable +48v Phantom Power\u003c\/li\u003e\n\u003cli\u003eHi\/Lo impedance, -20dB pad and DI ground lift on the input stage\u003c\/li\u003e\n\u003cli\u003eSwitchable Phase and EQ in\/out Insert send and return loop feature allows external equipment to be connected easily to the 1073SPX audio chain, such as mono limiter\/compressors\u003c\/li\u003e\n\u003cli\u003ePre-EQ insert send\/return – a line level send is available from the mic-preamp output stage and a return just before the EQ stage Post-EQ insert send\/return – a line level send is available from the post-EQ stage and a return just before the main output stage\u003c\/li\u003e\n\u003cli\u003e7-stage LED signal level meter – can show mic\/line\/DI input-stage level, EQ-stage level or output-stage level up to +24dB Output level control\u003c\/li\u003e\n\u003cli\u003eExternal multi-voltage PSU Power – 48Vdc, 250mA ±20mA excluding digital module. Negative Earth\u003c\/li\u003e\n\u003cli\u003eMicrophone Input: Gain +80db to +20dB in 5dB steps.\u003c\/li\u003e\n\u003cli\u003eLine Input: Input impedance 10kΩ, gain +20dB to -10dB in 5dB steps\u003c\/li\u003e\n\u003cli\u003eDI Input: Input impedance 10M Ohms (PAD off) \/ 10K Ohms (PAD on) Gain +80dB to +20dB in 5dB steps\u003c\/li\u003e\n\u003cli\u003eEQ Specification High Frequency: Smooth +\/-16dB fixed frequency shelving at 12kHz\u003c\/li\u003e\n\u003cli\u003eLow Frequency: Smooth +\/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz \u0026amp; 220Hz\u003c\/li\u003e\n\u003cli\u003eMid Frequency: Smooth +\/-18dB peaking, fixed ‘Q’ with selectable centre frequencies of 0.36kHz, 0.7kHz 1.6kHz, 3.2kHz, 4.8kHz \u0026amp; 7.2kHz\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: 18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz \u0026amp; 300Hz\u003c\/li\u003e\n\u003cli\u003eAudio Performance Output: Maximum output is \u0026gt;+26dBu into 600Ω, transformer balanced and earth free. – Output Impedance 75Ω @1kHz\u003c\/li\u003e\n\u003cli\u003eDistortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output (80kHz bandwidth) into 600Ω.\u003c\/li\u003e\n\u003cli\u003eFreq Response: ±0.5dB 20Hz to 20kHz, -3dB at 40kHz.\u003c\/li\u003e\n\u003cli\u003eEQ Out. 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Each of the eight preamps can be remotely controlled via software and can be perfectly recalled thanks to Neve’s Total Recall feature. In addition to the Mic\/Line inputs, each channel also provides DI inputs, which benefit from the transformer-coupled input stage.\u003c\/p\u003e\n\u003cp\u003eThe 1073OPX includes comprehensive connectivity with eight combos Jack\/XLR connectors on the front, microphone and line inputs over DB25 as well as eight line output over DB25. An additional Monitor path includes dual input and output over XLR. A headphone output is included on the front letting you monitor each pair of channels individually or the monitor path.\u003c\/p\u003e\n\u003ch2\u003eDIGITAL CARD\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe optional digital I\/O card with 192kHz\/ 24-bit mastering-grade A\/D conversion allows the 1073OPX to be used as a primary Audio interface to any computer with a DAW. A Dante connector also provides Audio-over-IP applications as a Primary or Secondary Dante device.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8 Channels of remote-controlled 1073\u003csup\u003e®\u003c\/sup\u003e Mic\/Line\/Instrument Preamplifiers.\u003c\/li\u003e\n\u003cli\u003eExclusive Neve\u003csup\u003e®\u003c\/sup\u003e Marinair\u003csup\u003e®\u003c\/sup\u003e transformers on Microphone input.\u003c\/li\u003e\n\u003cli\u003eClass-A transformer-less DI input\u003c\/li\u003e\n\u003cli\u003eRemote control software can control up to eight 1073OPX racks at a time (64 preamps!)\u003c\/li\u003e\n\u003cli\u003eAutomatic Total Recall™ of all settings.\u003c\/li\u003e\n\u003cli\u003eFront Mic\/Line combi input\u003c\/li\u003e\n\u003cli\u003eRear Mic\/Line D-Type connection\u003c\/li\u003e\n\u003cli\u003e80Hz High pass filter\u003c\/li\u003e\n\u003cli\u003e-25dB pad\u003c\/li\u003e\n\u003cli\u003ePhase flip\u003c\/li\u003e\n\u003cli\u003eSmart Phantom Power control\u003c\/li\u003e\n\u003cli\u003eHi\/Lo Impedance selector from 300Ω to 1.3KΩ\u003c\/li\u003e\n\u003cli\u003eSeparate stereo monitor path with Independent level control\u003c\/li\u003e\n\u003cli\u003eLatency-free monitoring of all signal sources\u003c\/li\u003e\n\u003cli\u003eEight front D.I inputs for instrument tracking\u003c\/li\u003e\n\u003cli\u003eFront-mounted Headphone output\u003c\/li\u003e\n\u003cli\u003eHeat Dissipation 40 Watts\u003c\/li\u003e\n\u003cli\u003eInput voltage range 90-240V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDigital Card (optional add on) General Specification\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUSB connection for use as standalone primary audio interface\/core audio device.\u003c\/li\u003e\n\u003cli\u003eDante Primary and Secondary connection for Audio-over-IP application.\u003c\/li\u003e\n\u003cli\u003eWord Clock Sync In\/Out\u003c\/li\u003e\n\u003cli\u003eSelectable Headroom from +18, +24, +26dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAudio Performance\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+26dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency Response: Typically +\/-0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eGeneral Noise: \u0026lt;-85dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003cli\u003eMic EIN Noise: Typically -125dBu (20Hz to 20kHz)\u003c\/li\u003e\n\u003cli\u003eMicrophone Inputs: Input Impedance ≈300Ω or ≈1.3kΩ (PAD out). Transformer coupled. Gain 20dB to 70dB in 1dB steps\u003c\/li\u003e\n\u003cli\u003eLine Inputs: Input Impedance ≈10kΩBridging(PAD out). Gain -20dB to +20dB in 1dB steps\u003c\/li\u003e\n\u003cli\u003eDI Inputs: Input Impedance \u0026gt;650kΩ. Transformer-less Class A Gain 30dB to 60dB in 1dB steps\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAD\/DA Card Specification\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNoise: \u0026gt; -118dBFS\u003c\/li\u003e\n\u003cli\u003eDynamic Range: 120dB\u003c\/li\u003e\n\u003cli\u003eDistortion: \u0026lt;0.0007%\u003c\/li\u003e\n\u003cli\u003eRTL: 4.01ms (192kHz, 32 buffer)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 89mm\/3.5 inches (2U)\u003c\/li\u003e\n\u003cli\u003eWidth: 484mm\/19.05 inches (19″ rack)\u003c\/li\u003e\n\u003cli\u003eDepth: 360mm\/14.17 inches\u003c\/li\u003e\n\u003cli\u003eWeight: 7.8Kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AMS Neve Ltd","offers":[{"title":"Default Title","offer_id":44941592789284,"sku":"ITM005135","price":2915.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/AMS_Neve_1073OPX_Front1.jpg?v=1725072790"},{"product_id":"pultec-eqp-500x","title":"Pultec EQP-500X","description":"\u003cp\u003eThe \u003cstrong\u003ePultec EQP-500X \u003c\/strong\u003eis a 500 series adaptation of the classic EQP-1A Passive EQ, mixing the best attributes of the EQP-1A3-SS and EQP-1S3-SS.\u003c\/p\u003e\n\u003cp\u003eThe Pultec EQP-500X uses an op-amp based on the API 2520, replacing the valves found in the original EQP-1A. The API-inspired op-amp provides a cleaner and more transparent tone without sacrificing the depth and musicality Pultec EQs are known for.\u003c\/p\u003e\n\u003cp\u003eA mixture of the EQP-1A3-SS and EQP-1S3-SS, the EQP-500X features a unique blend of frequencies with an increased amount of high peak boost frequencies (1kHz, 2kHz, 3kHz, 4kHz, 5kHz, 8kHz, 10kHz, 12kHz and 16kHz). It further includes two shelving boost frequencies of 5kHZ and 10kHz. High attenuation frequencies include the classic 5kHz, 10kHz and 20kHz.\u003c\/p\u003e\n\u003cp\u003eThe Low band offers the same frequency choice as on the EQP-1S3-SS (30Hz, 40Hz, 70Hz, 100Hz)\u003c\/p\u003e","brand":"Pulse Techniques, LLC","offers":[{"title":"Default Title","offer_id":44941609861412,"sku":"ITM005633","price":1245.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/pultec-eqp500-kmr4.jpg?v=1771324774"},{"product_id":"pultec-eqp-1a-eq","title":"Pultec EQP-1A","description":"\u003cp\u003eThe \u003cstrong\u003ePULTEC EQP-1A\u003c\/strong\u003e is a faithful recreation of the most legendary of the Pultec designs.\u003c\/p\u003e\n\u003cp\u003eThe EQP-1A is the result of a decade of research into the circuitry, tubes and transformers as well as collaborations into recreating the exact design of the original program EQ.\u003c\/p\u003e\n\u003cp\u003e3U high rackmount unit with controls over two bands. The unique passive design of the Pultec allows for simultaneous boost and cut of the same frequency response creating a resonant shelf that no other EQ design can achieve.\u003c\/p\u003e\n\u003cp\u003eThe EQP-1A is extremely musical and certainly adds a truly unique and warm flavour with an airy feel.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003ePultec EQP-1A Specifications \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLow shelf boost: +13.5 dB @ 20, 30, 60, 100 Hz\u003c\/li\u003e\n\u003cli\u003eLow shelf attenuate: -17.5 dB @ 20, 30, 60, 100 Hz\u003c\/li\u003e\n\u003cli\u003eMid\/high peak boost: +18 dB @ 3, 4, 5, 8, 10, 12, 16 kHz\u003c\/li\u003e\n\u003cli\u003eHi shelf attenuate: -16 dB @ 5, 10, 20 kHz\u003c\/li\u003e\n\u003cli\u003eInput transformer: 600 ohms\u003c\/li\u003e\n\u003cli\u003eNoise: 92 dB below +10 dBm\u003c\/li\u003e\n\u003cli\u003eDistortion: ≤ 0.15% at 10 dBm into 600 ohms\u003c\/li\u003e\n\u003cli\u003eAmplifier: Flat 20 Hz to 20 kHz; +\/- 0.5 dB\u003c\/li\u003e\n\u003cli\u003eValves: 1 each 12AU7, 12AX7, 6X4\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-widget_type=\"heading.default\" data-e-type=\"widget\" data-element_type=\"widget\" data-id=\"3725c59\" class=\"elementor-element elementor-element-3725c59 elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Pulse Techniques, LLC","offers":[{"title":"Default Title","offer_id":57033365684607,"sku":"ITM005647","price":3745.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/Pultec_EQP1A_Front.jpg?v=1771589717"},{"product_id":"rme-babyface-pro-usb-audio-interface","title":"RME Babyface Pro FS","description":"\u003cp\u003eThe \u003cstrong\u003eRME Babyface Pro FS\u003c\/strong\u003e is a USB audio interface with as new redesigned interface with improved analogue and digital circuits to provide superior fidelity as well as lower noise and distortion\u003c\/p\u003e\n\n\u003cp\u003eThe RME Babyface Pro FS has 12 inputs and outputs including 2 XLR inputs, two line and instrument inputs as well as 2 XLR and 2 headphone outputs. The XLR inputs and outputs are integrated on the aluminium housing while two headphone outputs use different driver stage to match low and high impedance headphones. An additional 8 inputs and outputs are available via the Toslink connectors which can be operated as ADAT up to 192kHz (track count would reduce to 4 at 192kHz) or stereo SPDIF. MIDI I\/O is also provided\u003c\/p\u003e\n\n\u003cp\u003eTwo digitally controlled preamps provide up to 70dB of gain and include switchable 48V phantom power. RME TotalMix FX is included to give total control of the different I\/O and DSP eq, reverb and delays while tracking, mixing or routing.\u003c\/p\u003e\n\n\u003cp\u003eThe RME Babyface Pro boasts the latest generation of AD\/DA conversion by RME providing pristine sound and low-latency which combined with the SteadyClock technology ensures exceptional performance.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eRME Babyface Pro FS USB Audio Interface:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e12 Input and 12 Output channels\u003c\/li\u003e\n\n\u003cli\u003e4 x Analog Inputs (Mic, Line, Inst)\u003c\/li\u003e\n\n\u003cli\u003e4 x Analog Outputs (2 x XLR, 2 x headphones)\u003c\/li\u003e\n\n\u003cli\u003e1 x ADAT I\/O or 1 x SPDIF I\/O optical\u003c\/li\u003e\n\n\u003cli\u003e1 x MIDI I\/O\u003c\/li\u003e\n\n\u003cli\u003e1 x USB 2.0 (USB 3 compatible)\u003c\/li\u003e\n\n\u003cli\u003eDigital Gain control on all inputs\u003c\/li\u003e\n\n\u003cli\u003eSeparate outputs for high and low impedance headphones\u003c\/li\u003e\n\n\u003cli\u003eTotalMix FX (with EQ, Reverb, Delay)\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Synthax","offers":[{"title":"Default Title","offer_id":44941616546084,"sku":"ITM005951","price":582.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/rme-babyfaceprofs-kmr.jpg?v=1680171891"},{"product_id":"rme-fireface-ufx-mkiii","title":"RME Fireface UFX III","description":"\u003cp\u003eThe \u003cstrong\u003eFireface UFX III\u003c\/strong\u003e is a powerful all-in-one solution for modern recording studios, live audio playback systems, and multi-channel location recording rigs, with the ability to handle up to 188 channels (94 Inputs \/ 94 Outputs).