{"title":"Rupert Neve Designs","description":"\u003ch2\u003eRupert Neve Designs\u003c\/h2\u003e\n\u003cp\u003eUnder the astute guidance of Rupert as the founder and mentor, the exceptional team of engineers at RND remains steadfast in preserving the revered aspects of his most cherished vintage designs. Simultaneously, they conscientiously strive to propel these designs forward by refining and enhancing their features to cater to the evolving needs of modern recording engineers. Every recording and playback equipment crafted by the company upholds the highest standards of musical quality while ingeniously offering practical and innovative solutions for today's engineers, musicians, and discerning audiophiles, as well as those of future generations.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe journey of Rupert Neve Designs commenced in 2005 with the introduction of the original Portico modules. These modules seamlessly integrated concepts from Rupert's illustrious tenure at the Neve Company, Focusrite, and AMEK, resulting in a new line of outboard equipment. This groundbreaking line successfully translated Rupert's vision of high-fidelity audio into a more modular and contemporary workflow.\u003c\/p\u003e\n\u003cp\u003eThe Portico Series, a testament to Rupert's console design philosophies, paved the way for the iconic 5088 mixer. Unsurpassed in its excellence, this mixer is the only modern console that matches the exceptional build quality of Rupert's legendary 80-Series consoles from the early 1970s. Even today, these vintage consoles are considered some of the most remarkable ever built. The 5088 carries forth its design philosophies without compromise, boasting higher voltage, reduced noise, custom transformers on every input and output, and an astonishing amount of headroom. This unparalleled combination makes it an unparalleled gem in console production.\u003c\/p\u003e\n\u003cp\u003eBetween 2009 and 2013, Rupert Neve Designs unleashed a slew of renowned pieces that have gained global acclaim. The Portico II Channel \u0026amp; Master Buss Processor, the 5059 Satellite \u0026amp; 5060 Centerpiece, and Rupert's inaugural authentic 500-Series modules, among others, elevated the company's SILK circuit concept to new heights. These advancements amplified the equipment's sonic flexibility, allowing it unprecedented versatility across various audio sources.\u003c\/p\u003e\n\u003cp\u003eIn 2013, the Shelford Series made its grand entrance, further enriching the product lineup of Rupert Neve Designs. Inspired by vintage aesthetics, the 5051 Inductor EQ + Compressor, 5052 Mic Preamp + Inductor EQ, and flagship Shelford Channel synthesized the most desirable elements from legendary predecessors like 1073, 1064, and 2254. The Shelford Series epitomised the brand's commitment to delivering excellence by melding these elements into highly flexible, versatile, and dependable tools for modern engineers.\u003c\/p\u003e\n\u003cp\u003eFrom 2014 to today, Rupert Neve Designs firmly established its position in high-end live sound with groundbreaking products such as the 5045 Primary Source Enhancer and the RMP-D8 Dante connected mic preamp. The latter, featuring the company's inaugural foray into digital connectivity, further cemented its standing as a driving force in the industry.\u003c\/p\u003e\n\u003cp\u003eRupert Neve's passing left an indelible void, resulting in the loss of a true legend within the realm of recorded music. His impact on the industry is immeasurable, and his absence continues to reverberate throughout the hearts and minds of those who cherish his remarkable contributions.\u003c\/p\u003e","products":[{"product_id":"rnd-shelford-series-and-5052-mono","title":"Rupert Neve Designs 1 x 5052 Module, Wooden Chassis, \u0026 PSU","description":"\u003cp\u003eThis bundle comes with a Rupert Neve Shelford 5052 housed in a beautiful wooden box and the Rupert Neve PSU-5\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs Shelford 5052\u003c\/strong\u003e is a vintage-style mic pre and 3-band EQ inspired by some of the most popular and timeless outboards. The Rupert Neve Designs Shelford 5052 mic updates the classic designs to include many new features such as simultaneous pre \/ post tape operation, variable Silk\/Texture control found on the Portico II series. The Shelford 5052 combines the best of his classic designs with the best components and modern performance. The mic preamp of the Shelford 5052 delivers 72dB of discrete class-A gain, which is coupled with square-core transformers and features Rupert Neve's modern Silk \/ Silk Blue and Texture controls found on his Portico II series. This allows you to control your tonality further adding more flexibility by adding between 4-5% Total Harmonic Distortion (THD) mainly from the 2nd order but some 3rd order harmonics as well to deliver a richer, thicker sound. Without the Silk button engaged, the sound is a very modern pristine sound with Rupert's signature sound so revered throughout the world. Additional features of the mic preamp include Mic\/Line selection, a sweepable 20-250Hz high-pass filter, 48V phantom power, and polarity reversal. The Shelford 5052 uses a transformer-coupled output which can route the preamp's signal to tape or your DAW before reaching the EQ section while still using the Silk and Texture options. Alternatively, a compressor can be connected between the preamp and the EQ section or both pre and post EQ sources can be fed into the recording system. A \"To EQ\" button can be engaged to route the signal into the EQ as a regular channel strip would. The 3-band EQ of the Shelford 5052 is reminiscent of its vintage legend, using the best of each of Rupert's Neves original designs. From the Low Frequency band based on the 1064 known for its creamy and resonant bass sound, to the mid and high bands based on the ultimate 1073, the Shelford 5052 is sure to become a modern classic. The 5052's homage to the classic designs of the past is only matched by many of the modern features such as a blending inductor circuitry which allows you to get a great vintage tone but with greater control, while a low-feedback class A discrete electronics prevent low-level artifacts and harshness occurring when shaping your sound. Although referring to timeless classics, the Rupert Neve Designs Shelford 5052 uses modern components and techniques setting it apart from its predecessors and a powerful unit in its own right. To power up the 5052 module, RND has provided two options, the RND 5-way brick supply and the RND 25-way 2U rack-mount supply. It can be mounted in RND's 2-way and 4-way vertical racks as well as the existing 9-way racks and 5088 penthouse.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941624312100,"sku":"ITM006050","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/shelford-channel-5052-single.jpg?v=1788328513"},{"product_id":"rnd-shelford-series-and-5052-stereo","title":"Rupert Neve Designs 2x 5052 Modules, Wooden Chassis, \u0026 PSU","description":"\u003cp\u003eThis bundle comes with two Rupert Neve Shelford 5052 housed in a beautiful wooden box and the Rupert Neve PSU-5\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs Shelford 5052\u003c\/strong\u003e is a vintage-style mic pre and 3-band EQ inspired by some of the most popular and timeless outboards.\u003c\/p\u003e\n\u003cp\u003eThe Rupert Neve Designs Shelford 5052 mic updates the classic designs to include many new features such as simultaneous pre \/ post tape operation, variable Silk\/Texture control found on the Portico II series. The Shelford 5052 combines the best of his classic designs with the best components and modern performance.\u003c\/p\u003e\n\u003cp\u003eThe mic preamp of the Shelford 5052 delivers 72dB of discrete class-A gain, which is coupled with square-core transformers and features Rupert Neve's modern Silk \/ Silk Blue and Texture controls found on his Portico II series. This allows you to control your tonality further adding more flexibility by adding between 4-5% Total Harmonic Distortion (THD) mainly from the 2nd order but some 3rd order harmonics as well to deliver a richer, thicker sound. Without the Silk button engaged, the sound is a very modern pristine sound with Rupert's signature sound so revered throughout the world. Additional features of the mic preamp include Mic\/Line selection, a sweepable 20-250Hz high-pass filter, 48V phantom power, and polarity reversal.\u003c\/p\u003e\n\u003cp\u003eThe Shelford 5052 uses a transformer-coupled output which can route the preamp's signal to tape or your DAW before reaching the EQ section while still using the Silk and Texture options. Alternatively, a compressor can be connected between the preamp and the EQ section or both pre and post EQ sources can be fed into the recording system. A \"To EQ\" button can be engaged to route the signal into the EQ as a regular channel strip would.\u003c\/p\u003e\n\u003cp\u003eThe 3-band EQ of the Shelford 5052 is reminiscent of its vintage legend, using the best of each of Rupert's Neves original designs. From the Low-Frequency band based on the 1064 known for its creamy and resonant bass sound to the mid and high bands based on the ultimate 1073, the Shelford 5052 is sure to become a modern classic. The 5052's homage to the classic designs of the past is only matched by many of the modern features such as a blending inductor circuitry which allows you to get a great vintage tone but with greater control, while a low-feedback class-A discrete electronics prevent low-level artefacts and harshness occurring when shaping your sound. Although referring to timeless classics, the Rupert Neve Designs Shelford 5052 uses modern components and techniques setting it apart from its predecessors and a powerful unit in its own right.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003eMIC PREAMP\u003cbr\u003e\u003cbr\u003eNOISE\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eUn-weighted, 22 Hz - 22 kHz, source impedance 150 Ohm balanced.\u003cbr\u003e\u003c\/em\u003eMic Pre Out @ unity gain: Better than -102 dBV\u003cbr\u003eMain Out @ unity gain: Better than -103 dBV\u003cbr\u003eWith gain @ +66 dB: Better than -60 dBV\u003cbr\u003eEquivalent Input Noise: Better than -126 dB\u003cbr\u003eGain Unity: up to +66 dB in 6 dB steps followed by a +\/- 6 dB trim\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003eLINE INPUT\u003cbr\u003e\u003c\/strong\u003eGain +\/- 6 dB continuously adjustable\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003eMIC PRE OUTPUT\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eUn-weighted, 22 Hz - 22 kHz, source impedance 40 Ohm balanced.\u003cbr\u003e\u003c\/em\u003eNo load: Via line input with 40 Ohm source impedance\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003eNOISE\u003cbr\u003e\u003c\/strong\u003eBetter than -102 dBV\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003cbr\u003e\u003c\/strong\u003e+\/- 0.1 dBu from 10 Hz to 31.5 kHz\u003cbr\u003e-2.6 dB @ 120 kHz\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003eMAXIMUM OUTPUT LEVEL\u003cbr\u003e\u003c\/strong\u003e25 dBu\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003eTOTAL HARMONIC DISTORTION AND NOISE\u003cbr\u003e\u003c\/strong\u003e@ 1 kHz, +20 dBu output level, no load: Better than 0.002%\u003cbr\u003e@ 20 Hz, +20 dBu output level, no load: 0.25% Typical (2nd and 3rd harmonic)\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003eMAIN OUTPUT\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eMeasured via line input.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003eNOISE\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eUn-weighted, 22Hz - 22kHz, source impedance 40 Ohm balanced. \u003cbr\u003e\u003c\/em\u003eNo load: Better than -102 dBV\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003cbr\u003e\u003c\/strong\u003e+\/- 0.1 dBu from 10 Hz to 40 kHz\u003cbr\u003e-1 dB @ 174 kHz\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003eMAXIMUM OUTPUT LEVEL\u003c\/strong\u003e \u003cbr\u003e25 dBu\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003eTOTAL HARMONIC DISTORTION AND NOISE\u003cbr\u003e\u003c\/strong\u003e@ 1 kHz, +20 dBu output level, no load: Better than 0.002%\u003cbr\u003e@ 20 Hz, +20 dBu output level, no load: 0.08% Typical (2nd and 3rd harmonic)\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003eTOTAL HARMONIC DISTORTION AND NOISE WITH SILK ENGAGED\u003cbr\u003e\u003cbr\u003eRED\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eTEXTURE @ min.\u003cbr\u003e\u003c\/em\u003e@ 100 Hz, +20 dBu input level, no load 0.015%, mostly 3rd harmonic (typical)\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cem\u003eTEXTURE @ max.\u003cbr\u003e\u003c\/em\u003e@ 100 Hz, +20 dBu input level, no load 1.5%, mostly 2rd harmonic (typical)\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003eBLUE\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eTEXTURE @ min.\u003cbr\u003e\u003c\/em\u003e@ 100 Hz, +20 dBu input level, no load 0.0075%, mostly 3rd harmonic (typical)\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cem\u003eTEXTURE @ max.\u003cbr\u003e\u003c\/em\u003e@ 100 Hz, +20 dBu input level, no load 1%, mostly 2rd harmonic (typical)\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003eEQ INPUT\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eUn-weighted, 22 Hz - 22 kHz, source impedance 40 Ohm balanced.\u003cbr\u003e\u003c\/em\u003eNo Load: Noise Better than -105 dBV\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003cbr\u003e\u003c\/strong\u003e+\/- 0.1 dBu from 10 Hz to 40 kHz\u003cbr\u003e-1 dB @ 174 kHz\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003eMAXIMUM OUTPUT LEVEL\u003c\/strong\u003e \u003cbr\u003e26 dBu\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003eTOTAL HARMONIC DISTORTION AND NOISE\u003cbr\u003e\u003c\/strong\u003e@ 1 kHz, +20 dBu output level, hi Z: Better than 0.002%\u003cbr\u003e@ 20 Hz, +20 dBu output level, hi Z: 0.006% Typical (2nd and 3rd harmonic)\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"sqsrte-small\"\u003e \u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003eHIGH PASS FILTER\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eContinuously variable swept frequency from 20 Hz to 250 Hz.\u003cbr\u003e\u003c\/em\u003eSlope: 12 dB\/Octave\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"sqsrte-small\"\u003e \u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003eEQUALISER ENGAGED\u003cbr\u003e\u003cbr\u003eNOISE\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eUn-weighted, 22 Hz-22 kHz, source impedance 40 Ohm balanced.\u003cbr\u003e\u003c\/em\u003eNo load: Better than -95 dBV\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003eMAXIMUM OUTPUT LEVEL\u003cbr\u003e\u003c\/strong\u003e25 dBu\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003ePHANTOM POWER\u003cbr\u003e\u003c\/strong\u003eSupplied by internal switching converter, switch selectable on front faceplate\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003eMAXIMUM INPUT\u003cbr\u003e\u003c\/strong\u003eFrom 20 Hz to 20 kHz, +25 dBu\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003ePOWER REQUIREMENTS\u003cbr\u003e\u003c\/strong\u003e@ +\/-24VDC maximum current draw: 0.26A\/0.20A\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\"\u003e\u003cstrong\u003eDIMENSONS\u003c\/strong\u003e\u003cbr\u003e9.375” H x 1.75” W\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941624344868,"sku":"ITM006051","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/shelford-channel-5052-pair.png?v=1788328531"},{"product_id":"rupert-neve-designs-5057","title":"Rupert Neve Designs 5057 Orbit","description":"\u003ch2 data-mce-fragment=\"1\"\u003eRupert Neve Designs 5057 Orbit\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong\u003eRupert Neve Designs 5057 Orbit\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a 16x2 summing mixer using Class-A circuit design with custom transformers and Rupert Neve’s Silk Red and Blue circuitry and Texture.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Rupert Neve Designs 5057 Orbit delivers the tone, punch and open soundstage associated with its class A analogue summing for the past 60 years and transforms sterile mixes into vibrant, clear and deep while keeping the convenience of mixing with a DAW.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eCustom Transformer\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAt its heart, the 5057 Orbit features a highly custom output transformer configuration originally found on the Shelford Channel. the output transformer feeds two different outputs, a Main output and a -6dB output. The lower output can drive the 5057 hard without clipping the AD converter or the next device in the chain. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHitting the output transformer towards saturation will create music harmonics and a glue that will bring digital mixes to life, adding richness, harmonic complexity and depth unlike anything else.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis transformer colouration is the essence of Rupert Neve’s legacy throughout the years. \u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eSilk Circuit\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn addition, the 5057 includes Rupert Neve’s renowned Silk circuit with both Silk Red and Silk Blue options (available at a press of a button), giving you additional control over the harmonic density and tonality of the mix.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUsed with the Silk Red mode, it will boost the transformer saturation in the high and high mid-region, creating a vibrant midrange full of natural presence often associated with Rupert Neve’s vintage equipment.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOn the other hand, the Silk Blue will excite the lows and low midrange, adding density, thickness, and weight, ideal for thin-sounding mixes.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Silk brings highly musical harmonics to the mix based on the amount of Texture applied.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBy driving a mix hard and combining Silk and texture controls, the 5057 provides a rich saturated sound full of a vintage vibe. For situations where a clean and open sound is required, disengage the Silk texture.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eAccurate with Wide Stereo Image\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEach channel of the 5057 has been set with precision within +\/-0.1dB and has extremely low crosstalk. This ensures the widest and most accurate stereo image, resulting in superior depth and detailed audio rendition. \u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eModular by Design \u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMultiple units can be chained together using the Buss Link connections allowing for larger track counts. Alternatively, it can be used with the 5059 Satellite for additional summing flexibility and routing.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePaired with the 5060, the Orbit creates a core of a world-class analogue modular console system capable of rivalling any large-scale studio setup.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003ePerfect integration with DAW Systems\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe simple design of the Orbit makes it easy to recall a session and set its level with precision while adding the rich tone of Rupert Neve’s Class A transformer-coupled designs.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e16 Channel +\/- 21V Class-A mix buss for massive headroom\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSilk Red \u0026amp; Blue modes with Texture control to precisely dial in the desired amount of classic tone\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDual-tap output transformers create rich harmonic character without clipping the next device in the chain\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMono switches enable you to precisely centre any mono mix elements like vocals, kick, snare and bass \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eExceptional linearity and accuracy, better than +\/-0.1dB per channel\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eUltra-low crosstalk for wide open stereo imaging and sonic depth\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eExpandable for higher channel count via buss link to other 5057 units\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRepeatable, rapid DAW-based recall while adding the rich, unrivalled sound quality of Rupert Neve Designs\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRobust and compact 1U chassis design with DB25 inputs and XLR outputs\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCombine with other Rupert Neve Designs summing products to create a world-class modular mix system\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eINPUT IMPEDANCE\u2028: 16K Ohm\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFREQUENCY RESPONSE\u2028: 10 Hz to 50 kHz: +\/- 0.1 dB\u2028150 kHz: -3 dB\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNOISE\u2028: From 22 Hz - 22 kHz.\u2028-90 dBu typical\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMAXIMUM INPUT LEVEL: \u2028@ 1 kHz: +26 dBu\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMAXIMUM OUTPUT LEVEL: \u2028@ 1 kHz: +26 dBu\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTHD+N%\u2028 From 22 Hz - 22 kHz.\u20280 dBu @ 1 kHz: 0.003%\u2028+20 dBu @ 1 kHz: 0.0006%\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCROSSTALK\u2028: 1 kHz: -103 dBu\u202810 kHz:  -93 dBu\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941624508708,"sku":"ITM006053","price":1445.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/RND_5057_Orbit.jpg?v=1791446997"},{"product_id":"rupert-neve-designs-5059-satellite","title":"Rupert Neve Designs 5059 Satellite","description":"\u003cp\u003eBuilt around many of the topologies and custom transformers made famous with the 5088 mixer and Portico II Series, the \u003cstrong\u003e5059\u003c\/strong\u003e is designed to deliver the ultimate \"out of the box\" sonics and ergonomics in a 2U, rack-mountable chassis.\u003c\/p\u003e\n\n\u003cp\u003eThe 5059 features 16 channels with individual level, pan, inserts, stereo-2 sends, and master texture controls, providing easy integration with outboard equipment, complete control for two separate stem mixes, and the ability to dial in analogue mojo in two modes. With the same sonic heritage as mixers used to create countless hit records, the 5059 Satellite Mixer imbues tracks with the legendary warmth and presence of a Rupert Neve design.