\u003c\/p\u003e\n\n\u003cp\u003eThe Fireface UFX III combines unprecedented versatility and compatibility with RME's acclaimed low latency hardware and driver designs, ensuring perfect performance for any multi-channel recording application while adding DURec (Direct USB Recording) gives broad choices for backup recordings and stand-alone operation.\u003c\/p\u003e\n\n\u003cp\u003eThe Fireface UFX III has four high-performance XLR\/TRS combination inputs for microphone, instrument, and line signals, two stereo headphone jacks with +19 dBu output level, MIDI I\/O, and a USB port on the front panel.\u003c\/p\u003e\n\n\u003cp\u003eWhen used with the DURec function (Direct USB Recording), the USB port allows for independent recording of defined input and output signals (up to 80 channels) to a connected USB storage device.\u003c\/p\u003e\n\n\u003cp\u003eThe two ADAT I\/Os and the AES I\/O can now be utilised as independent optical SPDIF inputs and outputs with the new Multi-Mode. The Fireface UFX III includes an optical MADI interface (SC) with 64 bidirectional channels. The Word Clock connections (BNC) function as extra coaxial MADI input and output if necessary.\u003c\/p\u003e\n\n\u003cp\u003eThe Fireface UFX III provides access to various RME and third-party digital and analogue I\/O options.\u003c\/p\u003e\n\n\u003cp\u003eThe ability to route\/mix within the digital realm through many sources expands your analogue channel count and provides many versatile possibilities. Several external MADI devices can be linked in series as well.\u003c\/p\u003e\n\n\u003cp\u003eThe Fireface UFX III includes specific RME-style capabilities to increase MADI versatility. In USB 2 mode, for example, which limits I\/O to 30 channels (12 analogue + 16 ADAT plus AES), MADI I\/O is still available via RME's inbuilt hardware mixer TotalMix FX.\u003c\/p\u003e\n\n\u003cp\u003eWord Clock I\/O (BNC) may be converted to MADI I\/O (coaxial), and a unique split mode allows you to utilise both MADI I\/Os simultaneously, with 32 channels on optical and coaxial.\u003c\/p\u003e\n\n\u003cp\u003eRME's newest digital clocking and jitter rejection technology, 'SteadyClock FS,' is also included in the RME Fireface UFX III.\u003c\/p\u003e\n\n\u003cp\u003eSteadyClock FS, initially created for RME's award-winning ADI-2 Pro FS family of high-end converters, decreases intrinsic jitter to an all-time low while converting to and from analogue overall digital formats.\u003c\/p\u003e\n\n\u003cp\u003eAll clock modes deliver outstanding performance and shockingly high-quality analogue conversion, letting you hear your mix precisely as it is.\u003c\/p\u003e\n\n\u003cp\u003eRME's digital format conversion occurs without signal loss. SteadyClock FS assures that your sonic image will never degrade, guaranteeing that the soundstage is duplicated to incredible depth and clarity.\u003c\/p\u003e\n\n\u003cp\u003eThe TotalMix FX DSP mixer, which provides comprehensive routing and monitoring options for all analogue and digital audio channels, is included with the Fireface UFX III, as is the DIGICheck Analyzer, which allows users to measure and analyse digital audio data feeds (in both directions) with maximum precision.\u003c\/p\u003e\n\n\u003cp\u003eTotalMix FX can replace an external mixer, allowing you to create numerous latency-free monitor mixes with EQ, Dynamics, Reverb, and Delay for any output, including main monitors, submixes, and musician headphone mixes.\u003c\/p\u003e\n\n\u003cp\u003eTotalMix Remote, a free companion programme, is a network-controllable remote for TotalMix FX, allowing control of the interface's hardware mixer and effects from another Mac, PC, or iPad, even remotely via Wi-Fi.\u003c\/p\u003e\n\n\u003cp\u003eTotalMix Remote on the iPad and Windows\/Mac PCs mimics the current state of the host system - the whole mixing state, comprehensive routing, all FX settings, up to the level metres, and everything in real-time.\u003c\/p\u003e\n\n\u003cp\u003eMost audio interfaces have typically been constructed using AC-coupled outputs, which employ capacitors to filter out extremely low frequencies.\u003c\/p\u003e\n\n\u003cp\u003eWhile these frequencies are generally considered undesirable for audio, as they consume headroom and may cause damage to other equipment, one application where DC-coupling is still desirable is in the world of modular synthesisers, where static or slow-moving signals are used to control various parameters such as pitch note values or LFOs.\u003c\/p\u003e\n\n\u003cp\u003eThe Fireface UFX III's line-level outputs are all fully DC-coupled, allowing control voltages (CV) or Gate information to be sent to modular synthesisers (such as the popular Eurorack and Moog\/MOTM\/Synthesizers formats) and other studio devices.\u003c\/p\u003e\n\n\u003cp\u003eThe Fireface UFX III has two modes of operation: driver-based and Class Compliant.\u003c\/p\u003e\n\n\u003cp\u003eClass Compliant mode is a standard natively supported by operating systems such as Windows, Mac OSX, and Linux variants, allowing the Fireface UFX III to operate as a Plug 'n' Play device. No proprietary drivers are necessary when the CC firmware is loaded; the device will be recognised immediately.\u003c\/p\u003e\n\n\u003cp\u003eRME's first audio interface with complete USB 3.0 capability in Class Compliant Mode is the Fireface UFX III. 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Unlike any other tube microphones, the Sony C-800g uses a unique Peltier-based cooling system to ensure the optimum temperature for operation of the valve.\u003c\/p\u003e\n\n\u003cp\u003eThe Sony C-800g offers a choice of two polar patterns, either cardioid or omni which can be selected electronically depending on the recording requirements. Throughout its history, the Sony C-800g has become a reference for pop, rock and hip-hop vocals, and a go-to microphone for everything vocal related.\u003c\/p\u003e","brand":"Westlake Pro","offers":[{"title":"Default Title","offer_id":44941641974052,"sku":"ITM006688","price":13040.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/sony-c_800_g_pac-kmr_audio-4488.jpg?v=1680172294"},{"product_id":"solid-state-logic-fusion-hybrid-studio-mixbus-processor","title":"Solid State Logic SSL Fusion","description":"\u003ch2\u003eSolid State Logic FUSION\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eSolid State Logic Fusion\u003c\/strong\u003e combines five different processors to help you give your track the final sheen it needs.\u003c\/p\u003e\n\u003cp\u003eIt starts with a \u003cstrong\u003eVintage Drive\u003c\/strong\u003e, which boasts two controls, Drive and Density, which interact to add harmonic distortion and soft compression for subtle thickening or all-out distortion.\u003c\/p\u003e\n\u003cp\u003eThe next stage is the \u003cstrong\u003eViolet EQ\u003c\/strong\u003e, a two-band Shelving Eq with a minimum phase shift. It is ideal for quick tonal shaping and boasts four carefully selected frequencies for each band and +\/- 9dB of gain. The first new EQ design by SSL in 25 years, the Violet EQ is extremely musical and intuitive.\u003c\/p\u003e\n\u003cp\u003eA \u003cstrong\u003eHigh-Frequency Compressor \u003c\/strong\u003efollows this and provides analogue high-frequency rounding off to provide smooth and transient harshness reduction and tape-like high-frequency roll-off.\u003c\/p\u003e\n\u003cp\u003eA \u003cstrong\u003eStereo Image Enhancer\u003c\/strong\u003e uses true Mid\/Side circuit to help you widen your mix, while the Space control lets you adjust the amount of Low frequency used in the side channels.\u003c\/p\u003e\n\u003ch2\u003eModern Workflow\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eFor the last stage, the SSL Fusion boasts a new switched, custom-designed SSL transformer which adds subtle low-frequency bump and high-frequency phase shift, simultaneously adding heft and sparkle at the touch of a button.\u003c\/p\u003e\n\u003cp\u003eDesigned for today's workflow, the Fusion also includes +\/-12dB input and output level controls and High-pass filter with three selectable cut-off frequencies. Stereo inserts are also provided to connect additional equipment and can be switched to Mid\/Side for use with external processors in M\/S.\u003c\/p\u003e\n\u003cp\u003eThe insert point can be placed before the Violet EQ stage in stereo mode or before the Stereo Image Enhancer in M\/S mode.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; outline: 0px; font-size: 14px; vertical-align: baseline; background: none; font-weight: bold;\"\u003eDepth\u003c\/strong\u003e 303mm \/ 11.9 inches (chassis only)\u003cbr style=\"box-sizing: border-box;\"\u003e328mm \/ 12.9 inches (total including front panel controls)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; outline: 0px; font-size: 14px; vertical-align: baseline; background: none; font-weight: bold;\"\u003eHeight\u003c\/strong\u003e 88.9mm \/ 3.5inches (2 RU)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; outline: 0px; font-size: 14px; vertical-align: baseline; background: none; font-weight: bold;\"\u003eWidth\u003c\/strong\u003e 480mm \/ 19 inches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; outline: 0px; font-size: 14px; vertical-align: baseline; background: none; font-weight: bold;\"\u003ePower\u003c\/strong\u003e 50 Watts maximum, 40 Watts typical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; outline: 0px; font-size: 14px; vertical-align: baseline; background: none; font-weight: bold;\"\u003eUnboxed Weight\u003c\/strong\u003e 5.86kg \/ 12.9lbs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; outline: 0px; font-size: 14px; vertical-align: baseline; background: none; font-weight: bold;\"\u003eBoxed Size\u003c\/strong\u003e 550mm x 470mm x 225mm (21.7″ x 18.5″ x 8.9″)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; outline: 0px; font-size: 14px; vertical-align: baseline; background: none; font-weight: bold;\"\u003eBoxed Weight\u003c\/strong\u003e 8kg \/ 17.6lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Headline Audio","offers":[{"title":"Default Title","offer_id":44941647511844,"sku":"ITM006883","price":1182.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/SSL_Fusion_FrontNEW2.jpg?v=1726872603"},{"product_id":"tk-audio-bc501-gr-500-series-stereo-compressor","title":"TK Audio BC501 GR 500 Series Stereo Compressor","description":"\u003cp\u003eThe \u003cstrong\u003eTK Audio BC501-GR\u003c\/strong\u003e is a 500 Series stereo compressor designed to deliver smooth stereo buss compression inspired by a classic 80's VCA Stereo Buss compressor.\u003c\/p\u003e\n\u003cp\u003eThe TK Audio BC-501-GR delivers transparent compression and the \"glue\" that makes your mix more cohesive and punchy. It works perfectly on the mix buss but also as a drum bus or instrument compressor. It boasts a blend control allowing for processing parallel, to add thickness without sacrificing dynamics, and a switchable side-chain filter with a choice of three frequencies (80Hz, 150Hz, 220Hz) to keep the low end punchy and tight without affecting the compressor.\u003c\/p\u003e\n\u003cp\u003eAll controls are detented for precise setting and easy recall, ideal for mastering applications. A unique THD switch adds even order harmonics to the signal adding a huge amount of character to the sound while a new \"Grab\" mode selects a harder knee on all ratios.\u003c\/p\u003e","brand":"TK Audio","offers":[{"title":"Default Title","offer_id":44941660193060,"sku":"ITM007263","price":841.67,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/tkaudio-bc501-gr-kmr.jpg?v=1680172776"},{"product_id":"universal-audio-1176-ln","title":"Universal Audio 1176 LN","description":"\u003ch2\u003eUniversal Audio 1176 LN\u003c\/h2\u003e\n\u003cp\u003eThe Universal Audio 1176 LN is based on the E\u0026amp;F versions of the black-faced original, with the sole addition of XLR I\/O as well as the original screw-in terminals.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis Universal Audio Classic version of the 1176LN captures all the nuance of the original through obsessive attention to detail and delivers that trademark sound, to make your vocals sit, king on guitar, magic on bass and stunning on drums.\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eEvolved from 175 and 176 Designs\u003c\/h2\u003e\n\u003cp\u003eThe Universal Audio 1176 LN design is based upon the original Universal Audio 1176LN, designed by Bill Putnam, which was a major breakthrough in limiter technology, the first true peak limiter with all transistor circuitry offering superior performance and a signature sound.