\u003c\/p\u003e\n\n\u003ch2\u003eThe Signature of Excellence\u003c\/h2\u003e\n\n\u003cp\u003eThe most important element of the 5059 is its legendary sound. The keys to the sonic prowess of the 5059 are the custom transformers and true class-A topologies found within. The class-A topologies in the 5059 have been fine-tuned over a number of years to provide exceptional sonic performance and completely eliminate cross-over distortion. When combined with Mr. Rupert Neve's transformer design and implementation, the 5059 achieves a remarkable purity, while also conveying the signature warmth and larger-than-life sound reminiscent of Rupert's classic designs.\u003c\/p\u003e\n\n\u003ch2\u003eMaking Connections\u003c\/h2\u003e\n\n\u003cp\u003eOne drawback to mixing \"in the box\" is the inability to use high-quality analogue outboard equipment. Channel inserts are provided in the 5059 to streamline interconnections with analogue outboard equipment and to allow for further expansions of the 5059’s capabilities. By connecting a second 5059 to the insert outputs of a 5059, the dual stereo outputs can be used as a way to add 4 auxes to each of the 16 channels.\u003c\/p\u003e\n\n\u003ch2\u003eFrom Clean to Colored and Everywhere in Between\u003c\/h2\u003e\n\n\u003cp\u003eEvery mix demands its own treatment; continuously variable Texture controls with Silk and Silk+ modes allow the engineer to fine-tune the harmonic ratio and tonality of each stereo send of the 5059, or leave each mix pristine. The Silk mode accentuates the transformer saturation in the high frequencies to add a \"sparkle\" to tracks. The Silk + mode accentuates the saturation of the low frequencies to add thickness and density to any source – especially useful for dry, somewhat anaemic mixes. Unlike EQ, the texture control saturates the output transformers and adds musical harmonics to the source material according to the amount of texture applied.\u003c\/p\u003e\n\n\n\n\u003ch2\u003eStem It or Sum It\u003c\/h2\u003e\n\n\n\n\u003cp\u003eAside from providing aux functionality with a second 5059 module, the dual stereo outputs of the 5059 are generally used for creating stem mixes. These stem mixes can be enhanced using the Silk \/ Texture controls on the 5059, then processed by buss compressors or other devices, and fed into inputs of another mixer or an ADC.\u003c\/p\u003e\n\n\n\n\u003cp\u003eWith 16 channels of Rupert Neve designed class-A magic and numerous tonal and routing options, the 5059 Satellite mixer will elevate your DAW-based studio’s sound and performance to new heights.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941624639780,"sku":"ITM006054","price":2399.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/rnd-5059-shelford-kmr.jpg?v=1788328547"},{"product_id":"rupert-neve-designs-5060-centrepiece","title":"Rupert Neve Designs 5060 Centrepiece","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve 5060 Centrepiece\u003c\/strong\u003e is a Class-A 24x2 desktop mixer with flexible monitoring, DAW transport control and custom transformers.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe Rupert Neve 5060 is the centrepiece of modern hybrid analogue\/digital systems and provides many functions such as summing from your DAW to 2-track, audio source selection, monitoring feed outputs. The 5060 has been designed to be the core of a bigger, modular and scalable system and integrates your DAW seamlessly to external analogue units such as other Portico units. \u003c\/p\u003e\n\n\n\n\u003cp\u003eThe Rupert Neve 5060 Centrepiece uses Rupert Neve's proven high voltage Class A design with custom transformers, famous for delivering detailed, spacious and larger than life sound. In addition, the 5060 feature the Silk\/Texture controls giving further tonal shaping capabilities by adding harmonic distortion.  With two modes, Silk red and Silk Blue, it is possible to tailor where the harmonic distortions happens. In Silk red, the harmonic saturation happens in the high-mid and high frequencies producing a more open sound whereas in Silk blue mode, the harmonic distortion happens in the low-mid and lows, delivering a denser sound with more weight. The Silk mode recalls Rupert's Neve previous vintage Class A designs. \u003c\/p\u003e\n\n\n\n\u003cp\u003eStereo inputs 1-8 are controlled by four 100mm long-throw fader and can be either stereo or centre panned mono. They also feature insert points while the main input channels feed a separate \"to monitor\" output which can have talkback assigned and can be used to feed stems to multi-track recorders. The remaining 16 stereo inputs are controlled by 8 rotary knobs on the top of the unit and can be used for stems as well as aux inputs. A Stereo Buss Master fader provides the overall level of the stereo buss monitor as well as stereo master output and features transformers coupled inserts.\u003c\/p\u003e\n\n\n\n\u003cp\u003eFinally, The 5060 Centrepiece provides standard transport functions within your DAW such as Play, Stop, Record, Fast-Forward, Rewind, Loop, shuttle\/jog and marker drops. All you need to do is connect your 5060 via MIDI or USB and you can control your DAW of choice.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941624672548,"sku":"ITM006055","price":7890.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/rnd-5060-kmr.jpg?v=1680171976"},{"product_id":"rupert-neve-designs-5060-rack-kit","title":"Rupert Neve Designs 5060 Rack Kit","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve 5060 Rack Kit\u003c\/strong\u003e allows you to mount your Rupert Neve 5060 Centerpiece into a standard 19-Inch rack.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eRupert Neve 5060 Rack Kit Main Features:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eAll metal construction\u003c\/li\u003e\n\n\u003cli\u003eSpecifically designed for the 5060 Centerpiece\u003c\/li\u003e\n\n\u003cli\u003eEasy to install\u003c\/li\u003e\n\n\u003cli\u003e8U Design - Remember to leave space for the connectors\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941624705316,"sku":"ITM006056","price":74.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/rnd-5060rk-kmr.jpg?v=1788328557"},{"product_id":"rupert-neve-designs-5088","title":"Rupert Neve Designs 5088","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs Shelford 5088\u003c\/strong\u003e is a high voltage and entirely discrete console that incorporates custom-designed input and output transformers, a hallmark of Mr Rupert Neve's mixing consoles over the years. \u003c\/p\u003e\n\u003cp\u003eThe 5088 is an expandable 16 channel line mixer that provides 8 group busses, 8 auxiliary sends, 4 stereo effects returns and a stereo output buss.\u003c\/p\u003e\n\u003cp\u003eThe Rupert Neve Designs Shelford 5088 represents the pinnacle of console design, thanks in no small part to Rupert Neve’s latest custom high voltage and discrete op-amps cards that not only deliver incredible headroom and dynamic range but also offer exceptionally low-noise and distortion as well as removing any crossover distortion.\u003c\/p\u003e\n\u003cp\u003eThe Shelford 5088 continues Rupert Neve’s transformer-based designs with each input and output sporting custom-built transformers, offering the sweetness and larger-than-life sound attributed to Neve’s designs. \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eTotally Configurable\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Rupert Neve Designs Shelford 5088 comes with 16 Mono and 4 Stereo Effects Returns as standard and is expandable in 16-channel sections (allowing for configurations of 32, 48, 64, 80 channels etc) or in a smaller 8-channel frame.\u003c\/p\u003e\n\u003cp\u003eThe 16-channels expander chassis have the same form as the mainframe and allow for multiple expansion chassis depending on required channel counts. All internals, groups, solo, aux and master busses are linked through ribbon cables.\u003c\/p\u003e\n\u003cp\u003e8-channel frames are also available adding 8-channel modules that can be either mono or stereo, four buss outputs, four auxiliary sends and two stereo FX returns as well as a master section. This frame is suitable for smaller projects that do not require an extensive amount of Aux send and FX returns. The Penthouse section allows for sixteen slots in total but can instead be used to house 19” rack processors.\u003c\/p\u003e\n\u003cp\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/5088-cutaway-3000px-close-GALLERY_480x480.jpg?v=1689370269\" alt=\"\"\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eInput Modules\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eAll input modules offer buss\/line\/tape input selections, transformer-coupled direct outputs which can be configured pre or post-fader, eight mix busses, eight auxiliary sends, and 100mm faders with solo\/mute capability.\u003c\/p\u003e\n\u003cp\u003eInput modules come as Mono or Stereo. The Mono Input channels offer a choice of Tape, Line and Buss inputs while the Stereo version uses both Line inputs simultaneously and offers dedicated input trims and panning as well as adding a width control.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eMaster Section\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe master section includes four stereo group modules as well as a monitor master section. \u003c\/p\u003e\n\u003cp\u003eEach group module includes high-quality 100mm faders, direct outs and transformer-coupled inserts for each of the eight mix groups. The group master section merges an array of channel strips into four stereo stems with inserts and FX returns.\u003c\/p\u003e\n\u003cp\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/RAS_0441-9_480x480.jpg?v=1689370160\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe monitor\/master section consists of six source selections and three transformer-coupled speaker outputs. It also boasts two large VU Meters, stereo inserts, talkback, stereo levels and a control room master level. \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003ePenthouse (optional)\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eIf preamps and EQs are required, the 5088 provides an optional penthouse, to host either the Shelford 5052 Mic Pre and Inductor RQ or the 5051 Inductor EQ and Compressor. Each 16-channel penthouse holds 25 slots for vertical modules. These provide all the tonal shaping capabilities of the console and can be configured to precisely suit your requirements.\u003c\/p\u003e\n\u003cp\u003eThe penthouse can also be configured to accept 19” rack outboard or existing modules from vintage consoles.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eMetering\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe 5088 console comes with two VU meters as standard which can be routed to monitor the monitor signal.\u003c\/p\u003e\n\u003cp\u003eAn extremely precise and finely calibrated meter bridge (optional) can also be added to the console, covering all input and group channels and can fit either on the top of the standard 5088 frame or atop the penthouse.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSwiftMix Automation\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe 5088 faders can be upgraded with Rupert Neve’s SwiftMix Automation system that offers advanced transport control of your DAW as well as state of art motorised faders.\u003c\/p\u003e\n\u003cp\u003eThe Swiftmix system comes in two independent and optional parts, the SwiftMix fader and the MC5 Master control. The 100mm motorised faders are touch-sensitive and deliver VCA-less control with a high degree of accuracy.\u003c\/p\u003e\n\u003cp\u003eThe MC5 master control brings advanced transport as well as editing and grouping functionalities of your DAW, directly from the desk. This ensures a streamlined workflow. The MC5 requires at least one bank of 8 faders to function.\u003c\/p\u003e\n\u003cp\u003eThe 5088 mixing console joins Mr Rupert Neve's range of rack-mountable Portico and Shelford modules, which include standalone microphone preamplification, equalization, filtering, dynamics control and tape emulation.\u003c\/p\u003e\n\u003cp\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/RNDSwifMix_480x480.png?v=1689405877\" alt=\"\"\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eFrom Rupert Neve :\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"The real power of the 5088 lies hidden within these transformer-coupled inputs and outputs and discrete, single-sided circuit topologies that produce 10dB greater dynamic range than any of my previous designs. The dynamic range is actually extended downwards to encompass the extremely small, often out-of-band signals – usually ignored – that go to complete our listening perspective, making sounds warmer, sweeter and fuller, apparently affecting the low and mid frequencies. \u003cbr data-preserve-html-node=\"true\"\u003e\u003cbr data-preserve-html-node=\"true\"\u003eThe significance of this enormous dynamic range and the frequency response that extends comfortably beyond 100kHz lies in the ability of the 5088 to source, retain and mix the microscopically tiny signals that are essential to retention and enhancement of the full soundscape. \u003cbr data-preserve-html-node=\"true\"\u003e\u003cbr data-preserve-html-node=\"true\"\u003eThe first time I actually heard music played through a 5088, I just…relaxed. A wave of satisfaction swept over me – I didn't have to measure, I just listened and thought, ‘Boy, I think we've actually achieved it.’ There is something about the 5088 which I have not been able to get from any other piece of equipment.\"\u003c\/em\u003e\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941624770852,"sku":"ITM006057","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/rnd-5088-shelford-front.jpg?v=1788343728"},{"product_id":"rupert-neve-designs-5088-25-position-penthouse","title":"Rupert Neve Designs 5088 Penthouse Frame","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs 5088\u003c\/strong\u003e 25 position penthouse lets you add 25 modules of the Portico or Shelford Series to the 5088 console.\u003c\/p\u003e\n\n\u003cp\u003eTwo penthouse can be used together to create complete channel strip by using combinations of Preamp\/Eq and dynamics modules.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941624803620,"sku":"ITM006061","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/rupert-neve-shelford-5088pent-kmr.jpg?v=1788358173"},{"product_id":"rupert-neve-designs-5088-vu-meterbridge","title":"Rupert Neve Designs 5088 VU Meterbridge","description":"\u003cp\u003eRupert Neve Designs 5088 24-Channel Meterbridge\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941624836388,"sku":"ITM006062","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/rupert-neve-shelford-5088mb-kmr.jpg?v=1788328567"},{"product_id":"rupert-neve-designs-5211","title":"Rupert Neve Designs 5211","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRupert Neve Designs 5211\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a dual-channel mic preamp with a Variable Silk circuit, Class A output stage with custom transformer and new +\/-21V power rails.\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/rnd-5211-kmr_1_480x480.png?v=1692808549\" alt=\"Rupert Neve Designs 5211\" style=\"float: none;\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Rupert Neve Designs 5211 uses the same Transformer-Like Amplifier balanced mic input of the original portico 5012, designed to capture the sound in its purest form. Each channel provides 72dB of extra low-noise and low-distortion gain via its coarse gain that works in 6dB steps and a continuously variable +\/- 6dB trim pot. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt also features sweepable high-pass filters ranging between 20Hz to 250Hz and +48V phantom power, as well as a polarity reverse switch.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe input can also be an extremely high-quality line input with an impedance of 10k Ohms.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Evolution of a Classic\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Shelford 5211 combines Rupert Neve’s expertise in designing classic mic preamps with modern appointments. This pre can be pristine and modern or the richer sound of classic designs.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis microphone preamp is the natural evolution of the 5012 duo mic preamp. It boasts a redesigned circuit powered with +\/21V rails to improve the signal-to-noise ratio, increase headroom and dynamic range.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA custom dual-tap output transformer created for the Shelford Channel Strip offers two outputs. The first set of outputs delivers the full +26dBu headroom, while the second set provides a reduced level of -6dB. The latter is ideal for the classic transformer saturation sound without clipping converters or audio interfaces.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/rnd-5211-back-kmr_480x480.png?v=1692808550\" alt=\"Rupert Neve Designs 5211 back\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAdditional features include an internal auto-switching power supply that provides ample stable power anywhere in the world. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIts distinctive colour provides an unmistakably classic look that instantly reminds us of its legacy.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVariable Silk\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: right;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cimg alt=\"Rupert Neve Designs 5211 Silk\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/rnd-5211-silk_480x480.png?v=1692808550\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/rnd-5211-silk_480x480.png?v=1692808550\" data-mce-fragment=\"1\"\u003eThe Rupert Neve 5211 mic pre includes an updated version of Rupert Neve’s legendary Silk texture. A new textured pot controls the amount of harmonic content added to recreate the sonic character of vintage modules.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe new variable Silk works by reducing negative feedback while saturating the output transformer and changing the frequency spectrum.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis results in a sweeter and richer sound reminiscent of Rupert Neve’s vintage modules. The effect can be amplified by driving the preamp level to the edge of its headroom.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e \u003c\/h2\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eA Choice Between Vintage and Modern\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Shelford 5211 is extremely versatile. Its fully transformerless input design offers superior microphone signal clarity. It is, however, capable of more extreme saturation by combining its Variable Silk and custom output transformer lower headroom. Its tones range from stunningly delicate and clear sounding to thick and warm.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cimg alt=\"Rupert Neve Designs 5211 Transformers\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/rnd-5211-transformers_480x480.jpg?v=1692808549\"\u003e\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941624869156,"sku":"ITM006064","price":1432.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/rnd-5211-kmr.jpg?v=1788328577"},{"product_id":"rupert-neve-designs-5254-dual-diode-bridge-compressor","title":"Rupert Neve Designs 5254 Shelford Diode Bridge Compressor","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRupert Neve Designs 5254\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eis a dual-channel diode-bridge compressor inspired by the classic 2254 compressor developed by Rupert Neve Designs in the 1970s.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"Rupert Neve Designs 5254 2254\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/rnd-5254-2254-kmr_480x480.jpg?v=1692808550\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe Rupert Neve Designs 5254 delivers the punch and glue of Rupert Neve’s original designs with modern appointments such as high-voltage power rails, lower noise, advanced timing settings and built-in parallel processing. All the controls are also fully stepped, ensuring precise settings and easy recall.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eDiode Bridge Compression\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe 5254 specifically provides various colours to impart unique personality and character to your tracks. This diode bridge compressor will impart weighty, harmonically rich tonality that will effortlessly bring vocals, electric guitars, bass and drums to the forefront of a mix.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"Rupert Neve Designs 5254 Studio\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/rnd-5254-studio_480x480.jpg?v=1692808550\"\u003e\u003c\/p\u003e\n\u003cp\u003eBased on the circuit found on the acclaimed Shelford Channel, the Dual Diode-Bridge Compressor greatly improves on old vintage units without sacrificing the tone. Starting with a substantially lower noise floor, \u003c\/p\u003e\n\u003cp\u003eFurther upgrades include a full-wave side-chain detection which delivers improved dynamic response and an increased range for threshold and ratio controls. All these modern appointments ensure the 5254 can reliably be used as a mixing or mastering compressor. \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eImproved timing constants\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe 5254 replaces traditional attack and release times with a unified Timing control with six selectable settings ranging from Fast to Slow and Auto. In the first two modes, Fast and MF, the compressor will achieve better control of transients clamping down on percussive instruments and fast vocals. The next two settings Med and MS (Medium Slow), will provide a smoother compression letting through the original transients. The last two settings, Slow and Auto provide the smoothest of compression thanks to their use of complex non-linear release times, offering much more transparent operation.\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg alt=\"Rupert Neve Designs 5254 Timing\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/rnd-5254-timing_480x480.png?v=1692808550\"\u003e\u003c\/div\u003e\n\u003cp\u003eThe reason for these time constants rather than separate attack and release control lies in the fact that time constants in diode bridge compression vary slightly depending on different controls, such as ratio, threshold, and source material. These dynamic shifts are at the heart of the personality of the Diode Bridge Compressor.\u003c\/p\u003e\n\u003cp\u003eA Fast mode also increases the speed of each of the six settings providing faster attack and release for each mode, doubling the number of time constants from six to twelve and providing additional tones.\u003c\/p\u003e\n\u003cp\u003eThe fastest settings will, by nature, impart far more colouration due to the inherent harmonic content generated by higher peak-to-peak control voltage ripple. Slower settings, however, will provide reduced harmonic content and more transparent sound.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eParallel Compression\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: right;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/rnd-5254-blend_480x480.png?v=1692808549\" width=\"142\" height=\"190\"\u003e\u003c\/div\u003e\n\u003cp\u003eThe 5254 includes a built-in parallel compression circuit with a simple Blend control. It is particularly useful in such a coloured compression as it is possible to inject smaller amounts of extreme compression to enhance the original signal with additional colour without sacrificing the natural aspect of the original source and keep its dynamic range.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eComplete Control\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe 5254 offers complete control over the original audio signal, offering the possibilities to affect, ratio, threshold, gain, side-chain insert, side-chain high-pass filter and the ability to link both channels.\u003c\/p\u003e\n\u003cp\u003eThe Ratio control includes six positions ranging from a subtle 1.5:1 to 8:1 (including 2:1, 3:1, 4:1 and 6:1). The Threshold uses a 31-step control with a threshold level ranging from -25dBu up to +20dBu, while the Gain control adds make-up output gain between -6dB up to +20dB.\u003c\/p\u003e\n\u003cp\u003eThe 5254 includes a variable Side-Chain HPF (S\/C HPF) with a 12dB\/octave and a frequency range between 20Hz and 250Hz, ensuring the compressor doesn’t respond unnecessarily to the powerful energy produced by low frequencies and lose energy. A Side-chain insert allows the user to send the signal to external processing to sculpt the signal before the compression further. This can be used to duck the compressor to an external source or to send the signal to an EQ for further fine-tuning of the compression response.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"Rupert Neve Designs 5254 Controls\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/rnd-5254-controls_480x480.jpg?v=1692808550\"\u003e\u003c\/p\u003e\n\u003cp\u003eA Link switch connects the source voltage to both channels so that if a channel is triggered, both channels react equally. This is particularly useful to maintain a coherent stereo image throughout. In unlinked mode, one channel could be over-affected by a source, ducking the entire channel while the other remains unchanged, creating an unwanted imbalance.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941624901924,"sku":"ITM006066","price":2165.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/RND_5254_Diode.jpg?v=1791446997"},{"product_id":"rupert-neve-designs-portico-535","title":"Rupert Neve Designs 535","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRupert Neve Designs Shelford 535\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eis a single-channel 500 series compressor inspired by the same diode bridge principles in the classic 2254. \u003c\/p\u003e\n\u003ch2\u003eOverview\u003c\/h2\u003e\n\u003cp\u003eThe Rupert Neve Designs Shelford 535 takes the soul of the legendary 2254 and updates it for modern requirements. It offers the larger-than-life compression of its ancestor and the precision and flexibility required by current workflows. \u003c\/p\u003e\n\u003cp\u003eOriginally designed for the Shelford channel, the 535 has been adapted for the 500 series format and includes a custom transformer designed by Rupert Neve and a Class A output amplifier.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"Rupert Neve Designs 535 Front\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/535-web-front_480x480.png?v=1692808550\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe Rupert Neve Designs 535 offers quick and easy settings with a six selectable ratio ranging between 1.5:1 through 8:1, easily accessible via the rotary switch. \u003c\/p\u003e\n\u003cp\u003eThe 31-step Threshold control ranges from -25dBu up to +20dBu. The Gain control offers gain compensation between -6dB and +20dB, accessible through its 31-step switch.\u003c\/p\u003e\n\u003cp\u003eA fixed 150Hz, 12dB\/octa side-chain filter is also provided, allowing the compressor to respond less to powerful bass content avoiding unwanted triggering caused by low frequencies and keeping the compression clear.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eDiode Bridge Compression\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eDiode Bridge compression works by using a diode’s non-linear properties to control the gain reduction.\u003c\/p\u003e\n\u003cp\u003eDiode Bridge Compression was Rupert Neve’s way of creating a colourful, weighty, punchy compressor before the advent of VCAs. Unlike VCA compression, which is usually thought of as bringing clarity, the diode bridge provides a weighty and harmonically rich tone, effortlessly bringing the source forward in the mix.\u003c\/p\u003e\n\u003cp\u003eCircumventing the natural distortion levels of diodes by configuring them in a bridge format, Rupert Neve originally came up with the 2252 compressor, which then evolved into the revered 2254.\u003c\/p\u003e\n\u003cp\u003eThe Rupert Neve Designs 535 has been meticulously designed to recreate the unique tone of the 2254 but with a much-improved noise floor. They are particularly well suited for bringing vocals, electric guitars, bass and drums at the front of the mix. \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eFlexible Timing\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe 535 compressor includes six selectable Timing settings that control both the attack and release times simultaneously. Each of these settings has been carefully chosen for different applications. \u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"Rupert Neve Designs 535 Detail\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/535-detail_480x480.png?v=1692808549\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFAST:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eFast Attack (750µs), Fast Release (130ms)\u003cbr\u003e\u003cstrong\u003eMF:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eMedium Attack (2.25ms), Fast Release (130ms)\u003cbr\u003e\u003cstrong\u003eMED:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eMedium Attack (2.25ms), Medium Release (400ms)\u003cbr\u003e\u003cstrong\u003eMS\u003c\/strong\u003e: Medium Attack (4ms), Slow Release (725ms)\u003cbr\u003e\u003cstrong\u003eSLOW:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eSlow Attack (10ms), Slow Release (1s)\u003cbr\u003e\u003cstrong\u003eAUTO:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eMedium Attack (5ms), Dual-decay Release (T1 500ms, T2 1s)\u003c\/p\u003e\n\u003cp\u003eFAST and MF settings are ideal for clamping down on transient rich material like drums or acoustic guitars. MED and MS settings offer slower reactions (slower attack and release times) for vocals and guitars, while the Slow and AUTO provide smoother level control.\u003c\/p\u003e\n\u003cp\u003eA FAST mode dramatically increases the speed of both attacks and release times for each setting, increasing the number of time constants from six to 12. Faster modes will also increase harmonic distortion, adding noticeable colouration to the sound. Slower modes will result in more transparent compression.\u003c\/p\u003e\n\u003cp\u003eThe attack and release on diode bridge compressors vary slightly depending on the ratio, threshold and incoming audio, resulting in dynamically shifting timing and harmonic content. It is an integral part of the diode bridge compressor’s sound.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eA Flexible Compressor \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cimg alt=\"Rupert Neve Designs 535 Blend\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/535-blend-kmr2_480x480.png?v=1692808549\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe Shelford 535’s obvious colouration might prove too much on some occasions, and, as a result, it includes a Blend control which lets you dial in the amount of compression to your dry, unprocessed signal. This feature might be desirable to reinject some transients lost in fast settings while retaining some of the character and punch of the compression, or simply creating a natural sound with controlled dynamics. \u003c\/p\u003e\n\u003cp\u003eTwo 535 can be used together for stereo operations thanks to the included LINK button if your 500- series rack features a link control. It sends a control voltage via a Sidechain input to trigger both units equally at the incoming audio.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941624934692,"sku":"ITM006067","price":715.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/RND_535.jpg?v=1791402343"},{"product_id":"rupert-neve-designs-portico-543","title":"Rupert Neve Designs Portico 543 Mono Compressor","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRupert Neve Designs Portico 543 Mono Compressor\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003edelivers the unobtrusive, musical-sounding dynamic control and brick-wall limiting made famous in the Portico 5043 to the 500 series format. The 543 features a fully controllable compressor-limiter with feed-forward \/ feedback modes, Peak \/ RMS detection and a built-in side chain high pass filter. With an unrivalled heritage and a tremendous feature set, the 543 yields a combination of rich warmth, flexibility and precision that is sure to resonate in the ears of sound engineers the world over.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBuilt around Mr Rupert Neve’s custom transformer designs, each 543 module encompasses individually controllable threshold, attack, release, makeup gain, ratio, side chain HPF, Feed-Forward \/ Feed-back selection and Peak\/RMS detection modes. With the compressor inactive, the 543 may be used as a transformer-coupled, high-performance line amplifier, and two 543 may also be linked for stereo operation. The chassis is built to standard 500 series specifications, with power and I\/O provided by the rack.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA V.C.A. or Voltage Controlled Amplifier (or Attenuator) is used to control gain. There are many types of V.C., including tubes, discrete and integrated solid-state circuits and naturally non-linear devices, each with the characteristic behaviour that reflects sonically on the final performance and gives it a character or signature that can be musically attractive or not! The Portico 543 uses a very accurate, low noise, low distortion V.C.A. having no signature of its own.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA part of the audio signal is rectified and smoothed to produce a suitable control voltage for the V.C.A., which has to respond very quickly and have low distortion. If the response is too fast, low-frequency signals will be gain controlled! If the response is too slow, the signal will overshoot, and the first few cycles will not get compressed. The speed and accuracy of the response, known as the “attack”, and the time frame that gain remains under the initial control, known as “release” or “recovery” plays a large part in the way a compressor sounds.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe 543 also can switch between feed-forward and feed-back modes. If the V.C.A. Control voltage is taken from the 543 output (i.e. after the V.C.A.) it cannot act immediately on the V.C.A. because it has already been modified by settings of the V.C.A. and circuits through which it has passed. This is known as a “Feed-Back” compressor. The two compression characteristics are quite different; there is more “Overshoot”, and both the attack and recovery ramps are changed, providing the user with powerful choices. For the FF \/ FB switch, both classic and modern VCA responses are available.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOne of the more unique features of the 543 is the new Peak \/ RMS mode, also found in the Portico II Channel. This switch allows the VCA (voltage control amplifier) to respond to RMS (Root Mean Square) and peak levels. RMS circuits are considered to better mimic how the ears perceive apparent loudness. In contrast, peak circuits tend to respond directly to the waveform voltage, which may be more of a concern for preventing clipping and maximizing levels. In this case, peak mode combines both methods to get the best of both worlds and avoids the drawbacks of each method on its own.\u003c\/p\u003e\n\u003ccenter\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/center\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941624967460,"sku":"ITM006068","price":657.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/RND_543.jpg?v=1791402343"},{"product_id":"rupert-neve-designs-portico-545-500-series-primary-source-enhancer","title":"Rupert Neve Designs 545","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRupert Neve Designs 545\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eis a single channel 500-series module designed to provide natural feedback reduction without negative impact and add focus to the sound source.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Rupert Neve Designs 545 Primary Source Enhancer uses the same circuitry as its bigger brother the Portico 5045 which has been used on countless tours and arenas around the world. It works by reducing the gain when the signal falls below the selected threshold. Unlike noise gates which are traditional reactive designs, the 545 uses dedicated predictive and adaptive technologies to perform. The result is an increase of signal before feedback by up to 20dB.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe 545 is entirely analogue ensures outstanding control and sonic performance with no compromise in the sonic integrity of the signal. With its intuitive and simple controls, the 545 lets you remove unwanted feedback or reverb in no time. It starts with the Engage illuminated button which engages or bypasses the unit. Below is a LED to indicate when a signal crosses the threshold. The only two potentiometers are Threshold and Depth controlling the point of engagement and the amount of effect. The Fast control lets you choose between two time-constants from slower attack and release (Off) for most general applications to the super fast and active in between words or syllables in dynamic sources or passages. Finally, a Peak button lets you choose between Peak and RMS detection modes which affect the sidechain detection circuit behaviour.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941625000228,"sku":"ITM006069","price":665.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/RND_545.jpg?v=1791402344"},{"product_id":"rupert-neve-designs-mbc-master-buss-converter","title":"Rupert Neve Designs Master Buss Converter","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs Master Bus Converter \u003c\/strong\u003eis a dual-path AD converter and limiter with variable Silk texture.\u003c\/p\u003e\n\u003cp\u003eThe Rupert Neve Designs Master Bus Converter combines Rupert Neve's expertise in analogue circuit design with the digital converter technologies originally found in the RMP-D8 to create the highest recording level, mixing or mastering.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eDual-Path Analogue Circuit\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe analogue circuit features a unique dual path, using either a Class A transformerless path for maximum transparency or a custom inter-stage audio transformers path with Silk controls for additional tonal enhancements.\u003c\/p\u003e\n\u003cp\u003eThe Class-A transformerless circuit has been carefully designed to provide a stunning sense of clarity, detail and vibrance with none of the thin characteristics and lack of punch attributed to most transformerless designs.\u003c\/p\u003e\n\u003cp\u003eThe second path offers a bolder and more powerful sound thanks to its custom-design inter-stage transformer. The new transformer has been carefully designed to ensure the desired harmonic content at levels appropriate for the converter stage adding all the colours required with no clipping.\u003c\/p\u003e\n\u003cp\u003eFurthermore, the variable Silk circuit adds further colouration inspired by vintage designs. It boasts its standard dual-mode (Red\/Blue), which shifts the harmonics into the low band (Blue) or the mid\/high-frequencies (red).\u003c\/p\u003e\n\u003cp\u003eWith a choice between detail and clarity or more coloured to vintage tones, the Master Bus Converter delivers a wide range of tones that will suit all applications.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eCompound Active Release Analogue Limiter\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe MBC also includes a stereo limiter designed to provide better performance and musicality than limiter plug-ins but also works as a safety net while tracking live performance and broadcast.\u003c\/p\u003e\n\u003cp\u003eThe limiter uses a refined version of Rupert Neve's active release technology, ensuring superior accuracy and musicality. The limiter remains transparent and pushes the audio source level without sacrifice.\u003c\/p\u003e\n\u003cp\u003e\u003cimg style=\"float: right;\" alt=\"\" width=\"100\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe limiter also includes additional controls, including a Side-chain HPF ranging from 20Hz to 250Hz, minimising Low-Frequency interaction. The Threshold controls the maximum level of the digital signal, ensuring that the limiter works before that, while the variable release time changes the response characteristics to suit the different source material. If more levels into the limiters are desired, a Class-A Line amplification stage offers an additional 20dB of super-clean gain. \u003c\/p\u003e\n\u003cp\u003eThe Limiter works as dual mono or stereo linked via the Link switch.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eA Mastering Converter\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe MBC's 24-bit\/192kHz takes the conversion technology found on the RMP-D8 to the next step. After years of research and extensive listening tests, the new converter offers improved internal clocking for reduced phase noise and increased jitter rejection. It accurately captures your music, translating in incredible clarity and detail.\u003c\/p\u003e\n\u003cp\u003eThis powerful AD converter comes equipped with AES, S\/PDIF and TOSlink connectors which can be used simultaneously for multiple destinations. The internal word clock provides extremely accurate performance, ensuring your MBC can be used as a high-end master clock for the entire system. The World clock input provides for external syncing to an external master clock if required.\u003c\/p\u003e\n\u003cp\u003eFour standard reference levels ranging between -14dBFS to -20dBFS provide seamless integration with a multi-channel conversion environment, matching the levels found on other converters. Relay-controlled stepped attenuation and high-precision resistors ensure high accuracy to match the required standard reference levels.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eUltra-precise Metering\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eFinally, the Master Bus Converter includes a pair of 22-segment meters providing extreme level metering precision of the converter's input stage. This brand-new LED metering design delivers the highest resolution in Rupert Neve Designs equipment.\u003c\/p\u003e\n\u003cp\u003eThe Limiter section also includes an 8-segment gain reduction meter to show gain reduction with superior accuracy. 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It's the 5017's revolutionary feature set however that make it an indispensable tool for studio recording, live recording and stage performances.\u003c\/p\u003e\n\n\n\n\u003cp\u003eUsed as a two-channel device, a lead singer and guitar player, can take the classic studio quality of the 5017 wherever they go; using the DPC for a Vocal mic pre and compressor, as well as a separate DI preamplifier. \u003c\/p\u003e\n\n\n\n\u003cp\u003eTo achieve this, the blend control should be selected as fully DI (blend off), and an internal jumper can be selected to apply the compressor to the mic pre signal. When engaged, Silk mode would effect both vocal and guitar tracks, and the HPF control would effect only the mic path.\u003c\/p\u003e\n\n\n\n\u003cp\u003eBased around a new LDR (light dependent resister) design, the 5017's opto-coupler compressor has been simplified to a single threshold control with auto make-up gain. By default, the compressor is set to a fixed 2:1 ratio with an internal jumper to change between standard and fast time constants.\u003c\/p\u003e\n\n\n\n\u003cp\u003eTo set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active. Two internal jumpers in the 5017 can be set to change the compressor from the mic channel to the di\/blend channel, and to change the compressor time constant from standard to fast.\u003c\/p\u003e\n\n\n\n\u003cp\u003eIn addition to the standard polarity reverse, the 5017 also incorporates a vari-phase control to adjust the phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003c\/p\u003e\n\n\n\n\u003cp\u003eFor instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThis technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 5017, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941625131300,"sku":"ITM006076","price":1149.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/RND_5017.jpg?v=1791446997"},{"product_id":"rupert-neve-designs-portico-5045-primary-source-enhancer","title":"Rupert Neve Designs Portico 5045 Primary Source Enhancer","description":"\u003cp\u003eThe \u003cb\u003eRupert Neve Designs Portico 5045 Primary Source Enhancer\u003c\/b\u003e is a dual-channel processor designed to effectively reduce feedback without affecting the original sound source.\u003c\/p\u003e\n\n\u003cp\u003eThe Rupert Neve Designs Portico 5045 Primary Source Enhancer works by increasing the level of a microphone by up to 20dB before feedback occurs. Although it shares some similarities with traditional noise gates such as the reducing of levels when no signals are going through, the Portico 5045 actually works on a different principle.  \u003c\/p\u003e\n\n\u003cp\u003eThe RND 5045 starts attenuating the signal falling below the user-defined threshold minimising the risk of feedbacks. With simple controls the Portico makes it easy to achieve great results very fast. Centred on the Depth and Threshold controls that affect the level at which the level starts dropping once the level falls below the user-defined level. The time constant control, affects how fast or slow the processor works and features 6 settings called A, B, C, D, E, F. A is the fastest setting can add unwanted choppiness while F will provide slower and natural attack but fading back up too slowly. Moderate C and D settings will generally work on most programs.