\u003c\/p\u003e\n\u003cp\u003eEvolved from the popular Universal Audio 175 and 176 vacuum tube limiters, the 1176LN retained the proven qualities of these industry leaders and set the standard for all limiters to follow.\u003c\/p\u003e\n\u003ch2\u003eModern Classic\u003c\/h2\u003e\n\u003cp\u003eToday, the 1176LN is new again. While it certainly would have been possible and much simpler to modernize and \"improve\" the 1176LN, every effort was made to remain faithful to Putnam's design and intentions. Carefully trained staff hand-wire and test each unit until it meets Universal Audio's uncompromising standards. \u003c\/p\u003e\n\u003cp\u003eWith Ultra-fast attack times from 20 microseconds to 800 microseconds and ddjustable release time 50 milliseconds to 1.1 second and still featurign the Custom-built Putnam-designed output transformer - The Universal Audio 1176 LN Solid State Limiting Amplifier - Legendary, high-end, compressor\/limiter used for vocal, bass and instrument tracking across the world.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e   \u003c\/strong\u003e •    Input Impedance 600 ohms, bridges-T control (floating) \u003cbr\u003e    •    Output Load Impedance 600 ohms, floating, damping factor 20 \u003cbr\u003e    •    External Connections Jones Barrier terminals and XLR connectors \u003cbr\u003e    •    Frequency Response ± 1 dB 20 Hz to 20kHz \u003cbr\u003e    •    Gain 50 dB \u003cbr\u003e    •    Distortion Less than 0.5% total harmonic distortion from 50 Hz to 15 kHz with limiting \u003cbr\u003e    •    Signal to Noise Ratio Greater than 70 dB at +10 dBm \u003cbr\u003e    •    Attack Time 20 microseconds to 800 microseconds \u003cbr\u003e    •    Release Time 50 milliseconds to 1.1 seconds \u003cbr\u003e    •    Stereo Interconnection via 1176 SA Network accessory \u003cbr\u003e    •    Meter dB gain reduction and dB output \u003cbr\u003e    •    Power Requirements 120\/240 V\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Vintage King","offers":[{"title":"Default Title","offer_id":44941666943268,"sku":"ITM007466","price":2775.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/universal_audio-1176_ln-kmr_audio-76.jpg?v=1680172910"},{"product_id":"trinnov-audio-nova-and-3d-ethercon-microphone-bundle-stereo","title":"Trinnov NOVA and 3D ethercon microphone bundle stereo","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe \u003c\/span\u003e\u003cb\u003eTrinnov Nova\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e is an all-in-one room correction and acoustic optimisation and monitor controller with a comprehensive set of inputs and outputs, upgradability options, and a streamlined calibration process. It is a versatile and essential component in any professional studio setup.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe heart of the Trinnov Nova is its room correction and acoustic optimisation technology, which has received critical acclaim from sound engineers and music producers worldwide. The Nova can process and optimise up to six speakers, delivering exceptional sound quality in any studio environment, including bass management.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn addition to room correction, the Nova serves as a comprehensive monitor controller, allowing seamless switching between analogue and digital sources, and multiple speaker sets, regardless of their format or connection. The Nova also features a fully integrated DANTE audio over IP i\/o, making it an ideal audio interface for direct DAW-to-monitoring integration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Trinnov Nova offers a comprehensive set of I\/O, allowing you to connect all your equipment in analogue, digital, or even Dante. With Trinnov's latest DAC and ADC, your signals will be crisp and clear, delivering exceptional sound quality to your monitors and integrated headphone output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Trinnov Nova is upgradeable. With a simple licensing system, you can increase the optimised outputs from the base model of two channels up to four or six channels. In addition, Trinnov's new Audio Core, which uses an ARM processor, provides all the computational power necessary for complete Trinnov processing without the need for an additional CPU, making it \"FANLESS\" and exceptionally quiet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Trinnov Nova has a new user interface and uses Windows and Mac apps to operate it. The step-by-step wizard makes calibrations easy, and there is an advanced mode for those who want to get into the finer details. In addition, Trinnov Audio has produced a Mac App that allows you to control the Nova with your phone for those who like to work wirelessly.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Trinnov Nova is compatible with Trinnov's optional hardware desktop monitor controller, \"La Remote,\" which can be personalised to your workflow through an easy drag ‘n’ drop web interface. The measurement microphone has also been improved, with phantom power and integrated memory, providing a streamlined calibration process. With its ability to handle subwoofer integration over single or dual subwoofer configurations and share the same subwoofers across multiple monitor sets, the Trinnov Nova is an ideal studio tool for audio professionals.\u003c\/span\u003e\u003c\/p\u003e","brand":"eMerging Ltd","offers":[{"title":"Default Title","offer_id":45132051349796,"sku":"ITM008477","price":3541.67,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/Trinnov-Nova-Stereo-kmr.jpg?v=1683029128"},{"product_id":"ua-bock-251-tube-condenser-mic-w-psu","title":"Universal Audio Bock 251 Tube Condenser Mic w\/ PSU","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe \u003c\/span\u003e\u003cb\u003eUniversal Audio Bock 251\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e is a top-of-the-line large-diaphragm tube condenser microphone that boasts the legendary smooth and open sound of the iconic ELAM 251. Widely regarded as one of the greatest vocal microphones ever made, the UA Bock 251 is handcrafted perfectly in Santa Cruz, California by world-renowned mic designer David Bock himself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Universal Audio Bock 251 features a German-made CK12 capsule and large output transformer that deliver exceptional extended low-frequency response down to 10 Hz and higher SPL capabilities than vintage 251 microphones. These features result from David Bock's interpretation of the classic 251 microphones, which he developed during his two decades of experience as a chief technical engineer in the world's leading recording studios. Bock has lovingly crafted the UA Bock 251 to ensure it lives up to the highest standards of microphone technology.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eEach UA Bock 251 microphone is hand-wired using premium components, built, and tested to David Bock's exacting standards. The mic's vintage-inspired case, robust shock mount, and accessories reflect the no-expense-spared approach to durability and longevity that ensures the UA Bock 251 will last a lifetime. For professionals seeking the very best in microphone technology, the UA Bock 251 is the ultimate choice.\u003c\/span\u003e\u003c\/p\u003e","brand":"Universal Audio Inc.","offers":[{"title":"Default Title","offer_id":45183566938404,"sku":"ITM008619","price":4582.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/UA-Bock251-kmr.webp?v=1683634270"},{"product_id":"rupert-neve-designs-master-bus-transformer","title":"Rupert Neve Designs Master Bus Transformer","description":"\u003ch2 data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eRupert Neve MBT\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRupert Neve Designs Master Bus Transformer \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eembodies over six decades of Mr. Rupert Neve's unwavering commitment to audio circuit design, where audio transformers have stood as the foundational cornerstone. Painstakingly crafted by Rupert Neve Designs, these bespoke transformers have become indispensable in virtually every RND product. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/MBT-straight-wide-cut_600x600.png?v=1695049023\" alt=\"Rupert Neve Designs MBT Master Bus Transformer\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eInfused with these transformative transformers, the Master Bus Transformer (MBT) offers an extensive palette of sonic possibilities meticulously engineered to enrich, empower, expand, and wholly metamorphose source materials. As the ultimate tool for infusing musical colouration, the MBT finds itself equally at ease enhancing full mixes, groups, stems, or individual sources, seamlessly merging legendary tonal quality with an incredibly adaptable set of controls, allowing you to sculpt your sound to perfection.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eUnleash Sonic Alchemy with the HPF \u0026amp; Shelf EQ\u003c\/h2\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"margin-right: 16px; margin-bottom: 16px; float: left;\" alt=\"Rupert Neve Designs MBT Master Bus Transformer EQ\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/rnd-mbt-eq_480x480.jpg?v=1695049509\" width=\"323\" height=\"232\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe Master Bus Transformer begins its journey with a sophisticated high pass filter featuring adjustable frequency selection, ranging from 100Hz down to 15Hz. It is an invaluable feature when optimising a complete mix for maximum loudness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe unit then introduces a brand-new 2-band Shelf EQ section, characterised by three-octave ranges, gentle slopes, and minimal phase shifts. This elegant and musical EQ offers precise tonal enhancement, mainly when interfacing with other sections of the MBT.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eEach EQ band provides +\/- 9dB of gain control, with the LF EQ corner frequency adjustable from 30Hz to 240Hz and the HF EQ corner frequency variable from 3kHz to 24kHz. The LF band is adept at either taming or accentuating low-end frequencies, delivering the desired weight and power. Meanwhile, the HF band provides a wide range of corner frequencies, allowing users to adjust from the upper midrange to the high end, bestowing tracks with added shine and clarity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe true magic of the MBT lies in the interaction between its different sections. Users can set the EQ first or explore it with other sections depending on their creative needs. What remains consistent is the MBT's invitation to experiment at every turn.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eBreathe In New Life with the Color Comp \u003c\/h2\u003e\n\u003cdiv style=\"text-align: right;\"\u003e\u003cimg style=\"margin-bottom: 16px; margin-left: 16px; float: right;\" alt=\"Rupert Neve Designs MBT Master Bus Transformer Compressor\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/rnd-mbt-comp_480x480.jpg?v=1695049762\" width=\"302\" height=\"310\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe Color Comp boasts a cutting-edge optical compressor design highlighting the Opto cell's non-linear distortion and distinctive \"colourful\" attributes. This compressor's ratio can be adjusted from a subtle 2:1 for gentle compression to a more pronounced 5:1 for dramatic dynamics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eFurthermore, a variable high pass side chain filter allows users to exclude low frequencies from the compressor side chain circuit, ensuring the low-end remains intact. In contrast, the compressor focuses on other aspects of the signal. The sweepable range of this filter extends from 20Hz to 350Hz, offering exceptional tonal shaping control.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe Color Comp also incorporates a Blend control, facilitating parallel compression with the uncompressed source material, a valuable feature when fine-tuning harmonic content, dynamic range, and transient response.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe threshold is adjustable from 0dBu to +24dBu, with a gain reduction LED indicating when the signal surpasses the threshold. Notably, the Color Comp introduces audible non-linear harmonic content even with minimal gain reduction, inviting users to explore its tonal nuances, especially at extreme compressor settings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe release time varies from 100ms to 1.5S, allowing users to achieve various effects, from pronounced \"pumping\" with higher ratios and faster releases to smoother compression with slower release times.