\u003c\/p\u003e\n\n\u003cp\u003eAn additional RMS\/Peak button affects timing further with Peak mode acting on the fast level changes while RMS affects slower but with is a more musical way, relying on the average signal level.\u003c\/p\u003e\n\n\u003cp\u003eThe RND Portico 5045 is the ultimate tool for Front of House engineers working for any venues, from churches, stadiums, performance halls and any venue with feedback problems.\u003c\/p\u003e\n\n\u003cp\u003e\u003cb\u003eRupert Neve Designs Portico 5045 Main Features:\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003ePrimary Source Enhancer\u003c\/li\u003e\n\n\u003cli\u003eIncrease level without increasing feedback\u003c\/li\u003e\n\n\u003cli\u003eFrequency response: Main output @ 20Hz -3dB @150kHz -3dB\u003c\/li\u003e\n\n\u003cli\u003eCrosstalk: Measured channel to channel better than -80dB @ 16kHz\u003c\/li\u003e\n\n\u003cli\u003eNoise: Feedback suppressor engaged: Measured @ main output, un-weighted, 22Hz-22kHz, 50 ohm terminated input better than -100dBu Better than -95dBu\u003c\/li\u003e\n\n\u003cli\u003eMaximum Output Level: +25dBu\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941625327908,"sku":"ITM006083","price":1373.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/rnd-5045-kmr.jpg?v=1788360099"},{"product_id":"rupert-neve-designs-portico-511-500-series-mic-pre","title":"Rupert Neve Designs Portico 511 - 500 series Mic Pre","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs 511\u003c\/strong\u003e is a 500 Series mic preamp using the preamp circuitry of the 5017 designed to provide a superb classic sound.\u003c\/p\u003e\n\u003cp\u003eThe Rupert Neve Designs 511 provides a vast array of sonic textures, from pristine sound to the classic Neve tones, thanks to the use of Silk and Texture circuit which adds transformer harmonic distortion to provide the warm vintage sound associated with Neve designs.  \u003c\/p\u003e\n\u003cp\u003eThe Rupert Neve 511 provides 66dB of clean gain thanks to a 10-position 6dB\/step gain control and a +\/-6dB trim control for fine adjustment. +48V Phantom power is provided and the same transient optimised high-pass filter found in the 5012 is included with a range of 20Hz to 250Hz to counteract proximity effect and remove unwanted rumble.\u003c\/p\u003e\n\u003cp\u003eAs with all Rupert Neve Designs’ units, the 511 provides very low noise and distortion operation ensuring superior performance thanks to a carefully designed signal paths and Class A design.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRupert Neve Designs 511 500 Series Mic Preamp Main Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePreamp circuitry from the 5017 preamp\u003c\/li\u003e\n\u003cli\u003eVersatile tone shaping provided by the Silk\/Texture circuit\u003c\/li\u003e\n\u003cli\u003eSweepable highpass filter circuit from the 5012 preamplifier\u003c\/li\u003e\n\u003cli\u003eSonically flexible microphone preamplifier in 500 Series format\u003c\/li\u003e\n\u003cli\u003eHigh-quality mic preamp taken from the 5017\u003c\/li\u003e\n\u003cli\u003eSilk control gives you vintage to modern sounds\u003c\/li\u003e\n\u003cli\u003eTailor you low-end with a sweepable highpass filter\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 12px;\"\u003eCompact and convenient 500 series design\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941625360676,"sku":"ITM006085","price":483.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/RND_511.jpg?v=1791402343"},{"product_id":"rupert-neve-designs-517","title":"Rupert Neve Designs Portico 517","description":"\u003cp\u003eBased on the Portico 5017 Mobile Pre, the \u003cstrong\u003eRupert Neve Portico 517\u003c\/strong\u003e provides world-class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a 500 series model. As the first 500 series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe 517‚Ä≤s mic pre includes 66dB gain, and is based on the Portico 5017 design. The mic pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003c\/p\u003e\n\n\n\n\u003cp\u003eUsed as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument's direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003c\/p\u003e\n\n\n\n\u003cp\u003eBased around a new LDR (light dependent resister) design, the 517‚Ä≤s optocoupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003c\/p\u003e\n\n\n\n\u003cp\u003eIn addition to the standard polarity reverse, the 517‚Ä≤s vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003c\/p\u003e\n\n\n\n\u003cp\u003eFor instance, even with careful placement, the combination of close mic'd drums and overheads can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThis technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and mic'd signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941625393444,"sku":"ITM006086","price":719.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/RND-517-kmr.jpg?v=1786367488"},{"product_id":"rupert-neve-designs-portico-542-500-series-tape-emulator","title":"Rupert Neve Designs Portico 542 500 Series Tape Emulator","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs 542\u003c\/strong\u003e is a single slot, mono 500-series version of the highly popular Portico 5042 Tape Emulator designed to provide the thick and musical colouration associated with working with tapes.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe Rupert Neve Designs 542 features a \"true tape\" circuitry which brings out 3rd-order harmonics as well as the rounding and compression associated with the sound of tape. The RND 542 is the ideal companion to your digital recording setup helping breathe life and round harshness often associated with digital audio. The \"true tape\" circuit uses a small magnetic \"record head\", coupled with a correctly equalised replay amplifier. This hardware emulation works in the same way as true tape; as the voltage increases on the \"record head\", so does the saturation. An additional soft-clipping circuit emphasises 2nd-order harmonics rounding off higher peak transients and can be used tame harsher sounding sources. \u003c\/p\u003e\n\n\n\n\u003cp\u003eThe Rupert Neve Designs 542 is extremely flexible and offers many options to change the sound such as a 15\/30 IPS switch which emulates the sonic characteristics of tape speed, from the punchy low-end of the 15IPS to the beautifully clean 30 IPS. A pre\/post-tape blend control allows you to control the amount of tape distortion is used, and a variable Silk\/texture circuitry found in the Portico II series that allows you to fine-tune the harmonic relationship and tonality of the output transformer imparting a tonal colour very reminiscent of early Neve's vintage class A designs.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941625426212,"sku":"ITM006087","price":620.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/RND_542_front.png?v=1786367489"},{"product_id":"rupert-neve-551-inductor-eq-for-500-series","title":"Rupert Neve Designs Portico 551 Inductor EQ for 500-Series","description":"\u003cp\u003eThe\u003cstrong\u003e Rupert Neve Designs 551\u003c\/strong\u003e inductor EQ is a single-channel 500 series EQ with 3-band inspired by Rupert Neve’s classic designs. \u003c\/p\u003e\n\n\u003cp\u003eThe Rupert Neve Designs uses custom-wound inductors and Class-A gain blocks and transformers to bring the larger-than-life sound of vintage designs with the thick midrange, powerful lows and silky smooth high frequencies. \u003c\/p\u003e\n\n\u003ch2\u003e\u003cstrong\u003eClassic Neve EQ Sound \u003c\/strong\u003e\u003c\/h2\u003e\n\n\u003cp\u003eThe 551 inductor based EQ uses 3-band inspired by Rupert Neve’s favourite vintage eq designs but includes modern appointments to suit more modern workflows. \u003c\/p\u003e\n\n\u003cp\u003eThe Low-Frequency band offers a choice of four frequencies (35, 60, 100 and 220 Hz) which offer a creamy resonant bass response. It may be used in peak or shelf mode and provides an incredibly punchy, creamy and rich low end full of girth. \u003c\/p\u003e\n\n\u003cp\u003eThe parametric mid band lets you dial in the perfect tone bringing your vocals forward in a mix and adding the ideal sweetening. Its proportional Q design offers particularly effective focusing on the problematic frequencies. Its centre frequencies (200 Hz, 350Hz, 700 Hz 1.5KHz, 3kHz, 6kHz) covers a wide range of applications that will suit most applications. A selectable MF HiQ button lets you switch to narrow Q for more surgical frequency carving. \u003c\/p\u003e\n\n\u003cp\u003eThe High-frequency band uses a hybrid approach combining modern and vintage designs. By blending inductor circuits and capacitor-based topologies, the 551 delivers the silky smooth tone of vintage EQs with the level of control required by modern producers and engineers. It offers a choice of 8kHz or 16 kHz at the press of a button and can be used as peak or shelf modes.\u003c\/p\u003e\n\n\u003cp\u003eAll three bands offer a +\/- 15 dB of gain, allowing for deep sculpting of the sound. A fixed 80Hz high pass filter with 12dB\/oct slope is also included\u003c\/p\u003e\n\n\u003cp\u003eFurthermore, a low-feedback, class-A electronics similar to its predecessors, safeguards from low-level artefacts and harshness. In the 551 this circuit has been updated with modern techniques and components. \u003c\/p\u003e\n\n\u003ch2\u003e\u003cstrong\u003eInductor EQ\u003c\/strong\u003e\u003c\/h2\u003e\n\n\u003cp\u003eThe 551 uses inductors which use wires wound around a coil to provide a form of frequency-dependent resistance. When they saturate, they produce musical harmonics that give a track a smooth and polished sound. \u003c\/p\u003e\n\n\u003cp\u003eThese properties translate into fatter, harmonically rich lows while the highs can be boosted without ever sounding harsh.\u003c\/p\u003e\n\n\u003cp\u003eInductors were already used by Rupert Neve in some of his most legendary designs such as the ‘1073’, ‘1081’ and ‘1084’. \u003c\/p\u003e\n\n\u003cp\u003eIn the 551, Rupert Neve Designs uses custom-tapped inductors to delivery the vibrance, punch and personality associated with his classic designs.\u003c\/p\u003e\n\n\u003ch2\u003e\u003cstrong\u003eDesigned for the 500 Series\u003c\/strong\u003e\u003c\/h2\u003e\n\n\u003cp\u003eThe 551 takes on the circuit found on the Shelford Channel channel strip adapted to the low voltages provided by the 500 series format. A 500 Series rack is necessary for powering the module. \u003c\/p\u003e\n\n\u003cp\u003eDuring this adaptation process, the team experimented with different transformers and circuit designs to achieve the same presence and sweetness found in the Portico series. Placed side by side, the 500-series modules are indistinguishable from the 19” racks except for a slightly lowered headroom. \u003c\/p\u003e\n\n\u003cp\u003eThe 551 also uses single-sided circuitry as well as transformer-balanced inputs and outputs which server to enhance the sonic qualities of most audio sources. This EQ provides the perfect blend of modern purity with the character and soul of vintage units. \u003c\/p\u003e\n\n\u003cp\u003eThis EQ delivers a performance of the highest calibre and is the perfect addition in any home studio or professional setting.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941625491748,"sku":"ITM006090","price":675.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/RND_551.jpg?v=1791402343"},{"product_id":"rupert-neve-designs-portico-ii-master-buss-processor","title":"Rupert Neve Designs Portico II Master Buss Processor","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs Portico II Master Buss Processor\u003c\/strong\u003e is a creative tool that redefines the boundaries and limitations of traditional 2-channel compression and limiting.\u003c\/p\u003e\n\n\u003cp\u003eWith input and output transformers designed and implemented by Mr. Rupert Neve, the high-voltage 72V topology found in the Master Buss Processor (MBP) will integrate flawlessly with virtually any system. Additionally, the MBP incorporates mastering grade detented pots throughout to fine tune its revolutionary dynamics, tone, and stereo field controls.\u003c\/p\u003e\n\n\u003cp\u003eThe MBP’s two compressor sections allow virtually limitless possibilities in dynamics for either dual mono or stereo sources, with controls for ratio, threshold, attack, release, blend, side chain HPF, limit and make up gain.\u003c\/p\u003e\n\n\u003cp\u003eThe Portico II Master Buss Processor also features an extremely versatile, transparent and musical limiter. Featuring Adaptive Release Technology and using a blend of release time constants, this limiter will simultaneously respond quickly to transient material (such as the “snap” of a snare drum) and slowly to more sluggish signals (such as a bass guitar).\u003c\/p\u003e\n\n\u003cp\u003eThe stereo field editor on the MBP takes traditional M-S techniques to new heights with width, depth and corresponding bandpass filters. The width control enables the user to increase or decrease the width of a stereo image (wide\/mono) and adjust the amount of ambience inherent in the recording. The depth control of the MBP adjusts the spatial positioning of elements in the sound stage. Center-panned elements like solo instrument or vocal can be brought forward in a mix, in relation to supporting instruments.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941625557284,"sku":"ITM006091","price":3408.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/RND_MBP_front.jpg?v=1791408101"},{"product_id":"rupert-neve-designs-r10","title":"Rupert Neve Designs R10 500-series Chassis","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs R10\u003c\/strong\u003e\u003cspan\u003e is an ultra-rugged 500-series format delivering over 150% of the required current for optimum sonic performance.-\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe Rupert Neve Designs R10 provides more than enough current in each slot to accommodate the most power-hungry module. Furthermore, it boasts LED current metering to show how much power is being used. The internal power supply is double-shielded in order to avoid significant magnetic interference between each channel.\u003c\/p\u003e\n\n\u003cp\u003eThe R10 is extremely robust thanks to its solid steel construction. It also uses an innovative sliding nuts system to accommodate modules that are built out of specs. a VCA buss link is also provided to link channels in pairs, allowing compatible compressor modules to work together.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941625590052,"sku":"ITM006093","price":786.67,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/rnd-r10-kmr.jpg?v=1788345248"},{"product_id":"rupert-neve-designs-r6-500-series-rack","title":"Rupert Neve Designs R6 500-series Chassis","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs R6\u003c\/strong\u003e is a powerful and versatile 6-slot 500 series rack.\u003c\/p\u003e\n\n\u003cp\u003eThe Rupert Neve Designs R6 delivers an impressive 150% of the power required by 6-slot chassis to avoid any modules being starved of power even with power-hungry modules. In addition, the R6 features LED current metering designed to monitor the current being used and troubleshoot any problematic modules. The Power supply of the R6 itself has been carefully designed to avoid significant magnetic induction that could affect the performance of modules.\u003c\/p\u003e\n\n\u003cp\u003ePerhaps more interestingly, the R6 offers a wealth of connectivity with 8 channel of balanced I\/O options including TRS Jack, XLR and db25, which can all be used interchangeably. Not only is this great to ensure the R6 fits into your studio immediately, it also allows you to use parallel processing.  Another advantage is that the R6 can be used to change the type of cables from db25, XLR or TRS using the THRU functions of channel 7 and 8. 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A toggle switch offers the choice between Instrument mode or Speaker mode which ensures optimum performance whatever the situation. In Instrument mode, the RNDI’s high input headroom can accommodate any line level sources without the need to use a Pad while in speaker mode, it can easily handle the full output of a 1000-Watt power amp.  A Thru-put is also included to use with additional amp which is ideal to record a bass guitar with its amp.\u003c\/p\u003e\n\n\u003cp\u003eThe RNDI is also phase coherent at all frequencies providing superior transient response and natural, well-balanced tone which is crucial when blending the DI signal with microphone capture of the same signal.\u003c\/p\u003e\n\n\u003cp\u003eThe FET amplifier is powered by +48V phantom power. Through the use of a passive transformer design, the RNDI provides a superior isolation while the discrete FET circuit delivers a uniform high impedance of 2M Ohms. 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In addition to its powerful amplifier, it boasts a precise calibration for any input source.\u003c\/p\u003e\n\u003cp\u003eThe RNHP uses three specially calibrated inputs to accommodate all the different devices and includes balanced combo XLR\/Jack, unbalanced RCA and 3.5mm mini-jack input for your phone.\u003c\/p\u003e\n\u003cp\u003eThe RNHP is housed in a VESA-mountable design, which can be mounted with any VESA 100 compatible mount, such as pole mounts; wall mounts table mounts and more. \u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941625786660,"sku":"ITM006103","price":412.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/RND_RNHP.jpg?v=1791446997"},{"product_id":"rnd-shelford-rack-2-case","title":"Rupert Neve Designs Shelford 2-Way Wooden Vert Rack","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs Shelford Series 2 \u003c\/strong\u003eis a chassis and power supply for the Portico and Shelford series of modules.\u003c\/p\u003e\n\n\u003cp\u003eThe Rupert Neve Designs Shelford Series 2 can accommodate two Rupert Neve Portico or Shelford modules letting you create a stunning channel strip. It has a beautiful wooden construction and a leather handle for easy transportation.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eRupert Neve Designs Shelford Series 2 Main Features:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e2-slot rack for Shelford series\u003c\/li\u003e\n\n\u003cli\u003eBeautiful wooden construction and finish\u003c\/li\u003e\n\n\u003cli\u003eLeather handle\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941625852196,"sku":"ITM006106","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/rnd-shelford-rack-case-kmr.jpg?v=1788328635"},{"product_id":"rnd-shelford-5051-eq-compressor","title":"Rupert Neve Designs Shelford 5051 EQ\/Compressor","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs Shelford 5051 EQ\/Compressor\u003c\/strong\u003e combines a vintage design inspired 3-band equaliser with the highly popular RND Portico II compressor offering tone-shaping Eq and transparent compression.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe Rupert Neve Designs Shelford 5051, uses a fully discrete Class-A signal path with high-performance input and output transformers delivering the musicality and sound associated with Rupert Neve's designs.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe Equaliser section hints towards some of Rupert Neve's legendary classic EQs with custom tapped inductors with carefully selected capacitors in the mid-band and carefully selected shelf curves and frequencies based on Rupert's earlier designs. Using a feedback class-A discrete electronics avoids unwanted low-level artefacts and harshness while providing powerful tonal shaping capabilities. Despite its evocation of classic designs of the past, the EQ circuit is undoubtedly modern and offers superior performance with improvements in electronic components and techniques. \u003c\/p\u003e\n\n\n\n\u003cp\u003eHigh and Low band can be used as Shelf or Peak at the simple switch of a button and provides up to 15dB boost or cut. LF offers a choice of four frequencies (35Hz, 60Hz, 100Hz and 220Hz) while the HF band offers a choice between 8kHz and 16kHz.  The Mid Band offers a choice of 6 carefully selected frequencies; 200Hz, 350Hz, 700Hz, 1.5kHz, 3kHz and 6kHz. A High Peak switch narrows increases the Q for narrower bands. Finally the EQ on the 5051 uses an 18dB\/octave High Pass Filter with a choice between 60Hz and 120Hz corner frequency.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe Shelford 5051 module features a compressor found in the Rupert Neve Designs Portico Series. The Compressor uses a discrete class-A signal path with controllable threshold, attack and release, makeup gain, ratio, side-chain HPF, feed-forward and feedback modes as well as Peak and RMS detection. Such level of control allows for incredible flexibility. In addition, two 5051 may be linked together for stereo operation.\u003c\/p\u003e\n\n\n\n\u003cp\u003eAt the heart of the Shelford 5051's compressor lies a very accurate, low-noise and low-distortion VCA for ultra-transparent behaviour.  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This design references early Neve mic preamps and delivers an instantly recognisable bold sound.  To achieve the performance desired, Rupert Neve Design needed to build a new transformer. The RN4012 transformer provides 15dB of gain while discrete Class-A amplifier blocks are delivering another 57dB for a total 72dB, controlled via stepped attenuator and precision trim pot. This design produces the unmistakable smooth high and low frequencies of vintage equipment but with incredibly low noise floor and superior isolation. The mic preamp section includes 48V phantom power, mic\/line selection, and polarity reverse, as well as a sweepable 20-250Hz high-pass filter.\u003c\/p\u003e\n\u003ch2\u003eSilk Circuit\u003c\/h2\u003e\n\u003cp\u003eThe output stage uses two RN2042 square-core output transformers with low and high headroom to deliver pristine sound and unwanted colouration. Rupert Neve's now famous Silk button gives complete control of the harmonic content of the output transformer with different frequencies affected by the Red (high frequencies) and Blue (low frequencies). The DI stage uses the same Class-A FET with transformer design found in the RNDI portable DI box but includes the new RN4012 input transformer directly into the mic preamp for unmatched clarity and low-end presence.