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe Color Comp provides 20dB of Class-A makeup gain, facilitating the precise level matching between pre and post-compression signals and driving the interstage transformers in the Super Silk section for enhanced harmonic richness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"margin-right: 16px; margin-bottom: 16px; float: left;\" alt=\"Rupert Neve Designs MBT Master Bus Transformer Width Close Up\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/rnd-mbt-width2_480x480.jpg?v=1695050385\" width=\"346\" height=\"419\"\u003e\u003c\/div\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFind a New Dimension with Width \u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe Width section is designed to expand the perceived stereo width while preserving low-end focus. Inspired by the Stereo Field Editor (SFE) \"WIDTH\" controls of the Master Buss Processor, the MBT's width control is exclusively additive, offering a more comprehensive range for more pronounced effects. Additionally, a variable HPF, adjustable from 50Hz to 800Hz, fine-tunes the width content, ensuring that low frequencies remain centred as mids and highs are expanded to create a spacious mix.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eControl Harmonic Complexity with Super Silk \u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe revered Silk circuit, cherished by Rupert Neve Designs users for nearly two decades, has received a remarkable upgrade with Super Silk. Offering independent controls for Red, Blue, Harmonics, and Zener Drive, Super Silk takes harmonic manipulation to unprecedented heights within the Master Bus Transformer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: right;\"\u003e\u003cimg style=\"margin-bottom: 16px; margin-left: 16px; float: right;\" alt=\"Rupert Neve Designs MBT Master Bus Transformer Silk close\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/MBT-silk-close_480x480.jpg?v=1695050202\" width=\"349\" height=\"267\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eHistorically, Silk was applied only to output transformers, but with the MBT, an extra set of transformers has been added to provide enhanced control and flexibility. This design allows users to drive into Super Silk for dynamic saturation and transient clipping while maintaining proper gain staging using the Output Trim control.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eSilk Red accentuates harmonics in the upper, mid and high frequencies, adding sparkle and sheen. Silk Blue enhances harmonics in the low and low-mid frequencies, adding depth and weight. The Harmonics control saturates the MBT's custom interstage transformers, increasing overall musical harmonic content. These settings interact with Silk Blue and Silk Red, encouraging experimentation and the discovery of unique tonal blends.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe switchable Zener Drive is a diode-based asymmetrical soft clip circuit that introduces primarily odd-order harmonic content as the signal approaches the MBT's headroom limit, resulting in a more aggressive tonal character.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eDrive and Control Levels with I\/O Amplifiers \u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe MBT incorporates Class-A input and output amplifiers to maintain optimal gain staging, drive interstage transformers fully, and match pre and post-signals accurately. These amplifiers feed Rupert Neve Designs' custom output transformers, ensuring line balancing and isolation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"margin-right: 16px; margin-bottom: 16px; float: left;\" alt=\"Rupert Neve Designs MBT Master Bus Transformer - Transformer Close Up\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/MBT-transformers-horiz_480x480.jpg?v=1695049183\" width=\"310\" height=\"211\"\u003e\u003c\/div\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eEmbark on Your Sonic Journey with the Rupert Neve Designs MBT Master Bus Transformer \u003c\/h2\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eEmbark on a sonic journey with the Rupert Neve Designs MBT Master Bus Transformer, where decades of expertise and innovation converge to provide a comprehensive solution for shaping and enhancing audio with unparalleled precision and creativity.\u003c\/span\u003e\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46993129734436,"sku":"ITM008914","price":2962.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/RND-MBT-kmr1.jpg?v=1695048965"},{"product_id":"udo-super-gemini-polyphonic-synthesizer-white","title":"UDO Audio Super Gemini Polyphonic Synthesizer – white","description":"\u003ch2\u003eUDO Super Gemini\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe \u003cstrong\u003eUDO Super Gemini\u003c\/strong\u003e, an exceptional 20-voice binaural polysynth boasting 61 semi-weighted keys and polyphonic aftertouch. Immerse yourself in the lush and velvety tones of 20 mono voices or ten binaurally configured voices; the Super Gemini is the ultimate centrepiece for any studio. Like the Super 6, this instrument offers a potent blend of analogue and digital capabilities, featuring DDS oscillators, timeless waveshapes, and an analogue signal path for both filter and VCA.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith the Super Gemini, you can access four oscillators per voice, each comprised of a primary oscillator with an astonishing super wavetable option and a secondary oscillator with classic waveform selections. Every pair of oscillators has a Mix control and its set of high-pass and low-pass filters.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAdditionally, the Super Gemini provides a versatile modulation matrix for routing two envelopes per your creative desires. Notably, this instrument retains the exquisite Chorus and Delay effects, a hallmark of the Super 6. Equipped with a ribbon controller, boasting 64 interchangeable waveforms for sound sculpting and storage for up to 16 sequences, the Super Gemini by UDO is destined to become an instant classic. It's the ideal choice for those seeking a distinctive and exceptional centrepiece instrument for their musical endeavours.\u003c\/p\u003e","brand":"Hand In Hand","offers":[{"title":"Default Title","offer_id":47214019281188,"sku":"ITM008945","price":2995.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/UDO-super-gemini-kmr.jpg?v=1696243731"},{"product_id":"rupert-neve-designs-5025-dual-shelford-mic-pre","title":"Rupert Neve Designs 5025 Dual Shelford Mic Pre","description":"\u003ch2\u003eRupert Neve Designs 5025 Dual Shelford Mic Pre\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003eThe \u003cstrong\u003eRupert Neve Designs 5025 Dual Shelford Mic Pre\u003c\/strong\u003e is a dual-channel microphone preamplifier that is a definitive evolution of Rupert's classic modules like the 1073, 1064, and 2254. Thoughtfully advanced and refined for the 21st-century studio, this preamp offers an exceptional audio experience.\u003c\/p\u003e\n\u003cp\u003eThe Rupert Neve Designs Dual Shelford Mic Pre is a two-channel version of our flagship preamplifier, which has become an indispensable tool for countless engineers and musicians. It is the recipient of the TEC Award, offering the sonic excellence of two Rupert Neve Designs Shelford mic preamps in a single rack space with an internal power supply. It provides two channels of the finest microphone preamplification available worldwide.\u003c\/p\u003e\n\u003ch2\u003eThe Transformer Gain Mic Pre:\u003c\/h2\u003e\n\u003cp\u003eDrawing inspiration from Rupert's earlier designs in Little Shelford, the Dual Shelford Pre employs a custom step-up transformer on the microphone input that imparts the initial 15 dB of gain. Combined with the surrounding class-A circuitry, this specially crafted transformer plays a pivotal role in the amplifier's distinctive mid-focused magic that graces thousands of classic recordings.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWhile most of the harmonic richness in Rupert's designs emanates from the output transformer and surrounding class-A amplifiers, this input step-up transformer introduces a unique musical enhancement. The technical reasons for this enhancement are primarily due to the reactive impedance characteristics of the input transformer and how it interacts with the connected microphone, resulting in subtle, non-linear harmonic enrichments in the low frequencies and a remarkable sweetness in the high frequencies.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe goal in creating the input stage for the Shelford Channel and Dual Shelford Pre was not mere replication but advancement. It combines the vintage technology's unmistakable sound with a wide-bandwidth frequency response, consistent amplifier performance across all gain settings, and exceptionally low noise operation. Custom transformer designs were meticulously optimized, and complete MuMetal shielding of the input transformer was implemented, resulting in a preamplifier that remains flat from below 10Hz to above 60kHz, offering the purest possible tone and unparalleled versatility.\u003c\/p\u003e\n\u003ch2\u003eWhat is Silk?\u003c\/h2\u003e\n\u003cp\u003eThe exclusive Silk \u0026amp; Texture circuit on the Dual Shelford Mic Pre empowers you to fine-tune the harmonic content in the output stage. This means you can adjust your signal from transparency to settings that produce nearly ten times the amount of sonic character as Rupert's vintage modules, all in two distinct modes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSilk Red\u003c\/strong\u003e enhances the harmonic content generated by the highs and high mids, adding a sparkling sheen to the top end. It's often ideal for vocals, snare, strings, pianos, and other acoustic instruments. On the other hand, \u003cstrong\u003eSilk Blue\u003c\/strong\u003e enhances harmonics from the lows and low mids, providing a substantial low-end boost, making it great for drums, bass guitars, heavy electric guitars, male vocals, and synthesizers.\u003c\/p\u003e\n\u003ch2\u003e\n\u003cbr\u003eThe Dual Output Level Transformers:\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003eComplementing the Silk circuit are custom-designed output transformers utilising Rupert Neve Designs' distinctive dual output topology. These transformers offer Main (+26 dBu) and -6dB (+20 dBu) outputs, allowing you to fully drive the preamps into classic transformer saturation without clipping converters and other downstream devices.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe main outputs maintain a pristine sound at high levels, avoiding nonlinear colouration of the output stage. The -6dB outputs enable you to drive the Shelford fully, adding dynamic tone with those sought-after nonlinear \"colourations\" without clipping most professional interfaces. On drums, vocals, guitars, and other instruments, these outputs let you effortlessly hit the transformer's sweet spot, bringing a recorded performance to life in a way that other preamps cannot match.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eINPUT IMPEDANCE\u2028 :\u003c\/strong\u003e 2.2 kΩ\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMAXIMUM INPUT LEVEL :\u003c\/strong\u003e\u003cbr\u003e@ 1 kHz: +24.9 dBu\u2028@ 1 kHz (Main Out): +26.7 dBu\u2028@ 1 kHz (-6dB Out): +20.7 dBu\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u2028 : \u003c\/strong\u003e20 Hz to 20 kHz: +\/-0.25 dB\u202810 Hz to 62 kHz: +\/- 0.5 dB\u20285 Hz: \u0026lt;\u0026lt; -3 dB\u202870 kHz: -3 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHD+N% (BW 10Hz - 90kHz) : \u003c\/strong\u003e0dBu Input, 1 kHz: \u0026lt; 0.0025%\u2028+20dBu Input, 1 kHz: \u0026lt; 0.008%\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE AT MAIN OUTPUT (BW 22Hz - 22kHz) : \u003c\/strong\u003e0dB Gain: -102 dBu\u2028+30dB Gain: -94 dBu\u2028+66dB Gain: -61 dBu\u2028EIN (+66dB Gain): -127 dBu\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE AT -6dB OUTPUT (BW 22Hz - 22kHz)\u2028 : \u003c\/strong\u003e0dB Gain: -107 dBu\u2028+30dB Gain: -100 dBu\u2028+66dB Gain: -67 dBu\u2028EIN (+66dB Gain): -133 dBu\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePRODUCT DIMENSIONS (W x D x H)\u2028 : \u003c\/strong\u003e19” (48.3 cm) x 9.2” (23.4 cm) x 1.75” (4.4 cm)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSHIPPING WEIGHT\u2028 : \u003c\/strong\u003e11 lbs. 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Featuring three compression modes, the Governor spans from a subtle LA2 style to an unprecedented level of aggression not typically associated with optical compressors.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDistinctively, the Governor employs a dual slope compressor design, exemplifying its innovative approach. In this context, the dual-slope mechanism involves setting an additional threshold beyond the primary compressor threshold. Past this secondary threshold, the release curve of the compressor steepens significantly, resulting in a higher compression ratio. Essentially, this design emulates multi-stage dynamic control, allowing the first threshold to establish a compressor with a lower ratio and a smoother knee while the second threshold configures a compressor with a higher ratio and a steeper knee.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe unique interaction between these dual compression phases within a single device adds a layer of flexibility to the Governor's sound profile. Users can achieve a spectrum of results, ranging from classic levelling effects to the characteristics of modern optical compressors. Notably, the Governor can unleash unprecedented aggression in optical compressors, particularly under extreme settings. This remarkable combination of features makes the Gainlab Audio Governor a versatile and powerful tool for shaping and enhancing audio dynamics.\u003c\/p\u003e","brand":"Gainlab Audio","offers":[{"title":"Default Title","offer_id":47749112889636,"sku":"ITM009109","price":2249.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/gainlab-governor-kmr.jpg?v=1703094152"},{"product_id":"barefoot-sound-footprint03-pair","title":"Barefoot Sound Footprint03 (Pair)","description":"\u003cp\u003eThe \u003cstrong\u003eBarefoot Sound Footprint 03\u003c\/strong\u003e is a groundbreaking addition to the acclaimed Footprint series, evolving as a tri-amplified, 3-way studio monitor that encapsulates superior audio quality in a more compact and affordable design. This model deviates from Barefoot’s traditional sealed cabinet approach, adopting a ported speaker design that delivers exceptional low-end extension with meticulous cabinet construction.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eCabinet and Amplification\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Footprint 03 is designed to offer an unparalleled auditory experience. Coated in Footprint Gray polyester, its cabinet is constructed with stress assembly techniques and medium-density fiberboard (MDF) to ensure stability and dampen vibrations. The tri-amplification system comprises three Class D amplifier modules dedicated to driving a specific speaker component. This configuration includes a 60-watt amplifier for the tweeter and 100-watt amplifiers for the midrange and woofer, achieving a total harmonic distortion (THD) of less than 0.005% at maximum power.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSpeaker Components and Innovation\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eInnovation lies at the core of Footprint 03. The speaker houses a 1\" ring radiator tweeter, a 3.5\" midrange driver with an aluminium cone, and a 6\" forward-facing aluminium cone woofer. Each element is engineered to optimize audio fidelity, featuring advanced magnet and motor systems, copper shorting rings, and improved heat-sink systems. These components work together to minimize distortion, extend excursion capabilities, and maintain reliable performance even during extended use.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAdvanced Audio Technologies\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe introduction of SPOC™ (SPectrally Optimized Conversion) technology and a state-of-the-art Digital Signal Processor (DSP) significantly enhances the audio experience. SPOC™ technology provides higher resolution and a 15 dB signal-to-noise ratio, while the DSP reduces latency and optimizes frequency response, ensuring reduced distortion and heightened clarity.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eVersatility with MEME™ Technology\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eFurthermore, Barefoot Sound's MEME™ Technology (Multi-Emphasis Monitor Emulation) adds versatility, allowing the Footprint 03 to integrate seamlessly into various environments, from professional studios to home setups. 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Its high-resolution audio conversion ensures you hear every detail of your recordings, providing unmatched clarity and depth, making it ideal for music production, mixing, and mastering.\u003c\/p\u003e\n\u003ch2\u003eUnison™ Preamps for Authentic Analogue Tones\u003c\/h2\u003e\n\u003cp\u003eRecord in real-time through the renowned Unison™ mic preamps, which accurately emulate iconic analogue preamps from brands like Neve, API, Avalon, and Manley. This technology captures the exact circuit behaviours of the original hardware, offering professional analogue tones at your fingertips.\u003c\/p\u003e\n\u003ch2\u003eAccess to an Extensive UAD Plug-in Library\u003c\/h2\u003e\n\u003cp\u003eGain access to a vast library of over 200+ award-winning UAD DSP and native plug-ins. These include legendary compressors, EQs, reverbs, and preamps, such as the Teletronix LA-2A, Capitol Chambers, and the EL8 Distressor, enabling you to create world-class mixes using the same tools used in top studios worldwide.\u003c\/p\u003e\n\u003ch2\u003eReal-Time Recording and Low-Latency Monitoring\u003c\/h2\u003e\n\u003cp\u003eThe Apollo Twin X allows you to record and monitor with near-zero latency, even when using complex plug-in chains, thanks to the QUAD Core DSP processing. The UAD Console app further simplifies your workflow by enabling intuitive routing, cue mix setups, and low-latency monitoring.\u003c\/p\u003e\n\u003ch2\u003eEnhanced Monitoring with Apollo Monitor Correction\u003c\/h2\u003e\n\u003cp\u003eThe Gen 2 Apollo Twin X features UA’s highest-resolution D\/A converters, paired with Apollo Monitor Correction powered by Sonarworks®. This ensures accurate monitoring in any environment, whether through speakers or headphones, so you can confidently make critical mixing decisions.\u003c\/p\u003e\n\u003ch2\u003eBass Management for Full-Range Monitoring\u003c\/h2\u003e\n\u003cp\u003eIntegrate a subwoofer into your setup using the Apollo Twin X’s bass management feature, allowing you to monitor the full frequency spectrum of your mix with precision, ensuring every detail is represented clearly, including the low-end.\u003c\/p\u003e\n\u003ch2\u003eAuto-Gain for Faster Workflow\u003c\/h2\u003e\n\u003cp\u003eThe Apollo Twin X’s Auto-Gain function helps you set levels across multiple inputs in seconds, streamlining your recording process and ensuring optimal levels without disrupting your creative flow.\u003c\/p\u003e\n\u003ch2\u003eScalable and Future-Proof Studio Integration\u003c\/h2\u003e\n\u003cp\u003eExpand your studio setup by linking up to four Thunderbolt Apollo interfaces, providing up to 128 premium I\/O channels. This ensures your studio can grow alongside your creative ambitions, making the Apollo Twin X a future-proof investment.\u003c\/p\u003e\n\u003cp\u003eThe Universal Audio Apollo Twin X Quad Gen 2 is designed for professionals seeking elite audio quality, authentic analogue emulations, and seamless integration into any modern studio environment. Its combination of advanced features, including Unison™ preamps, DSP-powered plug-ins, and next-gen monitoring, offers unparalleled performance and flexibility for producers, engineers, and musicians alike.\u003c\/p\u003e\n\u003ch3 class=\"MsoNormal\"\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cu\u003e\u003cspan lang=\"EN\" style=\"font-size: 12.0pt; line-height: 115%;\"\u003eIncluded Plug-Ins in Analog Classics Bundle:\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cspan lang=\"EN\" style=\"font-size: 12.0pt; line-height: 115%;\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003ch4 data-section-id=\"1sl6ckj\" data-start=\"109\" data-end=\"141\" class=\"PDq2pG_selectionAnchorContainer\"\u003eChannel Strips \u0026amp; Preamps (6)\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cul data-start=\"142\" data-end=\"297\"\u003e\n\u003cli data-section-id=\"s5lz0j\" data-start=\"142\" data-end=\"170\"\u003eCentury Tube Channel Strip\u003c\/li\u003e\n\u003cli data-section-id=\"xua4vf\" data-start=\"171\" data-end=\"191\"\u003eCS-1 Channel Strip\u003c\/li\u003e\n\u003cli data-section-id=\"7we37p\" data-start=\"192\" data-end=\"225\"\u003eLA-6176 Signature Channel Strip\u003c\/li\u003e\n\u003cli data-section-id=\"lsv30x\" data-start=\"226\" data-end=\"251\"\u003ePrecision Channel Strip\u003c\/li\u003e\n\u003cli data-section-id=\"8x69hq\" data-start=\"252\" data-end=\"274\"\u003eUA 610-A Preamp \u0026amp; EQ\u003c\/li\u003e\n\u003cli data-section-id=\"1gw8zil\" data-start=\"275\" data-end=\"297\"\u003eUA 610-B Preamp \u0026amp; EQ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-section-id=\"1jg6zhr\" data-start=\"299\" data-end=\"329\"\u003eCompressors \u0026amp; Limiters\u003c\/h4\u003e\n\u003cul data-start=\"330\" data-end=\"534\"\u003e\n\u003cli data-section-id=\"wunt8h\" data-start=\"330\" data-end=\"363\"\u003eFairchild 670 Legacy Compressor\u003c\/li\u003e\n\u003cli data-section-id=\"15phmdz\" data-start=\"364\" data-end=\"408\"\u003eTeletronix LA-2A Legacy Leveling Amplifier\u003c\/li\u003e\n\u003cli data-section-id=\"1ijlg08\" data-start=\"409\" data-end=\"443\"\u003eTeletronix LA-2A Tube Compressor\u003c\/li\u003e\n\u003cli data-section-id=\"1q6kxoy\" data-start=\"444\" data-end=\"471\"\u003ePrecision Buss Compressor\u003c\/li\u003e\n\u003cli data-section-id=\"1tsq229\" data-start=\"472\" data-end=\"496\"\u003eUA 1176 FET Compressor\u003c\/li\u003e\n\u003cli data-section-id=\"1kxmbyi\" data-start=\"497\" data-end=\"515\"\u003eUA 1176LN Legacy\u003c\/li\u003e\n\u003cli data-section-id=\"13aony6\" data-start=\"516\" data-end=\"534\"\u003eUA 1176SE Legacy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-section-id=\"vr5m92\" data-start=\"536\" data-end=\"554\"\u003eEqualisers \u003c\/h4\u003e\n\u003cul data-start=\"555\" data-end=\"625\"\u003e\n\u003cli data-section-id=\"1wq9pme\" data-start=\"555\" data-end=\"576\"\u003ePrecision Equalizer\u003c\/li\u003e\n\u003cli data-section-id=\"5hzozv\" data-start=\"577\" data-end=\"602\"\u003ePultec EQP-1A Legacy EQ\u003c\/li\u003e\n\u003cli data-section-id=\"102wpof\" data-start=\"603\" data-end=\"625\"\u003ePultec Pro Legacy EQ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-section-id=\"bopz08\" data-start=\"627\" data-end=\"653\"\u003eSpecial Processing \u003c\/h4\u003e\n\u003cul data-start=\"654\" data-end=\"779\"\u003e\n\u003cli data-section-id=\"1qk7uel\" data-start=\"654\" data-end=\"675\"\u003eOxide Tape Recorder\u003c\/li\u003e\n\u003cli data-section-id=\"1ce1feo\" data-start=\"676\" data-end=\"696\"\u003ePrecision De-Esser\u003c\/li\u003e\n\u003cli data-section-id=\"osgrkk\" data-start=\"697\" data-end=\"720\"\u003ePrecision Enhancer Hz\u003c\/li\u003e\n\u003cli data-section-id=\"10r4073\" data-start=\"721\" data-end=\"745\"\u003ePrecision Enhancer kHz\u003c\/li\u003e\n\u003cli data-section-id=\"3cblvl\" data-start=\"746\" data-end=\"779\"\u003eVibe Analog Machines Essentials\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-section-id=\"63c6gg\" data-start=\"781\" data-end=\"800\"\u003eInstruments\u003c\/h4\u003e\n\u003cul data-start=\"801\" data-end=\"827\"\u003e\n\u003cli data-section-id=\"14b37zr\" data-start=\"801\" data-end=\"827\"\u003ePolyMAX Polyphonic Synth\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-section-id=\"p0yvr9\" data-start=\"829\" data-end=\"855\"\u003eDelay \u0026amp; Modulation\u003c\/h4\u003e\n\u003cul data-start=\"856\" data-end=\"920\"\u003e\n\u003cli data-section-id=\"pkjrer\" data-start=\"856\" data-end=\"874\"\u003eGalaxy Tape Echo\u003c\/li\u003e\n\u003cli data-section-id=\"scv3h\" data-start=\"875\" data-end=\"896\"\u003ePrecision Delay Mod\u003c\/li\u003e\n\u003cli data-section-id=\"5fs135\" data-start=\"897\" data-end=\"920\"\u003ePrecision Delay Mod L\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-section-id=\"11whsfs\" data-start=\"922\" data-end=\"945\"\u003eReverbs \u0026amp; Rooms\u003c\/h4\u003e\n\u003cul data-start=\"946\" data-end=\"995\"\u003e\n\u003cli data-section-id=\"zcxzg7\" data-start=\"946\" data-end=\"975\"\u003ePrecision Reflection Engine\u003c\/li\u003e\n\u003cli data-section-id=\"4gumua\" data-start=\"976\" data-end=\"995\"\u003ePure Plate Reverb\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-section-id=\"1w9l2fc\" data-start=\"997\" data-end=\"1014\"\u003eMastering\u003c\/h4\u003e\n\u003cul data-start=\"1015\" data-end=\"1078\"\u003e\n\u003cli data-section-id=\"48bv6k\" data-start=\"1015\" data-end=\"1034\"\u003ePrecision Limiter\u003c\/li\u003e\n\u003cli data-section-id=\"1pwwx4a\" data-start=\"1035\" data-end=\"1056\"\u003ePrecision Maximizer\u003c\/li\u003e\n\u003cli data-section-id=\"1b948gu\" data-start=\"1057\" data-end=\"1078\"\u003ePrecision Multiband\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-section-id=\"kwtlu3\" data-start=\"1080\" data-end=\"1101\"\u003eGuitar \u0026amp; Bass\u003c\/h4\u003e\n\u003cul data-start=\"1102\" data-end=\"1216\"\u003e\n\u003cli data-section-id=\"1sbheku\" data-start=\"1102\" data-end=\"1120\"\u003eBermuda Triangle\u003c\/li\u003e\n\u003cli data-section-id=\"gcpwtj\" data-start=\"1121\" data-end=\"1137\"\u003eRaw Distortion\u003c\/li\u003e\n\u003cli data-section-id=\"13wazsh\" data-start=\"1138\" data-end=\"1158\"\u003eTS Overdrive Pedal\u003c\/li\u003e\n\u003cli data-section-id=\"5smmg4\" data-start=\"1159\" data-end=\"1188\"\u003eUAD Lion '68 Super Lead Amp\u003c\/li\u003e\n\u003cli data-section-id=\"ff7az5\" data-start=\"1189\" data-end=\"1216\"\u003eUAD Showtime '64 Tube Amp\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Universal Audio Inc.","offers":[{"title":"Default Title","offer_id":49951730827556,"sku":"ITM009937","price":1091.67,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/Apollo_x2_Gen2_3Qtr_30.jpg?v=1783105688"},{"product_id":"universal-audio-apollo-x8-gen-2-essential","title":"Universal Audio Apollo x8 Gen 2 with UAD Analog Classics","description":"\u003cp\u003eThe \u003cstrong\u003eUniversal Audio Apollo x8 Gen 2 with UAD Analog Classics\u003c\/strong\u003e is a rackmount 18 x 24 Thunderbolt audio interface featuring four Unison mic preamps, high-resolution audio conversion, HEXA core DSP for UAD plug-ins, Auto-Gain, Apollo Monitor Correction, up to 7.1 surround sound support with bass management, and a premium software suite for Mac and Windows.