\u003c\/p\u003e\n\u003cp\u003eFollowing the preamp stage is the 3-band EQ, inspired by a range of some of Rupert's most legendary EQ designs. The low-frequency band takes inspiration from the 1064 EQ to provide a famous resonant, creamy bass but adds a choice of shelf or peak mode adding punch, dimension and increased control of the critical low-end. The midrange band builds on the 1073 EQ design with proportional Q response and provides -15dB\/+15dB of gain. The High-Frequency band fuses vintage and modern designs providing rich tone and enhanced controls. 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The warm and punchy sound of diode bridge compression lets you capture the \"in your face\" sound of the best designs of the past with the precision and flexibility allowed by modern designs.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRupert Neve Designs Shelford Channel Overview:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFully featured channel strip inspired by some of the most revered vintage designs.\u003c\/li\u003e\n\u003cli\u003eNew Class A, transformer-gain mic preamplifier\u003c\/li\u003e\n\u003cli\u003eRNDI-inspired Hi-Z instrument input\u003c\/li\u003e\n\u003cli\u003eBest-of-the-classics inductor EQ\u003c\/li\u003e\n\u003cli\u003eSuper Diode-bridge Compressor\u003c\/li\u003e\n\u003cli\u003eDual-tap transformer output\u003c\/li\u003e\n\u003cli\u003eSilk and Texture controls\u003c\/li\u003e\n\u003cli\u003eDouble voltage power with +\/- 24V rail for improved dynamic range and noise performance.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941625950500,"sku":"ITM006109","price":2832.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/rnd-5035-shelford-channel-kmr.jpg?v=1770981847"},{"product_id":"rnd-shelford-psu-5-way","title":"Rupert Neve Designs Shelford PSU 5-way","description":"\u003cp\u003e\u003cstrong\u003eRupert Neve Designs Shelford 5-way Power Supply\u003c\/strong\u003e lets you power up to 5 RND Shelford 5052 or 5051 modules at once.\u003c\/p\u003e\n\n\n\n\u003cp\u003eDesigned to sit at the bottom of the rack, the Rupert Neve Designs Shelford 5-way Power Supply delivers extremely clean +\/-24V power to the units while reducing heat associated with DC to DC conversion. \u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941626147108,"sku":"ITM006110","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/rupert_neve-5_way_psu-kmr_audio-4517.jpg?v=1788360118"},{"product_id":"rnd-shelford-series-and-5052-mic-pre-eq","title":"Rupert Neve Designs Shelford Series 5052 Mic Pre\/Inductor EQ","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs Shelford 5052\u003c\/strong\u003e is a vintage-style mic pre and 3-band EQ inspired by some of the most popular and timeless outboards.\n\n\n\n\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs Shelford 5052\u003c\/strong\u003e Mic preamp and EQ updates the classic designs to include many new features such as simultaneous pre \/ post tape operation, variable Silk\/Texture control found on the Portico II series. The Shelford 5052 combines the best of his classic designs with the best components and modern performance.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe mic preamp of the Shelford 5052 delivers 72dB of discrete class-A gain, which is coupled with square-core transformers and features Rupert Neve's modern Silk \/ Silk Blue and Texture controls found on his Portico II series. This allows you to control your tonality further adding more flexibility by adding between 4-5% Total Harmonic Distortion (THD) mainly from the 2nd  order but some 3rd order harmonics as well to deliver a richer, thicker sound. Without the Silk button engaged, the sound is a very modern pristine sound with Rupert's signature sound so revered throughout the world. Additional features of the mic preamp include Mic\/Line selection, a sweepable 20-250Hz high-pass filter, 48V phantom power, and polarity reversal.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe Shelford 5052 uses a transformer-coupled output that can route the preamp's signal to tape or your DAW before reaching the EQ section while still using the Silk and Texture options. Alternatively, a compressor can be connected between the preamp and the EQ section or both pre and post EQ sources can be fed into the recording system. A \"To EQ\" button can be engaged to route the signal into the EQ as a regular channel strip would.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe 3-band EQ of the Shelford 5052 is reminiscent of its vintage legend, using the best of each of Rupert's Neves original designs. From the Low Frequency band based on the 1064 known for its creamy and resonant bass sound, to the mid and high bands based on the ultimate 1073, the Shelford 5052 is sure to become a modern classic. The 5052's homage to the classic designs of the past is only matched by many of the modern features such as a blending inductor circuitry which allows you to get a great vintage tone but with greater control, while a low-feedback class-A discrete electronics prevent low-level artefacts and harshness occurring when shaping your sound. Although referring to timeless classics, the Rupert Neve Designs Shelford 5052 uses modern components and techniques setting it apart from its predecessors and a powerful unit in its own right.\u003c\/p\u003e\n\n\n\n\u003cp\u003eTo power up the 5052 module, RND has provided two options, the RND 5-way brick supply and the RND 25-way 2U rack-mount supply. It can be mounted in RND's 2-way and 4-way vertical racks as well as the existing 9-way racks and 5088 penthouse. \u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44941626179876,"sku":"ITM006111","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/rnd-shelford_5052-kmr_audio-4514.jpg?v=1788345655"},{"product_id":"rupert-neve-designs-rnr1-ribbon-microphone","title":"sE Electronics RNR1 Rupert Neve Ribbon","description":"\u003cp\u003eThe \u003cstrong\u003eSE Electronics RNR1 Neve Ribbon Microphone\u003c\/strong\u003e is the first of several microphones in the Rupert Neve Signature sE series. SE Electronic's Siwei Zou and Rupert Neve have made microphone history.\u003c\/p\u003e\n\u003cp\u003eThe SE Electronics RNR1 Neve Ribbon Microphone offers revolutionary performance, courtesy of a unique blend of discrete circuits and purpose-designed transformers from Mr. Rupert Neve, and the best capsules and chassis design that Siwei Zou and sE have to offer.\u003c\/p\u003e\n\u003cp\u003eThe SE Electronics RNR1 Microphone has all the qualities engineers love. Warm, silky lows, incredible depth and air to mid frequencies. But with the clarity and impact in high frequencies reveals vital harmonic information normally missing.\u003c\/p\u003e\n\u003cp\u003eDesigned in Partnership with sE Electronics and Rupert Neve Designs\u003c\/p\u003e","brand":"KMR Audio GmbH","offers":[{"title":"Default Title","offer_id":44941629882660,"sku":"ITM006270","price":1149.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/RND_RNR1_Mic_1.jpg?v=1791463318"},{"product_id":"se-electronics-rnt-tube-large-condenser-microphone","title":"sE Electronics RNT Tube Large Condenser Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eSE Electronics RNT\u003c\/strong\u003e is a valve large diaphragm condenser microphone designed by Rupert Neve and manufactured by SE Electronics.\u003c\/p\u003e\n\u003cp\u003eThe SE Electronics RNT borrows some designs elements borrowed from Rupert Neve’s experience in large-format console designs for a different approach in tube microphone designs.\u003c\/p\u003e\n\u003cp\u003eStarting with the capsule Rupert Neve’s microphone uses a brand new capsule manufactured specifically and hand tuned to ensure ultra-high sensitivity and SPL handling.\u003c\/p\u003e\n\u003cp\u003eFollowing the capsule is the first amplification stage which features a hand-selected low-noise 12AU7 valve located just behind the detachable vents on the rear of the mic. The choice of a valve design while unusual for Rupert Neve, provides all the desirable qualities which are emphasised with the size and tuning of the capsule.\u003c\/p\u003e\n\u003cp\u003eAfter the first valve amplification stage, the signal is then directed to the high-voltage power supply which provides a 9-poisition polar pattern rotary switch ranging from Omni to figure-of-eight patterns and anything in between. The power supply also includes a three-way toggle switch for high-pass filter to remove signal below 40Hz or 80Hz. More importantly however, the power supply features custom discrete Class A op-amps found in the 5088 analogue consoles which provide an additional amplification stage adding +12dB or -12dB for very loud sources, effectively acting as a Pad, providing an impressive amount of headroom. The op-amps used deliver perfectly flat frequency response between 1Hz to 30kHz and vary by 2dB all the way to 100kHz providing superbly natural sonic character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSE Electronics RNT Tube Large Diaphragm Condenser Microphone Main Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDesigned in partnership with sE Electronics and Rupert Neve Designs\u003c\/li\u003e\n\u003cli\u003eCustom-built capsule\u003c\/li\u003e\n\u003cli\u003eLow Noise 12AU7 valve\u003c\/li\u003e\n\u003cli\u003e9 Polar pattern position ranging from Omni to Figure-of-eight\u003c\/li\u003e\n\u003cli\u003e40Hz and 80Hz High-pass filter\u003c\/li\u003e\n\u003cli\u003eCustom Discrete Class A op-amps adding +\/-12dB\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"KMR Audio GmbH","offers":[{"title":"Default Title","offer_id":44941629915428,"sku":"ITM006271","price":1832.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/RND_RNT_Mic_1.jpg?v=1791463134"},{"product_id":"rupert-neve-designs-rndi-8","title":"Rupert Neve Designs RNDI-8","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs RNDI-8\u003c\/strong\u003e is a single rack space unit with eight independent RNDI Active Transformer Direct Interface channels. It allows direct injection of instrument-level sources like electric guitars, basses, keyboards, synthesizers, and piezo pickups.\u003c\/p\u003e\n\u003cp\u003eThe \u003cmeta charset=\"utf-8\"\u003eRupert Neve Designs RNDI-8's discrete, class-A circuit topology is built around Mr Rupert Neve's custom transformers, resulting in exceptional sonic performance and a natural sound from 5Hz to beyond 90kHz. Each channel can handle input levels up to +21dBu (+31dBu with pad engaged), and the low-impedance transformer-coupled output drives long lines with minimal loss. Its rugged steel construction ensures a lifetime of use in stage and studio environments.\u003c\/p\u003e\n\u003cp\u003eThe RNDI-8's signature sound is due to the combination of its custom-designed transformers and class-A discrete FET input amplifiers. The eight custom-wound output transformers provide isolation while adding musical harmonics and dimension to the sound. The class-A discrete FET input amplifiers are powered by 48V phantom and create a high impedance input of over 2M Ohms, ensuring consistent performance with various instruments.\u003c\/p\u003e\n\u003cp\u003eThe RNDI-8 has a uniquely wide bandwidth with a frequency response from 5Hz to beyond 90kHz. The output transformer's harmonic enhancement delivers a thunderous low-end without compromising midrange richness or top-end sparkle. It can handle maximum input levels of +21dBu, making it suitable for instruments and professional line-level sources like interfaces and drum machines. With the addition of a -10dB pad, it can handle even the highest-output DJ mixers.\u003c\/p\u003e\n\u003cp\u003eThe RNDI-8 also includes two distinct ground lift options. It has a standard DI 'lifting' option via eight individual 'Pin 1 Isolate' switches on the rear panel, which usually eliminates common sources of hum in the signal path. Additionally, it has eight ground lift buttons on the front panel that separate each channel's circuit ground from the chassis ground, providing another helpful option to detect and eliminate unwanted ground hum.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44981844803876,"sku":"ITM006101","price":1582.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/RND_RNDI-8.jpg?v=1791446997"},{"product_id":"rupert-neve-designs-newton-channel","title":"Rupert Neve Designs 5034 Newton Channel","description":"\u003ch2\u003eRupert Neve Designs Newton Channel\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe \u003c\/span\u003eRupert Neve Newton Channel \u003cspan style=\"font-weight: 400;\"\u003eis a robust, contemporary channel strip with an illustrious sonic lineage. Its user-friendly design grants access to classic sound on demand, boasting instantly recognisable character, exceptional musical tone-shaping capabilities, and the renowned reliability that defines all Rupert Neve Designs products. The Newton Channel is equally well-suited for implementation in project studios, large-scale commercial facilities, and live sound setups, extending an invitation to more engineers, producers, and artists than ever before to join the esteemed RND family.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eNamed after Rupert Neve's birthplace, Newton Abbot, England, the Rupert Neve Designs Newton Channel embodies the sonic journey encompassing his life—from Newton Abbot to Wimberley, spanning vintage to modern eras and everything in between. This versatile and world-class channel strip can breathe life into any audio source with the timeless Rupert Neve Designs sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Newton Channel boasts cutting-edge features, including a fully Class-A mic preamp, a musical 3-band discrete EQ section, a fast and flexible VCA compressor, and custom transformer-coupled outputs by Rupert Neve Designs. In addition, it incorporates the revolutionary harmonic colour stage called variable Silk Red \u0026amp; Blue.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eTonal Richness and Versatility of the Mic Preamp and Input stage\u003c\/h2\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg height=\"243\" width=\"346\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/newton-white-3_480x480.jpg?v=1685622103\" style=\"margin-right: 10px; margin-bottom: 16px; float: left;\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Newton's microphone preamplifier encompasses all the tonal richness and musicality one would expect from a Rupert Neve Designs masterpiece. In addition, this preamp enables users to achieve a tight, clean, and detailed sound effortlessly, with a robust 72dB of gain that includes 6dB of fine trim control. As a result, the Newton Channel is ideally suited for a wide variety of audio sources.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhile the input stage is ideally tailored to match standard microphone source impedance, it also performs exceptionally when driven by line levels. The Newton Channel incorporates a distinctive variable high-pass filter with a comprehensive frequency range and an independent bypass switch. This empowers engineers to eliminate unwanted noise, rumble, or other low-frequency build-ups in the source signal.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eMeticulously Crafted EQ\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Newton's EQ section is meticulously crafted to prioritise speed and flexibility, featuring a simplified set of controls. The low and high-frequency shelf bands offer precise control through accurate 31-detent potentiometers, allowing for up to 12dB of gain boost or cut. This enables users to dial in subtle or extreme settings according to their preferences.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/newton-white-6_480x480.jpg?v=1685627732\" alt=\"Rupert Neve Designs Newton Channel Eq Section\" style=\"margin-bottom: 16px; float: none;\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe parametric mid-band provides an additional 31-detent potentiometer and a wide range of selectable mid frequencies, ranging from 220Hz to 7kHz. This exceptional versatility empowers engineers to tame low-mid muddiness, enhance mid-frequency presence, or eliminate harshness in the upper midrange. In addition, a carefully chosen fixed Q setting maintains an optimal balance between musicality and precision, offering a width that allows precise equalisation adjustments without adversely affecting neighbouring frequencies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAs with every section of the Newton Channel, the EQ section is equipped with an independent bypass button, ensuring that engineers can double-check their settings at every step of the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eAdvanced VCA Compressor\u003c\/b\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg height=\"225\" width=\"343\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/newton-white-7_480x480.jpg?v=1685627802\" alt=\"Rupert Neve Design Newton Channel EQ Section\" style=\"margin-right: 10px; margin-bottom: 16px; float: left;\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Newton Channel incorporates the latest iteration of Rupert Neve Designs' ultra-smooth VCA compressor, delivering outstanding performance with a remarkable +20dB of make-up gain and extensive control over compression levels. This compressor effortlessly maintains the natural characteristics of the audio while providing excellent control to achieve the desired amount of compression. Furthermore, the Newton Channel includes a convenient 'pre-EQ\/post-EQ push button, enabling users to position the compressor before or after the EQ section according to their workflow preferences. An independent bypass button is also provided for quick comparison and monitoring purposes.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eUnleashing Vintage Tonality: The Distinctive Silk Circuit of the Newton Channel\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAt the end of the Newton's signal path lies the highly sought-after and distinctive variable Silk circuit. This circuit empowers engineers with the capability to enhance the harmonic richness of their audio by saturating the custom Rupert Neve Designs output transformers, yielding a vintage tonality that is both powerful and controlled.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: right;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/newton-white-2_480x480.jpg?v=1685627903\" alt=\"Rupert Neve Designs Newton Channel Silk Texture\" style=\"margin-bottom: 16px; margin-left: 10px; float: right;\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Newton Channel features a variable Texture knob that allows engineers to dial the desired harmonic density precisely. When engaged, the Silk Red mode accentuates harmonics in the highs and upper mid frequencies, while the Silk Blue mode enhances harmonics in the lows and low mids. By adjusting the Silk circuit and Texture knob, users can achieve a subtle transformer tonality without Silk or introduce significantly more colour and character than vintage modules when the Silk\/Texture circuit is pushed to its full extent. Consequently, the Newton's output stage enriches tracks with enhanced power, brilliance, and sparkle, offering a captivating sonic experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eCustom Transformer Outputs: Unleashing Sonic Excellence\u003c\/b\u003e\u003c\/h2\u003e\n\u003cdiv\u003e\u003cimg style=\"margin-right: 10px; margin-bottom: 16px; float: left;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/newton-GUTS-4_480x480.webp?v=1685628198\" alt=\"Rupert Neve Designs Newton Channel Inside\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Newton Channel features a custom transformer output stage, exemplifying its commitment to excellence. A balanced MAIN standard line level output ensures pristine audio signal transmission while maintaining fidelity and accuracy. In addition, a separate -6dBu XLR output takes into account high levels of input and Silk harmonic saturation, empowering engineers to drive the Newton Channel to its fullest potential, harnessing the richness of transformer harmonics without compromising the integrity of subsequent devices in the signal chain. This unique functionality allows for seamless integration of the Newton Channel into any professional audio setup. Furthermore, both outputs are actively available and can be utilised concurrently, providing utmost flexibility and adaptability for achieving the desired sonic outcome.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Rupert Neve Newton Channel is a channel strip meticulously tailored for discerning professional audio engineers and producers who demand exceptional sonic capabilities. Rooted in a legendary lineage of sound engineering prowess, this channel strip embodies a fusion of power and modernity, offering an extensive array of features and functionalities that bestow it with an instantly recognisable character, remarkable tone-shaping abilities, and a level of reliability that has become synonymous with the esteemed Rupert Neve Designs brand. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhether you find yourself immersed in the creative confines of a project studio, navigating the intricate landscape of a large-scale commercial facility, or orchestrating the audio experience in a dynamic live sound environment, the Newton Channel extends a warm invitation to an ever-growing number of engineers, producers, and artists, enveloping them within the revered RND family. Inspired by the life journey of Rupert Neve himself, from his humble birthplace in Newton Abbot, England, to his audacious sonic explorations that transcended eras and culminated in Wimberley, the Newton Channel represents an unrivalled and infinitely versatile tool, capable of infusing every audio source it encounters with the timeless Rupert Neve Designs sound—a sound that has come to define excellence in the audio industry.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"margin: 1rem 0px 0px; line-height: var(--body-font-line-height); font-family: proxima-nova; font-weight: 400; font-size: calc(var(--small-text-size-value) * 1rem); color: rgb(0, 0, 0); overflow-wrap: break-word; caret-color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; white-space: pre-wrap;\"\u003e \u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMic Gain\u003c\/strong\u003e\u2028 12-position rotary switch that controls the microphone preamp gain in 6dB steps. For line level input signals, set the Mic Gain to the “0dB” position.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e \u003c\/strong\u003e\u2028Push-button switch that illuminates RED when +48V Phantom Power is engaged.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eØ (Polarity)\u003c\/strong\u003e\u2028Push-button switch that illuminates AMBER when engaged and inverts the phase of the preamp signal.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTRIM\u2028 \u003c\/strong\u003e31-detent potentiometer that allows the user to adjust the preamp gain within a range of +\/- 6dB.