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eHigh-Quality Audio Conversion\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Apollo X8 Gen 2 boasts industry-leading audio conversion, offering an exceptional dynamic range and low distortion, ensuring pristine audio fidelity in recording and playback. This next-generation audio interface provides the finest sound quality Universal Audio has ever delivered, catering to both music producers and engineers seeking the best in digital-to-analogue and analogue-to-digital conversion.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eUnison™ Preamps for Authentic Analogue Sound\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eRecord in real-time through four Unison™ mic preamps, capturing the authentic sound of classic analogue gear from Neve, API, Avalon, and more. Unison technology allows you to achieve the rich sonic textures of renowned vintage hardware directly in your digital setup, enhancing your recordings with warmth and depth akin to traditional analogue workflows.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003ePowerful HEXA Core DSP Processing\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eWith its HEXA Core processing, the Apollo X8 offers seamless integration with UAD plug-ins, providing real-time recording and mixing with premium software titles. This DSP engine supports complex plug-in chains, enabling professionals to utilise powerful tools such as Auto-Tune, Neve, SSL, and Manley, without overloading their computer’s CPU.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eComprehensive UAD Plug-In Library\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Apollo X8 gives access to a vast library of over 200 UAD plug-ins, including award-winning tools like Capitol Chambers, Ocean Way Studios, and EL8 Distressor. These plug-ins, emulating some of the most revered hardware in music production history, offer superior sound-shaping capabilities, allowing professionals to craft mixes with precision.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eEnhanced Monitoring and Surround Sound\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eApollo Monitor Correction, powered by Sonarworks®, ensures accurate playback through headphones or monitors by correcting room acoustics. Additionally, the interface supports up to 7.1 surround sound with bass management, providing a complete solution for immersive audio production.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAuto-Gain and Bass Management for Streamlined Workflow\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Apollo X8 includes Auto-Gain, allowing users to set input levels across multiple channels in seconds, ensuring an efficient recording process. Its bass management feature integrates a subwoofer into the monitoring system, offering detailed low-end control for precise mixing in any studio environment.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eUAD Console App for Flexible Control\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe UAD Console App acts as the digital hub of the Apollo X8, offering advanced features like low-latency cue mixing, plug-in routing, and immersive monitoring controls. This software mimics the functionality of a traditional analogue console, providing an intuitive workflow for modern studios.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eScalable Studio Solutions\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eExpand your setup by connecting up to four Thunderbolt Apollo interfaces, giving you up to 128 channels of premium I\/O. This scalable solution adapts to the evolving needs of professional studios, with Apollo Twin or x4 providing additional control directly from your desktop.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eA Hybrid System for Complex Productions\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eApollo X8 combines its HEXA Core DSP with native processing on your host computer, allowing for large-scale sessions with complex plug-in chains. This hybrid system outperforms traditional native-only recording setups, offering the power and flexibility required for demanding audio projects.\u003c\/p\u003e\n\u003ch3 class=\"MsoNormal\"\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cu\u003e\u003cspan lang=\"EN\" style=\"font-size: 12.0pt; line-height: 115%;\"\u003eIncluded Plug-Ins in Analog Classics Bundle:\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cspan lang=\"EN\" style=\"font-size: 12.0pt; line-height: 115%;\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003ch4 data-section-id=\"1sl6ckj\" data-start=\"109\" data-end=\"141\" class=\"PDq2pG_selectionAnchorContainer\"\u003eChannel Strips \u0026amp; Preamps (6)\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cul data-start=\"142\" data-end=\"297\"\u003e\n\u003cli data-section-id=\"s5lz0j\" data-start=\"142\" data-end=\"170\"\u003eCentury Tube Channel Strip\u003c\/li\u003e\n\u003cli data-section-id=\"xua4vf\" data-start=\"171\" data-end=\"191\"\u003eCS-1 Channel Strip\u003c\/li\u003e\n\u003cli data-section-id=\"7we37p\" data-start=\"192\" data-end=\"225\"\u003eLA-6176 Signature Channel Strip\u003c\/li\u003e\n\u003cli data-section-id=\"lsv30x\" data-start=\"226\" data-end=\"251\"\u003ePrecision Channel Strip\u003c\/li\u003e\n\u003cli data-section-id=\"8x69hq\" data-start=\"252\" data-end=\"274\"\u003eUA 610-A Preamp \u0026amp; 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Unlike traditional compressors, this innovative design allows complete control over compression envelopes, styles, and harmonic profiles. By employing pure analogue PWM signal processing, the device eliminates undesirable artefacts and distortion while offering infinite control over onset and ballistics, enabling audio engineers to craft unique sonic textures with unmatched precision.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eModal Compression: Six Distinct Sonic Personalities\u003c\/h2\u003e\n\u003cp\u003eThe Brick Lane 500 functions as a chameleon-like tool, offering six distinct compression modes, each engineered to deliver unique tonal characteristics and dynamic responses. Velvet mode emulates the vintage musicality of Vari-Mu-style compression with tube-inspired warmth and smooth harmonic saturation. Float mode delivers opto-inspired transparent dynamics with gentle, wave-like compression behaviour. 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Each of its six voices features a single voltage-controlled oscillator (VCO) and a sub-oscillator, processed through a mixer, a 4-pole low-pass ladder voltage-controlled filter (VCF), and a voltage-controlled amplifier (VCA). The digital control system includes a low-frequency oscillator (LFO) and two ADSR-type envelope generators, while an integrated stereo digital effects processor provides chorus and delay. With MIDI Polyphonic Expression (MPE) support, 512 preset slots, and extensive connectivity options including MIDI, USB, and balanced stereo outputs, the Bree6 is a versatile instrument for professional sound design and performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eIntuitive Interface and Direct Control\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe GS Music Bree6 features a user-friendly interface with a one-knob-per-function design, ensuring immediate access to every control parameter without menu diving. This layout allows quick and efficient sound shaping, making it ideal for both live performances and studio work. The synth offers MIDI In, Out, and Thru, USB connectivity, balanced stereo audio outputs, a headphone output, and CV inputs, ensuring seamless integration with modern setups.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eFully Analogue Signal Path\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe Bree6 employs a completely analogue signal path, starting with a single VCO per voice alongside a sub-oscillator that generates a square wave one octave below the main oscillator. The oscillator section offers both sawtooth and pulse waveforms, with pulse width modulation (PWM) that can be modulated via the LFO. The oscillator’s tuning can also be adjusted, providing flexibility for tonal shaping.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eAdvanced Filtering Capabilities\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe filter section includes a 24dB-per-octave 4-pole low-pass ladder filter with resonance control. The filter can be modulated by one of the ADSR envelope generators (EG1), with velocity sensitivity affecting modulation depth for dynamic response. Additional modulation options include control via the LFO, the modulation wheel, and aftertouch, allowing intricate shaping of harmonics and timbre.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eStereo Digital Effects Processor\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eA built-in stereo effects processor expands the sonic possibilities of the Bree6. The chorus effect employs multiple modulated delay lines to emulate the lush textures of string ensembles and vocal harmonics. The stereo delay effect offers a maximum delay time of one second, enriching the spatial depth of sounds and enhancing the overall mix.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eComprehensive Modulation Options\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe Bree6 features a versatile LFO with selectable waveforms, including triangle, ramp up, ramp down, square, and random with sample and hold. The LFO operates within a frequency range of 0.1Hz to 100Hz, providing modulation for the VCO, VCF, and VCA. This allows for dynamic sound movement, from subtle vibrato to extreme pitch modulation.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003ePrecision Envelope Generators\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eTwo ADSR-type envelope generators provide detailed control over the dynamics of both the amplifier and the filter. These envelopes enable precise shaping of attack, decay, sustain, and release parameters, allowing the creation of expressive and evolving soundscapes.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eMIDI Polyphonic Expression (MPE) Compatibility\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe Bree6 supports MIDI Polyphonic Expression (MPE), offering enhanced performance articulation when used with compatible MPE controllers such as Osmose, Linnstrument, and Geoshred. This allows independent expressive control of each note, making it ideal for nuanced and organic performances.