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHPF\u2028\u003c\/strong\u003e Push-button switch that illuminates GREEN when the high pass filter is engaged.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFREQ\u2028\u003c\/strong\u003e 31-detent potentiometer that allows the user to adjust the cutoff frequency of the Sallen-Key high pass filter within a range of 20Hz to 250Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEQ IN\u003c\/strong\u003e\u2028 Push-button switch that illuminates GREEN when the EQ section is engaged.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLF\u2028 \u003c\/strong\u003e31-detent potentiometer that controls the amount of boost or cut for the low frequency shelf within a range of +\/- 12dB.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e60\/150\u003c\/strong\u003e\u2028 Push-button switch that selects between the two available low frequency shelf frequencies: 60Hz (OUT) and 150Hz (IN).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMID FRE Q\u003c\/strong\u003e\u2028 31-detent potentiometer that controls the frequency of the midband peaking EQ within a range of 220Hz to 7kHz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMID\u2028 \u003c\/strong\u003e31-detent potentiometer that controls the amount of boost or cut for the\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMID FRE Q\u003c\/strong\u003e peaking EQ within a range of +\/- 12dB.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8K\/16K\u003c\/strong\u003e\u2028 Push-button switch that selects between the two available high frequency shelf frequencies: 8kHz (OUT) and 16kHz (IN).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHF\u2028 \u003c\/strong\u003e31-detent potentiometer that controls the amount of boost or cut for the high frequency shelf within a range of +\/- 12dB.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCOMP IN\u2028 \u003c\/strong\u003ePush-button switch that illuminates GREEN when the compressor section is engaged.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHRESHOLD\u2028 \u003c\/strong\u003e31-detent potentiometer that controls the compressor threshold range from +20dBu to -30dBu. When the input signal rises above the set threshold level, compression begins with a soft-knee at a 2:1 ratio.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRELEASE\u003c\/strong\u003e\u2028 31-detent potentiometer that controls the compressor release time. The overall timing range available is 50mS (FAST) to 500mS (SLOW). Note: Attack time is fixed at 20mS.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGAIN\u2028 \u003c\/strong\u003e31-detent potentiometer that controls the compressor make-up gain within a range of -6dB to +20dB.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePRE EQ\u003c\/strong\u003e\u2028 Push-button switch that routes the compressor section ahead of the EQ section when engaged.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSILK\u003c\/strong\u003e\u2028 Illuminated push-button switch that toggles through the three availabl\u003cstrong\u003ee\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSILK modes\u003c\/strong\u003e: OFF, RED, and BLUE.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTEXTURE\u2028 \u003c\/strong\u003e31-detent potentiometer that controls the amount of SILK harmonics added within the transformer output stage when SILK is engaged.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGR\u003c\/strong\u003e \u003cstrong\u003eand OUT Metering\u2028 \u003c\/strong\u003e8-segment LED meters that indicate compressor gain reduction (dB) and output level (dBu).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePOWER\u2028LED\u003c\/strong\u003e that illuminates GREEN when the Newton Channel is powered ON.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":45378634154276,"sku":"ITM008615","price":1457.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/RND_Newton.jpg?v=1791446996"},{"product_id":"rupert-neve-designs-master-bus-transformer","title":"Rupert Neve Designs Master Bus Transformer","description":"\u003ch2\u003e\u003cspan style=\"font-weight: 400;\"\u003eRupert Neve MBT\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe \u003c\/span\u003e\u003cb\u003eRupert Neve Designs Master Bus Transformer \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eembodies over six decades of Mr. Rupert Neve's unwavering commitment to audio circuit design, where audio transformers have stood as the foundational cornerstone. Painstakingly crafted by Rupert Neve Designs, these bespoke transformers have become indispensable in virtually every RND product. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/MBT-straight-wide-cut_600x600.png?v=1695049023\" alt=\"Rupert Neve Designs MBT Master Bus Transformer\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eInfused with these transformative transformers, the Master Bus Transformer (MBT) offers an extensive palette of sonic possibilities meticulously engineered to enrich, empower, expand, and wholly metamorphose source materials. As the ultimate tool for infusing musical colouration, the MBT finds itself equally at ease enhancing full mixes, groups, stems, or individual sources, seamlessly merging legendary tonal quality with an incredibly adaptable set of controls, allowing you to sculpt your sound to perfection.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eUnleash Sonic Alchemy with the HPF \u0026amp; Shelf EQ\u003c\/h2\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"margin-right: 16px; margin-bottom: 16px; float: left;\" alt=\"Rupert Neve Designs MBT Master Bus Transformer EQ\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/rnd-mbt-eq_480x480.jpg?v=1695049509\" width=\"323\" height=\"232\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Master Bus Transformer begins its journey with a sophisticated high pass filter featuring adjustable frequency selection, ranging from 100Hz down to 15Hz. It is an invaluable feature when optimising a complete mix for maximum loudness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe unit then introduces a brand-new 2-band Shelf EQ section, characterised by three-octave ranges, gentle slopes, and minimal phase shifts. This elegant and musical EQ offers precise tonal enhancement, mainly when interfacing with other sections of the MBT.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eEach EQ band provides +\/- 9dB of gain control, with the LF EQ corner frequency adjustable from 30Hz to 240Hz and the HF EQ corner frequency variable from 3kHz to 24kHz. The LF band is adept at either taming or accentuating low-end frequencies, delivering the desired weight and power. Meanwhile, the HF band provides a wide range of corner frequencies, allowing users to adjust from the upper midrange to the high end, bestowing tracks with added shine and clarity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe true magic of the MBT lies in the interaction between its different sections. Users can set the EQ first or explore it with other sections depending on their creative needs. What remains consistent is the MBT's invitation to experiment at every turn.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eBreathe In New Life with the Color Comp \u003c\/h2\u003e\n\u003cdiv style=\"text-align: right;\"\u003e\u003cimg style=\"margin-bottom: 16px; margin-left: 16px; float: right;\" alt=\"Rupert Neve Designs MBT Master Bus Transformer Compressor\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/rnd-mbt-comp_480x480.jpg?v=1695049762\" width=\"302\" height=\"310\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Color Comp boasts a cutting-edge optical compressor design highlighting the Opto cell's non-linear distortion and distinctive \"colourful\" attributes. This compressor's ratio can be adjusted from a subtle 2:1 for gentle compression to a more pronounced 5:1 for dramatic dynamics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFurthermore, a variable high pass side chain filter allows users to exclude low frequencies from the compressor side chain circuit, ensuring the low-end remains intact. In contrast, the compressor focuses on other aspects of the signal. The sweepable range of this filter extends from 20Hz to 350Hz, offering exceptional tonal shaping control.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Color Comp also incorporates a Blend control, facilitating parallel compression with the uncompressed source material, a valuable feature when fine-tuning harmonic content, dynamic range, and transient response.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe threshold is adjustable from 0dBu to +24dBu, with a gain reduction LED indicating when the signal surpasses the threshold. Notably, the Color Comp introduces audible non-linear harmonic content even with minimal gain reduction, inviting users to explore its tonal nuances, especially at extreme compressor settings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe release time varies from 100ms to 1.5S, allowing users to achieve various effects, from pronounced \"pumping\" with higher ratios and faster releases to smoother compression with slower release times.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Color Comp provides 20dB of Class-A makeup gain, facilitating the precise level matching between pre and post-compression signals and driving the interstage transformers in the Super Silk section for enhanced harmonic richness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"margin-right: 16px; margin-bottom: 16px; float: left;\" alt=\"Rupert Neve Designs MBT Master Bus Transformer Width Close Up\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/rnd-mbt-width2_480x480.jpg?v=1695050385\" width=\"346\" height=\"419\"\u003e\u003c\/div\u003e\n\u003ch2\u003eFind a New Dimension with Width \u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Width section is designed to expand the perceived stereo width while preserving low-end focus. Inspired by the Stereo Field Editor (SFE) \"WIDTH\" controls of the Master Buss Processor, the MBT's width control is exclusively additive, offering a more comprehensive range for more pronounced effects. Additionally, a variable HPF, adjustable from 50Hz to 800Hz, fine-tunes the width content, ensuring that low frequencies remain centred as mids and highs are expanded to create a spacious mix.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eControl Harmonic Complexity with Super Silk \u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe revered Silk circuit, cherished by Rupert Neve Designs users for nearly two decades, has received a remarkable upgrade with Super Silk. Offering independent controls for Red, Blue, Harmonics, and Zener Drive, Super Silk takes harmonic manipulation to unprecedented heights within the Master Bus Transformer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: right;\"\u003e\u003cimg style=\"margin-bottom: 16px; margin-left: 16px; float: right;\" alt=\"Rupert Neve Designs MBT Master Bus Transformer Silk close\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/MBT-silk-close_480x480.jpg?v=1695050202\" width=\"349\" height=\"267\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHistorically, Silk was applied only to output transformers, but with the MBT, an extra set of transformers has been added to provide enhanced control and flexibility. This design allows users to drive into Super Silk for dynamic saturation and transient clipping while maintaining proper gain staging using the Output Trim control.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSilk Red accentuates harmonics in the upper, mid and high frequencies, adding sparkle and sheen. Silk Blue enhances harmonics in the low and low-mid frequencies, adding depth and weight. The Harmonics control saturates the MBT's custom interstage transformers, increasing overall musical harmonic content. These settings interact with Silk Blue and Silk Red, encouraging experimentation and the discovery of unique tonal blends.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe switchable Zener Drive is a diode-based asymmetrical soft clip circuit that introduces primarily odd-order harmonic content as the signal approaches the MBT's headroom limit, resulting in a more aggressive tonal character.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eDrive and Control Levels with I\/O Amplifiers \u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe MBT incorporates Class-A input and output amplifiers to maintain optimal gain staging, drive interstage transformers fully, and match pre and post-signals accurately. These amplifiers feed Rupert Neve Designs' custom output transformers, ensuring line balancing and isolation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"margin-right: 16px; margin-bottom: 16px; float: left;\" alt=\"Rupert Neve Designs MBT Master Bus Transformer - Transformer Close Up\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/MBT-transformers-horiz_480x480.jpg?v=1695049183\" width=\"310\" height=\"211\"\u003e\u003c\/div\u003e\n\u003ch2\u003eEmbark on Your Sonic Journey with the Rupert Neve Designs MBT Master Bus Transformer \u003c\/h2\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eEmbark on a sonic journey with the Rupert Neve Designs MBT Master Bus Transformer, where decades of expertise and innovation converge to provide a comprehensive solution for shaping and enhancing audio with unparalleled precision and creativity.\u003c\/span\u003e\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46993129734436,"sku":"ITM008914","price":2962.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/RND_MBT_front.jpg?v=1791408102"},{"product_id":"rupert-neve-designs-5025-dual-shelford-mic-pre","title":"Rupert Neve Designs 5025 Dual Shelford Mic Pre","description":"\u003ch2\u003eRupert Neve Designs 5025 Dual Shelford Mic Pre\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003eThe \u003cstrong\u003eRupert Neve Designs 5025 Dual Shelford Mic Pre\u003c\/strong\u003e is a dual-channel microphone preamplifier that is a definitive evolution of Rupert's classic modules like the 1073, 1064, and 2254. Thoughtfully advanced and refined for the 21st-century studio, this preamp offers an exceptional audio experience.\u003c\/p\u003e\n\u003cp\u003eThe Rupert Neve Designs Dual Shelford Mic Pre is a two-channel version of our flagship preamplifier, which has become an indispensable tool for countless engineers and musicians. It is the recipient of the TEC Award, offering the sonic excellence of two Rupert Neve Designs Shelford mic preamps in a single rack space with an internal power supply. It provides two channels of the finest microphone preamplification available worldwide.\u003c\/p\u003e\n\u003ch2\u003eThe Transformer Gain Mic Pre:\u003c\/h2\u003e\n\u003cp\u003eDrawing inspiration from Rupert's earlier designs in Little Shelford, the Dual Shelford Pre employs a custom step-up transformer on the microphone input that imparts the initial 15 dB of gain. Combined with the surrounding class-A circuitry, this specially crafted transformer plays a pivotal role in the amplifier's distinctive mid-focused magic that graces thousands of classic recordings.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWhile most of the harmonic richness in Rupert's designs emanates from the output transformer and surrounding class-A amplifiers, this input step-up transformer introduces a unique musical enhancement. The technical reasons for this enhancement are primarily due to the reactive impedance characteristics of the input transformer and how it interacts with the connected microphone, resulting in subtle, non-linear harmonic enrichments in the low frequencies and a remarkable sweetness in the high frequencies.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe goal in creating the input stage for the Shelford Channel and Dual Shelford Pre was not mere replication but advancement. It combines the vintage technology's unmistakable sound with a wide-bandwidth frequency response, consistent amplifier performance across all gain settings, and exceptionally low noise operation. Custom transformer designs were meticulously optimized, and complete MuMetal shielding of the input transformer was implemented, resulting in a preamplifier that remains flat from below 10Hz to above 60kHz, offering the purest possible tone and unparalleled versatility.\u003c\/p\u003e\n\u003ch2\u003eWhat is Silk?\u003c\/h2\u003e\n\u003cp\u003eThe exclusive Silk \u0026amp; Texture circuit on the Dual Shelford Mic Pre empowers you to fine-tune the harmonic content in the output stage. This means you can adjust your signal from transparency to settings that produce nearly ten times the amount of sonic character as Rupert's vintage modules, all in two distinct modes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSilk Red\u003c\/strong\u003e enhances the harmonic content generated by the highs and high mids, adding a sparkling sheen to the top end. It's often ideal for vocals, snare, strings, pianos, and other acoustic instruments. On the other hand, \u003cstrong\u003eSilk Blue\u003c\/strong\u003e enhances harmonics from the lows and low mids, providing a substantial low-end boost, making it great for drums, bass guitars, heavy electric guitars, male vocals, and synthesizers.\u003c\/p\u003e\n\u003ch2\u003e\n\u003cbr\u003eThe Dual Output Level Transformers:\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003eComplementing the Silk circuit are custom-designed output transformers utilising Rupert Neve Designs' distinctive dual output topology. These transformers offer Main (+26 dBu) and -6dB (+20 dBu) outputs, allowing you to fully drive the preamps into classic transformer saturation without clipping converters and other downstream devices.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe main outputs maintain a pristine sound at high levels, avoiding nonlinear colouration of the output stage. The -6dB outputs enable you to drive the Shelford fully, adding dynamic tone with those sought-after nonlinear \"colourations\" without clipping most professional interfaces. On drums, vocals, guitars, and other instruments, these outputs let you effortlessly hit the transformer's sweet spot, bringing a recorded performance to life in a way that other preamps cannot match.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eINPUT IMPEDANCE\u2028 :\u003c\/strong\u003e 2.2 kΩ\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMAXIMUM INPUT LEVEL :\u003c\/strong\u003e\u003cbr\u003e@ 1 kHz: +24.9 dBu\u2028@ 1 kHz (Main Out): +26.7 dBu\u2028@ 1 kHz (-6dB Out): +20.7 dBu\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u2028 : \u003c\/strong\u003e20 Hz to 20 kHz: +\/-0.25 dB\u202810 Hz to 62 kHz: +\/- 0.5 dB\u20285 Hz: \u0026lt;\u0026lt; -3 dB\u202870 kHz: -3 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHD+N% (BW 10Hz - 90kHz) : \u003c\/strong\u003e0dBu Input, 1 kHz: \u0026lt; 0.0025%\u2028+20dBu Input, 1 kHz: \u0026lt; 0.008%\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE AT MAIN OUTPUT (BW 22Hz - 22kHz) : \u003c\/strong\u003e0dB Gain: -102 dBu\u2028+30dB Gain: -94 dBu\u2028+66dB Gain: -61 dBu\u2028EIN (+66dB Gain): -127 dBu\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE AT -6dB OUTPUT (BW 22Hz - 22kHz)\u2028 : \u003c\/strong\u003e0dB Gain: -107 dBu\u2028+30dB Gain: -100 dBu\u2028+66dB Gain: -67 dBu\u2028EIN (+66dB Gain): -133 dBu\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePRODUCT DIMENSIONS (W x D x H)\u2028 : \u003c\/strong\u003e19” (48.3 cm) x 9.2” (23.4 cm) x 1.75” (4.4 cm)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSHIPPING WEIGHT\u2028 : \u003c\/strong\u003e11 lbs. (5 kg)\u003cbr\u003e\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":47335861453092,"sku":"ITM006052","price":2650.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/ShelfordDualMicPre5025-straight-white.jpg?v=1760955254"},{"product_id":"rupert-neve-designs-rndi-m-active-transformer-direct-interface","title":"Rupert Neve Designs RNDI-M Active Transformer Direct Interface","description":"\u003cp data-start=\"116\" data-end=\"419\"\u003eThe \u003cstrong\u003eRupert Neve Designs RNDI-M\u003c\/strong\u003e is a compact, high-performance direct injection (DI) box featuring the same custom transformers and discrete Class-A FET circuitry as its larger counterparts, delivering an uncompromised signal with exceptional clarity, massive headroom, and extended frequency response.\u003c\/p\u003e\n\u003ch2 data-start=\"421\" data-end=\"466\"\u003e\u003cstrong data-start=\"421\" data-end=\"464\"\u003eCompact Design with Uncompromised Sound\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"468\" data-end=\"949\"\u003eDesigned for musicians and engineers who demand pristine sound quality in a more portable format, the RNDI-M distils the renowned sonic characteristics of the award-winning RNDI, RNDI-S, and RNDI-8 into a pedalboard-friendly chassis. Despite its reduced size, it retains the essential components that define the signature Rupert Neve Designs tone. By housing its circuitry in a rugged, road-ready steel enclosure, the unit ensures durability in both studio and live environments.\u003c\/p\u003e\n\u003ch2 data-start=\"951\" data-end=\"997\"\u003e\u003cstrong data-start=\"951\" data-end=\"995\"\u003eSuperior Transformer-Coupled Performance\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"999\" data-end=\"1410\"\u003eAt the heart of the RNDI-M is a custom-wound Rupert Neve Designs transformer, engineered to provide exceptional passive isolation while adding musical harmonics and depth to the audio signal. The low-impedance, transformer-balanced output ensures stable performance over long cable runs, maintaining signal integrity and preventing tonal degradation, a critical feature for both stage and studio applications.\u003c\/p\u003e\n\u003ch2 data-start=\"1412\" data-end=\"1461\"\u003e\u003cstrong data-start=\"1412\" data-end=\"1459\"\u003eClass-A Discrete FET Input for Sonic Purity\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"1463\" data-end=\"2034\"\u003eThe RNDI-M’s class-A, discrete FET input stage operates on +48V phantom power, delivering a high-impedance input of 2.2MΩ to preserve the natural dynamics and tone of any instrument. Unlike designs that introduce crossover distortion, this circuit topology eliminates undesirable upper-order odd harmonics, producing a harmonically rich, musical response dominated by second-order (octave) and third-order (fifth above octave) harmonics. By avoiding integrated circuits (ICs) and digital components, the RNDI-M maintains an entirely analogue, high-fidelity signal path.