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eTech Specs \u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePolyphony: 6 voices. Oscillator (VCO): Single Analog oscillator per voice. \u003c\/li\u003e\n\u003cli\u003eFilter (VCF): 24dB\/Oct Low-pass ladder filter with resonance control. \u003c\/li\u003e\n\u003cli\u003eEnvelope Generators: 2 ADSR type. \u003c\/li\u003e\n\u003cli\u003eLFO: Triangular, Ramp up, Ramp down, Square, Sample and hold. \u003c\/li\u003e\n\u003cli\u003eEffects: Delay, Chorus (DSP: 32 bits, 48kHz, DAC\/ADC:24 bits). \u003c\/li\u003e\n\u003cli\u003ePresets: 512 \u003c\/li\u003e\n\u003cli\u003eConnections: MIDI In, MIDI Out, Thru, L\/Mono Audio Output (Balanced, 1\/4\" TRS), R Audio Output (Balanced, 1\/4\" TRS), Headphone Output (Stereo, 1\/4\" TRS), USB. \u003c\/li\u003e\n\u003cli\u003ePower Supply: Input: 100 –240V 50\/60 Hz 1.2 A. Output: DC 12V 3A \u003c\/li\u003e\n\u003cli\u003ePower Consumption: 3W \u003c\/li\u003e\n\u003cli\u003eDimensions: 360 mm x 126 mm x 67 mm \/ 14.17” x 4.96” x 2.64” \u003c\/li\u003e\n\u003cli\u003eWeight: 1.5 kg \/ 3.31 lbs. \u003c\/li\u003e\n\u003cli\u003eDimensions with packaging: 460 mm x 200 mm x 140 mm \/ 18.11” x 7.87” x 5.51”. \u003c\/li\u003e\n\u003cli\u003eWeight with packaging: 2.1 kg \/ 4.63 lbs. \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"GS Music","offers":[{"title":"Default Title","offer_id":55112896971135,"sku":"ITM010350","price":741.67,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/GS_2BBree_2B6_2B-_2BBlack_2B-_2B01.jpg?v=1741001649"},{"product_id":"hedd-audio-type-05-a-core-pair","title":"HEDD Audio Type 05 A-Core (Pair)","description":"\u003cp data-start=\"77\" data-end=\"425\" class=\"\"\u003eThe \u003cstrong\u003eHEDD Audio TYPE 05 A-CORE\u003c\/strong\u003e is a high-precision, fully analogue nearfield monitor that features a 5-inch custom honeycomb woofer, a hand-built Air Motion Transformer (AMT) tweeter, and dual 100W Class D ICE power amplifiers to deliver accurate full-range sound from 43 Hz to 50 kHz at up to 112 dB SPL.\u003c\/p\u003e\n\u003ch2 data-start=\"427\" data-end=\"935\"\u003e\u003cstrong data-start=\"427\" data-end=\"452\"\u003eDesign and Components\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"427\" data-end=\"935\" class=\"\"\u003eDesigned and hand-assembled in Germany, the TYPE 05 A-CORE inherits the core components of HEDD's flagship MK2 series but forgoes DSP and conversion stages in favour of a pure analogue signal path. This results in ultra-low latency and high reliability without the need for any software or digital configuration. The enclosure integrates a physical front-panel standby switch with an illuminated HEDD logo, offering direct control without reliance on menus or external interfaces.\u003c\/p\u003e\n\u003ch2 data-start=\"937\" data-end=\"1424\"\u003e\u003cstrong data-start=\"937\" data-end=\"969\"\u003ePerformance and Connectivity\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"937\" data-end=\"1424\" class=\"\"\u003eDespite its compact size, the monitor provides surprisingly deep bass performance and maintains clarity across the frequency spectrum. High and low shelving EQ filters allow precise tuning for different room acoustics and tonal preferences. Its versatile input section includes RCA (unbalanced), XLR, and TRS (balanced) connectors, enabling seamless integration into a wide range of studio or immersive audio environments, including Dolby Atmos setups.\u003c\/p\u003e\n\u003ch2 data-start=\"1426\" data-end=\"1710\"\u003e\u003cstrong data-start=\"1426\" data-end=\"1455\"\u003eSuitability and Usability\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"1426\" data-end=\"1710\" class=\"\"\u003eThe TYPE 05 A-CORE suits producers, DJs, and engineers who value analog precision, plug-and-play simplicity, and robust sonic performance. Offering a five-year warranty, it stands as an accessible yet uncompromising entry into the HEDD Audio ecosystem.\u003c\/p\u003e","brand":"Hedd Audio GmbH","offers":[{"title":"Default Title","offer_id":55448387322239,"sku":"ITM010596","price":858.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/hedd-typ05-Acore-kmr.jpg?v=1747148357"},{"product_id":"oxi-instruments-oxi-one-mk2-nostalgia","title":"OXI Instruments OXI ONE MK2 NOSTALGIA","description":"\u003cp data-start=\"15\" data-end=\"289\"\u003eThe \u003cstrong data-start=\"19\" data-end=\"53\"\u003eOxi One MkII Nostalgia Edition\u003c\/strong\u003e is a performance-focused multitrack sequencer that supports MIDI, CV\/Gate, and DAW integration, offering eight fully configurable sequencers, a 128-pad touch interface, and extensive modulation capabilities for advanced music creation.\u003c\/p\u003e\n\u003ch2 data-start=\"291\" data-end=\"880\"\u003e\u003cstrong data-start=\"291\" data-end=\"327\"\u003eAdvanced Sequencing Architecture\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"291\" data-end=\"880\"\u003eOxi One MkII provides eight independent sequencers, each capable of handling up to 64 tracks depending on mode. These sequencers operate autonomously with their own timing, direction, start and end points, and shuffle values. Six sequencing modes—Multi, Chord, Mono, Polyphonic, Stochastic, and Metriceal—cater to various musical needs, from generative improvisation to complex harmonic arrangements. Each sequencer includes two assignable LFOs, an arpeggiator with fifteen modes, and a looper, allowing deep pattern evolution and modulation control.\u003c\/p\u003e\n\u003ch2 data-start=\"882\" data-end=\"1382\"\u003e\u003cstrong data-start=\"882\" data-end=\"910\"\u003eEnhanced Hardware Design\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"882\" data-end=\"1382\"\u003e\u003cbr data-start=\"910\" data-end=\"913\"\u003eThe MkII version features a larger and more responsive design with an upgraded display and increased button count for improved workflow. The CPU operates at double the speed of its predecessor, and the internal memory is significantly expanded. The addition of a microSD slot provides virtually unlimited project storage. The 128 multi-touch RGB pads allow for note input, parameter drawing, and XY control, transforming the surface into a versatile performance canvas.\u003c\/p\u003e\n\u003ch2 data-start=\"1384\" data-end=\"1974\"\u003e\u003cstrong data-start=\"1384\" data-end=\"1419\"\u003ePowerful Live Composition Tools\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"1384\" data-end=\"1974\"\u003eA Live Arranger with song view lets users chain and visually arrange patterns up to 128 steps. Real-time input is available via external MIDI keyboards, the internal chaser, Euclidean and drum pattern generators, and Keyboard Mode. The Humaniser introduces nuanced imperfections in timing and triggering, while the onboard Randomiser enables creative unpredictability across pitch, gate length, and velocity. FLOW and Performance modes offer dynamic layering, real-time modulation, and advanced expressive tools like the Accumulator and Repeat engines.\u003c\/p\u003e\n\u003ch2 data-start=\"1976\" data-end=\"2520\"\u003e\u003cstrong data-start=\"1976\" data-end=\"2015\"\u003eModulation Matrix \u0026amp; CV Capabilities\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"1976\" data-end=\"2520\"\u003eOver 40 internal modulations can be routed via the extended MIDI and CV matrix. CVs are freely assignable as LFOs, ADSRs, or custom modulation curves. Users can modulate MIDI CCs, switch arpeggiator octaves, or automate drum velocities using internal or external sources. Eight CV outs and eight Gate outs provide flexible connectivity, with two CV inputs and full Clock I\/O support. The sequencer integrates with Eurorack systems via the Pipe MkII module, which helps manage cable routing efficiently.\u003c\/p\u003e\n\u003ch2 data-start=\"2522\" data-end=\"2983\"\u003e\u003cstrong data-start=\"2522\" data-end=\"2559\"\u003eChord Mode \u0026amp; Harmonisation Engine\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2522\" data-end=\"2983\"\u003eThe innovative Chord Mode supports up to eight voices with access to over 150 chord types, including spread and bass configuration options. The Chord Arpeggiator adds motion to harmonic content, while the Harmoniser ensures musical coherence across all tracks by syncing their harmonic progression to the central chord sequence. This allows musicians to create complex arrangements without in-depth theoretical knowledge.\u003c\/p\u003e\n\u003ch2 data-start=\"2985\" data-end=\"3373\"\u003e\u003cstrong data-start=\"2985\" data-end=\"3013\"\u003eConnectivity \u0026amp; Expansion\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2985\" data-end=\"3373\"\u003eConnectivity includes MIDI In\/Out, USB-C, Bluetooth MIDI, and an HDMI port for integration with Pipe MkII. The device supports wireless MIDI to CV\/Gate or USB conversion and vice versa. Expansion is possible with the Split 2 module, adding six MIDI outputs and one MIDI Thru. It is USB-powered and includes a MIDI-TRS adapter, microSD card, and travel case.\u003c\/p\u003e","brand":"OXI Instruments","offers":[{"title":"Default Title","offer_id":55523209838975,"sku":"ITM010648","price":665.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/IS1086718-01-01-BIG.jpg?v=1748599898"},{"product_id":"groove-synthesis-3rd-wave-8m-8-voice-desktop-synthesizer","title":"Groove Synthesis 3rd Wave 8M (8-Voice Desktop Synthesizer)","description":"\u003cp data-start=\"150\" data-end=\"465\"\u003eThe \u003cstrong\u003eGroove Synthesis 3rd Wave 8M\u003c\/strong\u003e is an 8-voice, bi-timbral desktop synthesiser that delivers full access to the flagship 3rd Wave sound engine, complete with wavetable, analogue-style, FM and sampling synthesis, housed in a compact, rack-mountable format.\u003c\/p\u003e\n\u003ch2 data-start=\"467\" data-end=\"1171\"\u003e\u003cstrong data-start=\"467\" data-end=\"502\"\u003eComplete Synthesis Architecture\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"467\" data-end=\"1171\"\u003eThe 3rd Wave 8M offers three high-resolution digital oscillators per voice, each capable of wavetable synthesis, analogue-style waveform generation, linear FM, and sampling. It includes 64 user wavetable slots with 48 factory tables, comprising 32 classic PPG waveforms and room for 16 additional legacy-style 8-bit tables. It also features 7 high-resolution modelled analogue waveforms and supports VCO sync, unison and chord modes with variable voice counts. Each oscillator has a six-stage wave envelope with variable time and position and optional looping, alongside an upper wavetable mode and waveflow functionality that allows operation without interpolation.\u003c\/p\u003e\n\u003ch2 data-start=\"1173\" data-end=\"1615\"\u003e\u003cstrong data-start=\"1173\" data-end=\"1204\"\u003eDual Analogue Filter Design\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"1173\" data-end=\"1615\"\u003eThe signal path integrates two premium analogue filters. A 24 dB\/oct Dave Rossum-designed 2140 low-pass filter provides resonance, variable saturation and optional resonance compensation. A second 12 dB\/oct state-variable filter offers continuous morphing between low-pass, notch and high-pass modes, as well as a selectable band-pass configuration. Filters can be routed in series for complex tonal shaping.\u003c\/p\u003e\n\u003ch2 data-start=\"1617\" data-end=\"2286\"\u003e\u003cstrong data-start=\"1617\" data-end=\"1650\"\u003eModulation and Control System\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"1617\" data-end=\"2286\"\u003eWith a 16-slot modulation matrix per part and 12 additional fixed paths, the modulation system runs at audio rate and accommodates 27 sources and 114 destinations. Four LFOs provide variable delay, note reset, clock sync and eight waveform types. Four ADSR envelopes with delay—switchable between exponential and vintage PPG-style response—are fully assignable. The built-in sequencer handles both note and parameter sequencing, supporting two parts per sequence, 24 sequences per preset, and up to 32 measures with adjustable quantisation and swing. Each part also includes an arpeggiator with assignable direction and octave range.\u003c\/p\u003e\n\u003ch2 data-start=\"2288\" data-end=\"2856\"\u003e\u003cstrong data-start=\"2288\" data-end=\"2326\"\u003eAdvanced FX and Wavetable Creation\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2288\" data-end=\"2856\"\u003eEach part includes two digital effects processors offering tape and stereo delays, chorus, phaser, flanger, ring modulator, BBD, rotary speaker, distortion and multiple reverb types modelled on classic hardware, all clock-syncable and modulatable. The onboard Wavemaker tool converts external audio—via input jack or USB-imported 96 kHz WAV files—into 64-waveform custom wavetables at 96 kHz, 16-bit resolution. It supports Serum™ wavetable import and allows flexible wave lengths and cycle mapping for key range compatibility.