\u003c\/p\u003e\n\u003ch2 data-start=\"2036\" data-end=\"2090\"\u003e\u003cstrong data-start=\"2036\" data-end=\"2088\"\u003eExtended Frequency Response and Massive Headroom\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2092\" data-end=\"2651\"\u003eWith an exceptionally wide frequency response extending from below 5Hz to over 90kHz, the RNDI-M reproduces every nuance of an instrument’s sound with remarkable accuracy. Its frequency response remains flat within ±0.25dB from 28Hz to 60kHz, ensuring a deep, defined low end and articulate highs. The headroom of +20.5dBu allows the unit to handle high-output sources such as electric guitars, basses, keyboards, synthesizers, drum machines, and even pre-recorded material without distortion or compression, making it a versatile tool for any signal chain.\u003c\/p\u003e\n\u003ch2 data-start=\"2653\" data-end=\"2715\"\u003e\u003cstrong data-start=\"2653\" data-end=\"2713\"\u003eOptimised Signal Transmission and Versatile Connectivity\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2717\" data-end=\"3153\"\u003eA high-quality 1\/4” THRU output enables simultaneous connection to an amplifier while preserving signal integrity. The low-impedance transformer-coupled output, measuring below 40Ω, efficiently drives long cable runs without compromising frequency response. A ground lift switch on the rear panel isolates pin 1 of the XLR balanced output from the circuit ground, effectively eliminating unwanted hum and noise caused by ground loops.\u003c\/p\u003e\n\u003ch2 data-start=\"3155\" data-end=\"3199\"\u003e\u003cstrong data-start=\"3155\" data-end=\"3197\"\u003eReliable Power and Rugged Construction\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"3201\" data-end=\"3586\" data-is-only-node=\"\"\u003ePowered by standard +48V phantom power, the RNDI-M integrates seamlessly into professional studio and live setups, indicated by a front-panel blue LED. The robust steel chassis ensures reliability in demanding conditions, protecting the internal circuitry from physical damage and electromagnetic interference, making it an ideal choice for touring musicians and audio professionals.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":55207846445439,"sku":"ITM010426","price":145.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/RND_RNDI-M.jpg?v=1791446997"},{"product_id":"rupert-neve-designs-portico-542-pair","title":"Rupert Neve Designs Portico 542 PAIR","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs 542\u003c\/strong\u003e is a single slot, mono 500-series version of the highly popular Portico 5042 Tape Emulator designed to provide the thick and musical colouration associated with working with tapes.\u003c\/p\u003e\n\u003cp\u003eThe Rupert Neve Designs 542 features a \"true tape\" circuitry which brings out 3rd-order harmonics as well as the rounding and compression associated with the sound of tape. The RND 542 is the ideal companion to your digital recording setup helping breathe life and round harshness often associated with digital audio. The \"true tape\" circuit uses a small magnetic \"record head\", coupled with a correctly equalised replay amplifier. This hardware emulation works in the same way as true tape; as the voltage increases on the \"record head\", so does the saturation. An additional soft-clipping circuit emphasises 2nd-order harmonics rounding off higher peak transients and can be used tame harsher sounding sources.\u003c\/p\u003e\n\u003cp\u003eThe Rupert Neve Designs 542 is extremely flexible and offers many options to change the sound such as a 15\/30 IPS switch which emulates the sonic characteristics of tape speed, from the punchy low-end of the 15IPS to the beautifully clean 30 IPS. A pre\/post-tape blend control allows you to control the amount of tape distortion is used, and a variable Silk\/Texture circuitry found in the Portico II series which allows you to fine-tune the harmonic relationship and tonality of the output transformer imparting a tonal colour very reminiscent of early Neve's vintage class-A designs.\u003c\/p\u003e","brand":"KMR Audio","offers":[{"title":"Default Title","offer_id":56008395948415,"sku":null,"price":1240.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/rupert-neve-designs-542-stereo-pair-zenpro__02096.1589045159.jpg?v=1786367489"},{"product_id":"rupert-neve-designs-optofet","title":"Rupert Neve Designs OptoFET","description":"\u003cp data-start=\"179\" data-end=\"654\"\u003eThe \u003cstrong data-start=\"179\" data-end=\"264\"\u003eRupert Neve Designs OptoFET Dual Band Compressor and Harmonic Processor\u003c\/strong\u003e is a fully analogue single-channel dual-topology compressor that combines a high-speed FET compressor and an optimised optical compressor into a 1U rackmount unit offering serial or frequency-split dual-band operation, variable crossover control, parallel blending, harmonic wave shaping, transformer-balanced I\/O and comprehensive gain staging for advanced dynamic and tonal manipulation.\u003c\/p\u003e\n\u003ch2 data-start=\"656\" data-end=\"671\"\u003e\u003cstrong data-start=\"659\" data-end=\"671\"\u003eOverview\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"673\" data-end=\"1172\"\u003eThe OptoFET merges two fundamentally different compression architectures into a single processing engine that delivers both precision control and harmonic shaping. The FET section provides extremely fast transient handling while the optical section introduces slower envelope control and low-order harmonic enhancement. The unit operates either as a dual-stage serial compressor or as a frequency-divided dual-band processor, allowing independent dynamic treatment of low and high frequency content.\u003c\/p\u003e\n\u003cp data-start=\"1174\" data-end=\"1505\"\u003eThe design supports detailed gain staging through global input and output trims and independent make-up gain stages for each compressor. These gain structures allow the user to move seamlessly between transparent dynamic control and creative harmonic enhancement while maintaining full headroom across transformer-balanced outputs.\u003c\/p\u003e\n\u003ch2 data-start=\"1507\" data-end=\"1549\"\u003e\u003cstrong data-start=\"1510\" data-end=\"1549\"\u003eDual Stage and Dual Band Processing\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"1551\" data-end=\"1825\"\u003eDual Stage mode routes the FET and optical compressors in series, allowing progressive dynamic shaping across two independent compression engines. The global Flip control changes the order of the compressors to tailor transient response and harmonic behaviour to the source.\u003c\/p\u003e\n\u003cp data-start=\"1827\" data-end=\"2203\"\u003eDual Band mode activates a fully variable crossover that splits the signal between low and high frequency bands from 50 Hz to 500 Hz. Each compressor receives its own band, allowing independent processing of bass and mid to high frequency content. The Flip function also assigns either compressor to either frequency band, enabling precise tonal sculpting across the spectrum.\u003c\/p\u003e\n\u003ch2 data-start=\"2205\" data-end=\"2240\"\u003e\u003cstrong data-start=\"2208\" data-end=\"2240\"\u003eFET Compression Architecture\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2242\" data-end=\"2597\"\u003eThe FET compressor focuses on transient management and upper harmonic shaping. It provides ultra-fast attack down to 100 microseconds, variable release, switchable 4:1 and 8:1 ratios and a 125 Hz side-chain high-pass filter that preserves low frequency energy. A parallel blend control allows continuous adjustment between compressed and dry signal paths.\u003c\/p\u003e\n\u003cp data-start=\"2599\" data-end=\"2847\"\u003eThe GRIT mode introduces controlled high-frequency harmonic saturation by modifying the side-chain detection behaviour. This function allows subtle enhancement of articulation or aggressive wave shaping when driven through the internal gain stages.\u003c\/p\u003e\n\u003ch2 data-start=\"2849\" data-end=\"2888\"\u003e\u003cstrong data-start=\"2852\" data-end=\"2888\"\u003eOptical Compression Architecture\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2890\" data-end=\"3189\"\u003eThe optical compressor introduces slower attack behaviour and enhanced low-order harmonic content for density and warmth. It offers variable attack starting at 5 milliseconds, variable release, switchable 2:1 and 5:1 ratios and a 125 Hz side-chain high-pass filter for stable low-frequency response.\u003c\/p\u003e\n\u003cp data-start=\"3191\" data-end=\"3453\"\u003eThe BLOOM mode increases harmonic density within the low and low-mid frequency range, allowing tonal thickening and low-frequency enhancement without conventional equalisation. Parallel blending enables subtle enhancement or full parallel compression techniques.\u003c\/p\u003e\n\u003ch2 data-start=\"3455\" data-end=\"3495\"\u003e\u003cstrong data-start=\"3458\" data-end=\"3495\"\u003eGain Staging and Harmonic Control\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"3497\" data-end=\"3885\"\u003eIndependent input and output trims offer ±12 dB of control for driving internal stages or maintaining clean headroom. Each compressor also includes its own make-up gain stage that allows deliberate harmonic excitation in Dual Stage mode or spectral balance control in Dual Band mode. Transformer-balanced outputs preserve transient integrity and harmonic content at high operating levels.\u003c\/p\u003e\n\u003ch2 data-start=\"3887\" data-end=\"3915\"\u003e\u003cstrong data-start=\"3890\" data-end=\"3915\"\u003eMetering and Workflow\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"3917\" data-end=\"4163\"\u003eDedicated gain reduction meters display real-time compression for each stage while the output meter displays final level. Fully detented 31-step potentiometers ensure accurate recall, stereo matching and predictable repeatability across sessions.\u003c\/p\u003e\n\u003ch3 data-start=\"4165\" data-end=\"4215\"\u003e\u003cstrong data-start=\"4169\" data-end=\"4215\"\u003eWhy Choose the Rupert Neve Designs OptoFET\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul data-start=\"4217\" data-end=\"4603\"\u003e\n\u003cli data-start=\"4217\" data-end=\"4315\"\u003e\n\u003cp data-start=\"4219\" data-end=\"4315\"\u003eEnables independent control of bass and high frequencies for clearer mixes and tighter low end\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4316\" data-end=\"4389\"\u003e\n\u003cp data-start=\"4318\" data-end=\"4389\"\u003eAdds analogue harmonic character without sacrificing transient detail\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4390\" data-end=\"4458\"\u003e\n\u003cp data-start=\"4392\" data-end=\"4458\"\u003eSimplifies complex multi-compressor workflows into a single unit\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4459\" data-end=\"4531\"\u003e\n\u003cp data-start=\"4461\" data-end=\"4531\"\u003eProvides repeatable recall for professional mastering and production\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4532\" data-end=\"4603\"\u003e\n\u003cp data-start=\"4534\" data-end=\"4603\"\u003eDelivers both transparent and creative compression in one processor\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr data-start=\"4605\" data-end=\"4608\"\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":56683810226559,"sku":"ITM011078","price":1540.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/rnd-optofet-kmr4.jpg?v=1767618308"},{"product_id":"rupert-neve-designs-portico-551-inductor-eq-for-500-seriesb-stock","title":"Rupert Neve Designs Portico 551 Inductor EQ for 500-Series(B-Stock)","description":"\u003cp\u003eThe\u003cstrong\u003e Rupert Neve Designs 551\u003c\/strong\u003e inductor EQ is a single-channel 500 series EQ with 3-band inspired by Rupert Neve’s classic designs. \u003c\/p\u003e\n\n\u003cp\u003eThe Rupert Neve Designs uses custom-wound inductors and Class-A gain blocks and transformers to bring the larger-than-life sound of vintage designs with the thick midrange, powerful lows and silky smooth high frequencies. \u003c\/p\u003e\n\n\u003ch2\u003e\u003cstrong\u003eClassic Neve EQ Sound \u003c\/strong\u003e\u003c\/h2\u003e\n\n\u003cp\u003eThe 551 inductor based EQ uses 3-band inspired by Rupert Neve’s favourite vintage eq designs but includes modern appointments to suit more modern workflows. \u003c\/p\u003e\n\n\u003cp\u003eThe Low-Frequency band offers a choice of four frequencies (35, 60, 100 and 220 Hz) which offer a creamy resonant bass response. It may be used in peak or shelf mode and provides an incredibly punchy, creamy and rich low end full of girth. \u003c\/p\u003e\n\n\u003cp\u003eThe parametric mid band lets you dial in the perfect tone bringing your vocals forward in a mix and adding the ideal sweetening. Its proportional Q design offers particularly effective focusing on the problematic frequencies. Its centre frequencies (200 Hz, 350Hz, 700 Hz 1.5KHz, 3kHz, 6kHz) covers a wide range of applications that will suit most applications. A selectable MF HiQ button lets you switch to narrow Q for more surgical frequency carving. \u003c\/p\u003e\n\n\u003cp\u003eThe High-frequency band uses a hybrid approach combining modern and vintage designs. By blending inductor circuits and capacitor-based topologies, the 551 delivers the silky smooth tone of vintage EQs with the level of control required by modern producers and engineers. It offers a choice of 8kHz or 16 kHz at the press of a button and can be used as peak or shelf modes.\u003c\/p\u003e\n\n\u003cp\u003eAll three bands offer a +\/- 15 dB of gain, allowing for deep sculpting of the sound. A fixed 80Hz high pass filter with 12dB\/oct slope is also included\u003c\/p\u003e\n\n\u003cp\u003eFurthermore, a low-feedback, class-A electronics similar to its predecessors, safeguards from low-level artefacts and harshness. In the 551 this circuit has been updated with modern techniques and components. \u003c\/p\u003e\n\n\u003ch2\u003e\u003cstrong\u003eInductor EQ\u003c\/strong\u003e\u003c\/h2\u003e\n\n\u003cp\u003eThe 551 uses inductors which use wires wound around a coil to provide a form of frequency-dependent resistance. When they saturate, they produce musical harmonics that give a track a smooth and polished sound. \u003c\/p\u003e\n\n\u003cp\u003eThese properties translate into fatter, harmonically rich lows while the highs can be boosted without ever sounding harsh.\u003c\/p\u003e\n\n\u003cp\u003eInductors were already used by Rupert Neve in some of his most legendary designs such as the ‘1073’, ‘1081’ and ‘1084’. \u003c\/p\u003e\n\n\u003cp\u003eIn the 551, Rupert Neve Designs uses custom-tapped inductors to delivery the vibrance, punch and personality associated with his classic designs.\u003c\/p\u003e\n\n\u003ch2\u003e\u003cstrong\u003eDesigned for the 500 Series\u003c\/strong\u003e\u003c\/h2\u003e\n\n\u003cp\u003eThe 551 takes on the circuit found on the Shelford Channel channel strip adapted to the low voltages provided by the 500 series format. A 500 Series rack is necessary for powering the module. \u003c\/p\u003e\n\n\u003cp\u003eDuring this adaptation process, the team experimented with different transformers and circuit designs to achieve the same presence and sweetness found in the Portico series. Placed side by side, the 500-series modules are indistinguishable from the 19” racks except for a slightly lowered headroom. \u003c\/p\u003e\n\n\u003cp\u003eThe 551 also uses single-sided circuitry as well as transformer-balanced inputs and outputs which server to enhance the sonic qualities of most audio sources. This EQ provides the perfect blend of modern purity with the character and soul of vintage units. \u003c\/p\u003e\n\n\u003cp\u003eThis EQ delivers a performance of the highest calibre and is the perfect addition in any home studio or professional setting.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":57986271641983,"sku":"ITM011462","price":674.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/RND_551.jpg?v=1791402343"},{"product_id":"rupert-neve-designs-portico-511-500-series-mic-preb-stock","title":"Rupert Neve Designs Portico 511 - 500 series Mic Pre(B-Stock)","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs 511\u003c\/strong\u003e is a 500 Series mic preamp using the preamp circuitry of the 5017 designed to provide a superb classic sound.\u003c\/p\u003e\n\u003cp\u003eThe Rupert Neve Designs 511 provides a vast array of sonic textures, from pristine sound to the classic Neve tones, thanks to the use of Silk and Texture circuit which adds transformer harmonic distortion to provide the warm vintage sound associated with Neve designs.  \u003c\/p\u003e\n\u003cp\u003eThe Rupert Neve 511 provides 66dB of clean gain thanks to a 10-position 6dB\/step gain control and a +\/-6dB trim control for fine adjustment. +48V Phantom power is provided and the same transient optimised high-pass filter found in the 5012 is included with a range of 20Hz to 250Hz to counteract proximity effect and remove unwanted rumble.\u003c\/p\u003e\n\u003cp\u003eAs with all Rupert Neve Designs’ units, the 511 provides very low noise and distortion operation ensuring superior performance thanks to a carefully designed signal paths and Class A design.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRupert Neve Designs 511 500 Series Mic Preamp Main Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePreamp circuitry from the 5017 preamp\u003c\/li\u003e\n\u003cli\u003eVersatile tone shaping provided by the Silk\/Texture circuit\u003c\/li\u003e\n\u003cli\u003eSweepable highpass filter circuit from the 5012 preamplifier\u003c\/li\u003e\n\u003cli\u003eSonically flexible microphone preamplifier in 500 Series format\u003c\/li\u003e\n\u003cli\u003eHigh-quality mic preamp taken from the 5017\u003c\/li\u003e\n\u003cli\u003eSilk control gives you vintage to modern sounds\u003c\/li\u003e\n\u003cli\u003eTailor you low-end with a sweepable highpass filter\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 12px;\"\u003eCompact and convenient 500 series design\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":57986277704063,"sku":"ITM011463","price":445.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/RND_511.jpg?v=1791402343"},{"product_id":"rupert-neve-designs-542-tape-emulator-plug-in","title":"Rupert Neve Designs 542 Tape Emulator Plug-in","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Rupert Neve Designs 542 Tape Emulator Plug-In is a software recreation of the acclaimed RND 542 500 Series analogue tape emulator, combining True Tape-style saturation, soft clipping, 15\/30 IPS tape-speed characteristics, blend control and variable Silk Red and Blue transformer harmonic colour with expanded plug-in functionality for modern DAW-based production.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eRupert Neve Designs 542 Tape Emulator Plug-In\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eDeveloped by Rupert Neve Designs in collaboration with McDSP, the 542 Tape Emulator Plug-In brings the distinctive saturation and tonal shaping of the hardware 542 Tape Emulator into a native software environment. The original 542 evolved from the Portico 5042 and gives recording and mixing engineers a controllable alternative to physical tape machines, particularly when adding analogue character, harmonic density and smoother transient behaviour to digital recordings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe plug-in recreates the core behaviour of the hardware while taking advantage of the additional flexibility available in software. It allows engineers to introduce the characteristic saturation, compression, harmonic colour and transient rounding associated with the 542 directly within a DAW, without requiring a 500 Series chassis or external analogue routing.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eTape Saturation and Harmonic Colour\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAt the centre of the original Rupert Neve Designs 542 sits its True Tape circuit. The hardware uses a miniature magnetic record head coupled to a correctly equalised replay amplifier to create genuine magnetic saturation behaviour. Increasing the level feeding the record head increases saturation, producing prominent third-order harmonics alongside the rounding and compression associated with analogue tape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe 542 Tape Emulator Plug-In recreates these characteristics in software, giving engineers access to the tonal density and progressive saturation that make the hardware particularly effective for adding character to digitally recorded sources. Engineers can use the processing subtly to introduce additional weight and cohesion or push it harder for more obvious harmonic colour.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eSoft Clipping and Transient Control\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe 542 design also incorporates soft clipping to complement its tape saturation. This stage emphasises second-order harmonic content while progressively rounding high-level peaks, allowing the processor to tame aggressive transients without relying solely on conventional dynamic range processing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis behaviour makes the 542 particularly useful for sources that can sound overly sharp or clinical in a digital environment. Drums, percussion, bass, guitars, synthesisers, vocals and other transient-rich material can gain a smoother, denser character while retaining their musical impact.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003e15 IPS and 30 IPS Tape Characteristics\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe 15\/30 IPS control provides two distinct tape-speed characteristics inspired by traditional analogue tape operation. The 15 IPS setting delivers a fuller, punchier low-frequency response and a more obviously coloured presentation, making it useful when a source needs additional weight or vintage-style character.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe 30 IPS setting provides a cleaner, more open response while retaining the harmonic and dynamic qualities of tape saturation. This gives engineers a straightforward way to choose between a weightier tape character and a more controlled, transparent form of analogue colour.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBlend Control\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe pre\/post-tape blend facility allows the processed tape character to combine with the original signal. Instead of committing entirely to the saturated output, engineers can determine how strongly the tape processing contributes to the finished sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis parallel approach greatly expands the 542's usefulness. It can add density and harmonic complexity while preserving transient definition and the original tonal balance, making the processor equally suitable for individual tracks, groups and broader mix applications.