\u003c\/p\u003e\n\u003ch2 data-start=\"2858\" data-end=\"3133\"\u003e\u003cstrong data-start=\"2858\" data-end=\"2881\"\u003eInterface and Build\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2858\" data-end=\"3133\"\u003eThe desktop module provides 24 knobs, 36 buttons, and a 7-inch colour display with six rotary encoders for hands-on programming. It comes rack-mountable with 19-inch rack ears included. Users have access to 451 factory programs, all user rewritable.\u003c\/p\u003e\n\u003ch2 data-start=\"3135\" data-end=\"3521\"\u003e\u003cstrong data-start=\"3135\" data-end=\"3161\"\u003eConnectivity and Power\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"3135\" data-end=\"3521\"\u003eConnectivity includes two stereo outputs (one per part), headphone out, MIDI In\/Out\/Thru, USB MIDI, audio input for wavetable sampling or filter processing, and inputs for sustain, volume and expression pedals. The unit operates via an external universal 100–240V power supply delivering 15V at 45 watts. It weighs 4.8 kg and ships in a 53 x 29 x 20 cm box.\u003c\/p\u003e","brand":"Groove Synthesis","offers":[{"title":"Default Title","offer_id":55714482061695,"sku":"ITM010809","price":1462.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/GrooveSynthesis_3rdWave_8M_white_horizontal_1_topshot.jpg?v=1752683186"},{"product_id":"erica-synths-x-hexinverter-hexdrum","title":"Erica Synths x Hexinverter Hexdrums","description":"\u003cp data-end=\"476\" data-start=\"141\"\u003eThe \u003cstrong\u003eErica Synths x Hexinverter HexDrums\u003c\/strong\u003e is a fully analogue drum machine combining Hexinverter’s legendary Mutant circuitry with Erica Synths’ signature industrial design and sequencing power, delivering a comprehensive, performance-ready percussion instrument for professional producers and live performers.\u003c\/p\u003e\n\u003ch2 data-end=\"997\" data-start=\"478\"\u003e\u003cstrong data-end=\"490\" data-start=\"478\"\u003eOverview\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-end=\"997\" data-start=\"478\"\u003eForged from the collaboration between Erica Synths and Hexinverter, the HexDrums embodies a fusion of precision engineering and raw sonic power. The unit features ten distinct analogue sound sources inspired by the acclaimed Mutant series, including two independent kick drum engines (BD9 and Bass Drum), an optimised Mutant Machine, Snare, Clap, Rimshot, and HiHats. To extend its tonal range, the HexDrums integrates Erica Synths’ Cymbals section, providing ten sets of crash and ride cymbal samples.\u003c\/p\u003e\n\u003cp data-end=\"1262\" data-start=\"999\"\u003eEach drum voice includes individual outputs, allowing flexible routing and external processing, while the master section offers stereo panning, an onboard compressor, and a drive circuit derived from the renowned Mutant Glue for additional saturation and punch.\u003c\/p\u003e\n\u003cp data-end=\"1644\" data-start=\"1264\"\u003eIts X0X-style sequencer gives a fluid, hands-on workflow ideal for studio or stage, supporting up to 64-step patterns with advanced performance features such as accents, per-step microtiming, ratchets, rolls, and probability control. With 16 banks of 16 patterns, a song mode, and USB memory backup, it provides a complete sequencing environment for complex rhythmic arrangements.\u003c\/p\u003e\n\u003ch2 data-end=\"2002\" data-start=\"1646\"\u003e\u003cstrong data-end=\"1674\" data-start=\"1646\"\u003ePerformance and Workflow\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-end=\"2002\" data-start=\"1646\"\u003eThe HexDrums maintains Erica Synths’ philosophy of immediacy and control through a tactile interface that encourages real-time experimentation. Designed for professional use, it delivers tight timing, dynamic expressiveness, and deep programmability without sacrificing the intuitive feel of classic analogue drum machines.\u003c\/p\u003e\n\u003ch3 data-end=\"2033\" data-start=\"2004\"\u003e\u003cstrong data-end=\"2031\" data-start=\"2004\"\u003eWhy Choose the HexDrums\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul data-end=\"2461\" data-start=\"2034\"\u003e\n\u003cli data-end=\"2097\" data-start=\"2034\"\u003e\n\u003cp data-end=\"2097\" data-start=\"2036\"\u003ePurely analogue drum synthesis with exceptional tonal depth\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2160\" data-start=\"2098\"\u003e\n\u003cp data-end=\"2160\" data-start=\"2100\"\u003eImmediate X0X-style sequencing with advanced step features\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2227\" data-start=\"2161\"\u003e\n\u003cp data-end=\"2227\" data-start=\"2163\"\u003eIndependent outputs for full mixing and processing flexibility\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2297\" data-start=\"2228\"\u003e\n\u003cp data-end=\"2297\" data-start=\"2230\"\u003eIntegrated stereo compressor and drive for cohesive, punchy mixes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2353\" data-start=\"2298\"\u003e\n\u003cp data-end=\"2353\" data-start=\"2300\"\u003eExtensive pattern memory with easy song arrangement\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2405\" data-start=\"2354\"\u003e\n\u003cp data-end=\"2405\" data-start=\"2356\"\u003eBuilt with robust, performance-ready ergonomics\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2461\" data-start=\"2406\"\u003e\n\u003cp data-end=\"2461\" data-start=\"2408\"\u003eCollaboration between two industry-respected brands\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":55895068443007,"sku":"ITM010615","price":990.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/ERICA_HEXDRUM-kmr.jpg?v=1760624554"},{"product_id":"udo-dmno","title":"UDO DMNO  - White","description":"\u003cp data-start=\"291\" data-end=\"547\"\u003eThe \u003cstrong\u003eUDO DMNO\u003c\/strong\u003e is an 8-voice, 2-part multitimbral analogue-hybrid synthesizer that combines FPGA-powered digital oscillators, dual Dynamic Multi-Core Stereo VCFs, and a 32-bit DSP effects engine into a highly versatile and immediate performance instrument.\u003c\/p\u003e\n\u003ch2 data-start=\"549\" data-end=\"987\"\u003eOverview\u003c\/h2\u003e\n\u003cp data-start=\"549\" data-end=\"987\"\u003eUDO’s DMNO delivers a new approach to analogue synthesis by merging digital precision with organic analogue tone. Each of its two independent 4-voice synthesiser engines provides a dedicated control set, while the new per-voice Dynamic Multi-Core Stereo Filter system offers multiple routing options in parallel, series, or stereo. These architectures enable everything from warm, textured pads to overdriven soundscapes.\u003c\/p\u003e\n\u003ch2 data-start=\"989\" data-end=\"1376\"\u003ePlay Modes\u003c\/h2\u003e\n\u003cp data-start=\"989\" data-end=\"1376\"\u003eThe instrument includes eight Play Modes that redefine interaction between its two engines. Musicians can layer both engines, create keyboard splits, cycle or randomise notes across timbres, or use the Series mode, which routes DMNO 1 through DMNO 2 for complex oscillator behaviours. These modes allow instant reconfiguration of the signal path with a single control.\u003c\/p\u003e\n\u003ch2 data-start=\"1378\" data-end=\"1904\"\u003eOscillators and Modulation\u003c\/h2\u003e\n\u003cp data-start=\"1378\" data-end=\"1904\"\u003eFPGA-based oscillators deliver alias-free waveforms with selectable shapes including sine, sawtooth, square, triangle, pulse, and complex user-updateable waveforms. Each oscillator can operate in “super mode” with multiple dynamically de-phased voices to produce wide stereo fields. Noise generators, oscillator sync, and extensive modulation via three envelopes and two LFOs give deep sculpting potential. The modulation matrix enables intuitive mapping across a wide range of destinations.\u003c\/p\u003e\n\u003ch2 data-start=\"1906\" data-end=\"2307\"\u003eFilter System\u003c\/h2\u003e\n\u003cp data-start=\"1906\" data-end=\"2307\"\u003eThe Dynamic Multi-Core Stereo Filters employ a novel voltage-controlled design with a rich musical character. They can operate in stereo, series, or parallel, offering combinations of low-pass, high-pass, band-pass, all-pass, and phase-shifting responses. A delta-cutoff control spreads filter peaks for wide textures, and the circuit can be driven for additional harmonic depth.\u003c\/p\u003e\n\u003ch2 data-start=\"2309\" data-end=\"2664\"\u003eEffects and Sequencer\u003c\/h2\u003e\n\u003cp data-start=\"2309\" data-end=\"2664\"\u003eThe DMNO features an integrated 32-bit DSP effects chain with syncable delay, reverb, EQ, distortion, and chorus. These can range from subtle enhancements to extreme sound transformations. A 64-step onboard sequencer with intuitive display-based editing and an advanced arpeggiator expand performance and composition options.\u003c\/p\u003e\n\u003ch2 data-start=\"2666\" data-end=\"3143\"\u003eConnectivity and Display\u003c\/h2\u003e\n\u003cp data-start=\"2666\" data-end=\"3143\"\u003eThe synthesizer integrates seamlessly into studio or live setups, with DIN MIDI, USB MIDI, and a 2-in 2-out 24-bit USB audio interface. Additional features include an external stereo input with gain-adjustable preamplifier, gate generator, and envelope follower, as well as CV\/gate outputs and a stereo auxiliary out. A high-contrast electroluminescent glass VFD provides wide-angle viewing and immediate control, avoiding deep menu structures.\u003c\/p\u003e\n\u003ch2 data-start=\"3145\" data-end=\"3419\"\u003eBuild Quality\u003c\/h2\u003e\n\u003cp data-start=\"3145\" data-end=\"3419\"\u003eBuilt with a 44-key FATAR keybed with aftertouch, premium rotary controls, and no-compromise components, the DMNO combines tactile immediacy with long-term reliability. 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Its SuperAnalogue™ circuitry ensures a ruler-flat frequency response (±0.1dB from 20Hz to 20kHz), minimal phase shift, and exceptionally low noise. With no electrolytic capacitors in the audio path and vanishingly low transient intermodulation distortion, it captures every nuance with precision and realism.\u003c\/p\u003e\n\u003ch2 data-start=\"1108\" data-end=\"1155\"\u003e\u003cstrong data-start=\"1112\" data-end=\"1153\"\u003eDual Mic Amp – SuperAnalogue™ or VHD™\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"1156\" data-end=\"1713\"\u003eEngineers can choose between two world-class preamps. The pristine SuperAnalogue™ input provides transparent gain with vast headroom and clarity, while the Variable Harmonic Drive (VHD™) circuit introduces character and harmonic richness. By blending 2nd-order harmonics for valve-like warmth or 3rd-order harmonics for a harder, transistor edge, users can tailor tonal colour to any source. The INPUT FLIP control moves the VHD circuit from the mic to the line input, allowing flexible harmonic processing on instruments or DAW returns without re-patching.\u003c\/p\u003e\n\u003ch2 data-start=\"1715\" data-end=\"1765\"\u003e\u003cstrong data-start=\"1719\" data-end=\"1763\"\u003eVariable Harmonic Drive (VHD™) Explained\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"1766\" data-end=\"2066\"\u003eOriginally designed to complement SSL’s most accurate preamps, VHD™ technology has evolved into a key creative tool across SSL’s consoles and rack units. It gives producers a single preamp capable of moving seamlessly from pure and clean to rich and saturated, adding punch and texture when required.\u003c\/p\u003e\n\u003ch2 data-start=\"2068\" data-end=\"2103\"\u003e\u003cstrong data-start=\"2072\" data-end=\"2101\"\u003eComplete Dynamics Section\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2104\" data-end=\"2546\"\u003eThe dynamics section reproduces SSL’s renowned compression and gating behaviour. A high-performance THAT 2181A VCA powers the compressor, offering Peak Detect and switchable Fast Attack for tighter transient control. The gate\/expander features variable hysteresis integrated into the threshold and a dedicated Hold control for precise shaping of sustain and ambience. Engineers can position the dynamics pre or post-EQ to suit their workflow.\u003c\/p\u003e\n\u003ch2 data-start=\"2548\" data-end=\"2590\"\u003e\u003cstrong data-start=\"2552\" data-end=\"2588\"\u003eSSL EQ Circuits – Pink and Black\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2591\" data-end=\"3269\"\u003eThe Super 9000 includes both the 292 G-Series ‘Pink Knob’ and the 242 E-Series ‘Black Knob’ EQ circuits. The 292 circuit’s variable-Q design creates smooth, musical boosts and cuts that tighten as they intensify, while the 242’s constant-Q design—developed with Sir George Martin—delivers more surgical precision. Two special buttons expand flexibility: in 292 mode, they multiply or divide mid-band frequency ranges by three for targeting unusual tonal areas; in 242 mode, they toggle the high and low bands between bell and shelving operation. 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