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eSilk Red and Blue Harmonic Saturation\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eRupert Neve Designs' Silk and Texture processing extends the 542 beyond tape emulation by controlling the harmonic contribution and tonal character associated with the output transformer circuitry of the original hardware.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSilk Red emphasises a warmer, richer harmonic presentation, while Silk Blue shifts the tonal character towards a different harmonic balance. The variable Texture control determines the intensity of the effect, allowing engineers to move from subtle transformer colour to substantially stronger saturation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eTogether, the tape and Silk stages provide multiple layers of analogue-style colour. Engineers can shape the saturation behaviour and transformer character independently to suit the source rather than relying on a single fixed tape effect.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eNative DAW Integration\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Rupert Neve Designs 542 Tape Emulator Plug-In brings the 542 workflow into contemporary recording, mixing and production environments. It supports AAX, AU and VST3 formats and works with compatible DAWs including Pro Tools, Logic Pro, Cubase, Nuendo, FL Studio, Ableton Live, LUNA, Reaper, Sonar and Studio One.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe plug-in runs natively on Intel and Apple silicon processors, allowing modern Mac and compatible computer-based systems to use the processing without dedicated DSP hardware.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eiLok Authorisation\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eRupert Neve Designs supports several iLok authorisation methods for the 542 Tape Emulator Plug-In. Engineers can authorise the software with an iLok 2 or iLok 3 USB Smart Key, machine-based authorisation, or an iLok License Manager account with an iLok Cloud session.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eEach licence provides two activations, giving users greater flexibility when working across more than one compatible system.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWhy Choose the Rupert Neve Designs 542 Tape Emulator Plug-In?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAdds analogue-style weight, density and character to recordings without requiring a tape machine or external 500 Series hardware.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHelps soften harsh digital transients while retaining the musical impact and definition of the original performance.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOffers contrasting 15 IPS and 30 IPS characters, making it easy to move between weightier vintage colour and cleaner tape processing.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBlends saturated and original signals for precise control over how strongly the tape character affects a mix.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCombines tape-style processing with Silk Red and Blue harmonic colour for a wider tonal palette than conventional tape saturation alone.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIntegrates directly into professional DAW sessions, making Rupert Neve Designs-style analogue colour practical across individual tracks, buses and complete productions.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvides two licence activations for engineers who need to work across multiple compatible systems.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":58434684748159,"sku":"ITM011537","price":99.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/rnd-542plugin-kmr1.jpg?v=1789479352"},{"product_id":"rupert-neve-designs-portico-ii-master-buss-processor-plug-in","title":"Rupert Neve Designs Portico II: Master Buss Processor Plug-in","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs Portico II Master Buss Processor Plug-In\u003c\/strong\u003e is a software recreation of RND's flagship stereo dynamics and tone processor, combining dual-channel compression, limiting, stereo field control, width and depth processing, side-chain filtering, blend control and the harmonic character associated with Rupert Neve's transformer-based analogue designs in a native AAX, AU and VST3 format.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eRupert Neve Designs Portico II Master Buss Processor Plug-In\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eDeveloped by Rupert Neve Designs in collaboration with McDSP, the Portico II Master Buss Processor Plug-In brings the functionality and sonic character of the acclaimed hardware Master Buss Processor into a modern DAW environment. The original hardware uses Rupert Neve-designed input and output transformers, a high-voltage 72V topology and mastering-grade controls to deliver precise dynamics processing, tone shaping and stereo image control.\u003c\/p\u003e\n\u003cp\u003eThe plug-in recreates the core processing architecture of the hardware while taking advantage of the flexibility available in software. It gives mixing, mastering and production engineers access to dual-channel compression, limiting and stereo field manipulation without requiring external analogue routing or dedicated rack hardware.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eDual-Channel Compression\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Portico II Master Buss Processor centres on two fully featured compressor sections that can process stereo or dual-mono material with extensive control over dynamic response.\u003c\/p\u003e\n\u003cp\u003eRatio and threshold controls determine how strongly the compressor responds to the incoming signal, while attack and release parameters shape how quickly gain reduction reacts and recovers. These controls allow the processor to move from subtle buss cohesion to more assertive dynamic control.\u003c\/p\u003e\n\u003cp\u003eA side-chain high-pass filter prevents excessive low-frequency energy from dominating the compressor detector. This helps preserve bass weight and low-end punch when processing full mixes, drum buses or other sources with substantial low-frequency content.\u003c\/p\u003e\n\u003cp\u003eMake-up gain compensates for level reduction after compression, while the blend control combines compressed and uncompressed signals for parallel processing. This makes it possible to increase density and consistency while retaining transient definition.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eTransparent Limiting\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Master Buss Processor also includes a highly transparent limiter designed for controlled peak management without sacrificing musicality.\u003c\/p\u003e\n\u003cp\u003eIts Adaptive Release Technology uses multiple release-time characteristics to respond differently according to the source material. Fast transient information such as snare attacks can trigger a rapid response, while longer and slower signals such as bass notes receive a more gradual release characteristic.\u003c\/p\u003e\n\u003cp\u003eThis adaptive behaviour allows the limiter to control peaks while maintaining a natural envelope, making it suitable for mix buss, mastering and other applications where excessive pumping or obvious gain reduction would prove undesirable.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eStereo Field Editor\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Portico II Master Buss Processor extends conventional mid-side processing through its Stereo Field Editor, giving engineers detailed control over perceived width, ambience and front-to-back positioning.\u003c\/p\u003e\n\u003cp\u003eThe Width control adjusts the lateral stereo image, allowing the processor to move from narrower or mono-compatible presentation towards a wider stereo field. This can also influence the perceived amount of ambience and spatial information within the recording.\u003c\/p\u003e\n\u003cp\u003eThe Depth control adjusts the relationship between centre-focused and supporting elements. Centre-panned material such as lead vocals, bass or solo instruments can move forward or backward relative to the surrounding stereo content, providing a powerful way to reshape spatial perspective without conventional level automation.\u003c\/p\u003e\n\u003cp\u003eCorresponding band-pass filters help focus Width and Depth processing on selected parts of the frequency spectrum. This allows engineers to alter spatial information with greater precision rather than applying the same stereo treatment across the entire signal.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eTransformer Character and Portico II Architecture\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe original hardware uses input and output transformers designed by Rupert Neve together with a high-voltage 72V signal path. This architecture contributes substantial headroom, low noise and the harmonic character associated with Rupert Neve Designs analogue circuitry.\u003c\/p\u003e\n\u003cp\u003eThe plug-in translates the character and behaviour of the hardware into software, making the Portico II Master Buss Processor's dynamics, tone and stereo manipulation tools available directly inside a DAW session.\u003c\/p\u003e\n\u003cp\u003eThis combination of precision and analogue-inspired character makes the processor suitable for subtle mastering adjustments, stereo buss enhancement, stem processing and more creative dynamic shaping.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eFlexible Buss and Mastering Processing\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Portico II Master Buss Processor works effectively across complete mixes, stereo buses, stems and individual stereo sources. Its compressor can create cohesion and manage dynamic range, while the limiter controls excessive peaks and the Stereo Field Editor reshapes width and depth.\u003c\/p\u003e\n\u003cp\u003eThe ability to combine these functions within one processor reduces the need for separate compression, limiting and stereo imaging plug-ins. Engineers can move from subtle correction to more creative tonal and spatial processing while keeping the signal chain focused and consistent.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eNative DAW Integration\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Rupert Neve Designs Portico II Master Buss Processor Plug-In supports AAX, AU and VST3 formats and integrates with compatible DAWs including Pro Tools, Logic Pro, Cubase, Nuendo, FL Studio, Ableton Live, LUNA, Reaper, Sonar and Studio One.\u003c\/p\u003e\n\u003cp\u003eThe plug-in runs natively on Intel and Apple silicon processors, allowing compatible computer-based systems to use the processor without dedicated DSP hardware.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eiLok Authorisation\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Master Buss Processor Plug-In supports iLok 2 and iLok 3 USB Smart Keys, machine-based authorisation and iLok Cloud sessions through an iLok License Manager account.\u003c\/p\u003e\n\u003cp\u003eEach licence provides two activations, making it practical for engineers who work across more than one compatible production system.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eWhy Choose the Rupert Neve Designs Portico II Master Buss Processor Plug-In?\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eBrings compression, limiting and stereo image control together in one processor, helping create a more focused and efficient mix buss or mastering chain.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMakes it easy to add cohesion and dynamic control while retaining transient detail through flexible attack, release and blend settings.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHelps prevent low frequencies from over-triggering compression through dedicated side-chain filtering, preserving punch and bass weight.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eProvides transparent peak control with adaptive release behaviour that responds naturally to different types of programme material.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGives engineers greater control over stereo width and perceived depth without relying solely on conventional panning or level automation.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOffers both precise technical control and the musical character associated with Rupert Neve Designs processing.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIntegrates directly into professional DAW sessions through AAX, AU and VST3 support.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eProvides two licence activations for engineers who need to work across multiple compatible systems.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":58434687598975,"sku":"ITM011535","price":149.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/rnd-MBPplugin-kmr1.jpg?v=1789480356"},{"product_id":"rupert-neve-designs-551-plugin","title":"Rupert Neve Designs 551 Inductor EQ Plug-in","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Rupert Neve Designs 551 Inductor EQ Plug-In is a software recreation of the acclaimed 551 500 Series equaliser, combining three bands of classic Rupert Neve inductor EQ with ±15 dB gain, selectable low and high-frequency curves, a proportional-Q parametric mid band, MF Hi-Q mode and an 80 Hz high-pass filter, alongside the flexibility of native AAX, AU and VST3 processing.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eRupert Neve Designs 551 Inductor EQ Plug-In\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eDeveloped by Rupert Neve Designs in collaboration with McDSP, the 551 Inductor EQ Plug-In translates the character and control of the hardware 551 into a modern software format. The original 551 draws its EQ circuitry from the Shelford Channel and takes inspiration from Rupert Neve's most celebrated vintage equaliser designs, combining powerful low-frequency shaping, a highly versatile mid band and smooth high-frequency control.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe plug-in recreates the 551's distinctive equalisation characteristics while bringing the design directly into a DAW. This approach gives recording, mixing and mastering engineers the musical response associated with the hardware without requiring a 500 Series rack, analogue cabling or external signal routing.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eClassic Rupert Neve Inductor EQ Character\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe original 551 uses custom-wound inductors, Class-A gain blocks and transformer-balanced circuitry to produce the harmonic richness associated with classic Rupert Neve designs. Inductors create frequency-dependent impedance through wire wound around a core, and their behaviour contributes harmonic character as signal levels increase.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eRupert Neve used inductors throughout some of his most recognised EQ designs, including the 1073, 1081 and 1084. The 551 follows this design philosophy with custom-tapped inductors that contribute weight and harmonic complexity to low frequencies while allowing substantial high-frequency boosts to retain a smooth, musical character.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe plug-in captures the tonal behaviour of this circuit philosophy, providing an EQ that can perform broad tonal enhancement as effectively as more focused frequency correction.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eLow-Frequency EQ\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe low-frequency section provides four selectable frequencies at 35 Hz, 60 Hz, 100 Hz and 220 Hz, covering everything from deep sub and bass enhancement to low-mid body and weight.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eEngineers can switch the band between peak and shelf responses. Shelf mode supports broad low-frequency tonal shaping, while peak mode concentrates the boost or cut around the selected frequency. Up to ±15 dB of gain provides enough range for subtle balancing or substantial creative equalisation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe resonant character of the original inductor circuit gives the low band its characteristic punch and density, making it particularly effective for kick drums, bass instruments, guitars, synthesisers and full mixes that require greater low-frequency authority.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eParametric Mid-Frequency EQ\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe mid-frequency section provides selectable centre frequencies at 200 Hz, 350 Hz, 700 Hz, 1.5 kHz, 3 kHz and 6 kHz. This range covers low-mid congestion and body, vocal presence, instrument definition and upper-mid attack.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIts proportional-Q response changes the bandwidth according to the amount of gain applied. Smaller adjustments remain broad and musical, while larger boosts or cuts focus more tightly around the selected frequency. This behaviour allows the 551 to perform natural tonal shaping without sacrificing the ability to target problematic areas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe MF Hi-Q function narrows the bandwidth further when greater precision becomes necessary. Engineers can therefore move quickly between broad musical enhancement and more focused frequency carving without changing processors.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eHigh-Frequency EQ\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe high-frequency section combines elements of vintage inductor EQ design with capacitor-based circuitry to provide the smooth character associated with classic analogue equalisers alongside the control expected from a modern production tool.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSelectable 8 kHz and 16 kHz frequencies cover presence, brightness and upper-frequency air. Peak and shelf modes further extend the range of available curves, while ±15 dB of gain allows anything from restrained tonal balancing to substantial high-frequency enhancement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe resulting response suits vocals, acoustic instruments, overheads, strings and complete mixes where high-frequency detail needs to increase without introducing an excessively hard or brittle character.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003e80 Hz High-Pass Filter\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eA fixed 80 Hz high-pass filter with a 12 dB-per-octave slope provides straightforward control over unwanted low-frequency energy. It can remove rumble, handling noise and unnecessary sub-frequency content while retaining the useful body of many instruments and voices.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCombining the high-pass filter with the three EQ bands also allows the 551 to clean the extreme low end before using the low-frequency EQ to add controlled weight higher in the spectrum.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eFrom Shelford Channel to 500 Series\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe hardware 551 adapts circuitry developed for the Rupert Neve Designs Shelford Channel to the lower operating voltages of the 500 Series format. Rupert Neve Designs refined its transformers and circuitry during this process to retain the presence, harmonic character and musical response associated with the company's larger-format analogue equipment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe hardware incorporates low-feedback Class-A electronics together with transformer-balanced inputs and outputs. These elements contribute to its combination of clarity and analogue character while helping minimise unwanted low-level artefacts and harshness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe plug-in removes the physical limitations of the 500 Series format while retaining the musical EQ characteristics that define the original 551.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eNative Plug-In Workflow\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Rupert Neve Designs 551 Inductor EQ Plug-In integrates the 551 directly into contemporary recording, mixing and mastering sessions. It supports AAX, AU and VST3 formats for compatibility with Pro Tools, Logic Pro, Cubase, Nuendo, FL Studio, Ableton Live, LUNA, Reaper, Sonar, Studio One and other compatible DAWs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eNative Intel and Apple silicon support allows the plug-in to run directly on compatible computer systems without requiring dedicated DSP hardware.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eiLok Authorisation\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe 551 Inductor EQ Plug-In supports iLok 2 and iLok 3 USB Smart Keys, machine-based authorisation and iLok Cloud sessions through an iLok License Manager account.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eEach licence provides two activations, giving engineers greater flexibility when maintaining more than one compatible production system.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003eWhy Choose the Rupert Neve Designs 551 Inductor EQ Plug-In?\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eBrings the musical character of a Rupert Neve inductor EQ into a DAW without requiring a 500 Series rack or analogue signal path.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMakes broad tonal enhancement quick and intuitive, with carefully selected frequencies that suit everyday recording and mixing tasks.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvides enough precision to tackle troublesome midrange frequencies while retaining the smooth response expected from a character EQ.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAdds substantial low-end weight and high-frequency openness without forcing engineers towards aggressive or clinical EQ curves.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCovers corrective and creative equalisation within one processor, reducing the need to switch between several different EQ plug-ins.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIntegrates easily into professional sessions through AAX, AU and VST3 support across a wide range of popular DAWs.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvides two licence activations for engineers who regularly work across multiple compatible production systems.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":58518785917311,"sku":"ITM011536","price":99.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/files\/rnd-551plugin-kmr1.jpg?v=1789480071"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/collections\/RND-cat.jpg?v=1778533997","url":"https:\/\/kmraudio.com\/collections\/rupert-neve-designs.oembed?page=3","provider":"KMR Audio","version":"1.0","type":"link"}