Audix D2

Audix D2

CAP2: 0 £153.00
£127.50 ex VAT
Call or email for availability.

VLM type-B, high gain capsule, excellent for toms, floor toms, and congas. Compact and lightweight, yet featuring full-size diaphragms, the D Series microphones employ exclusive Sub-Impulse Technology designed specifically to achieve the true 3-dimensional sound of instruments.

Audix D2

CAP2: 0 £153.00
£127.50 ex VAT
Call or email for availability.
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VLM type-B, high gain capsule, excellent for toms, floor toms, and congas. Compact and lightweight, yet featuring full-size diaphragms, the D Series microphones employ exclusive Sub-Impulse Technology designed specifically to achieve the true 3-dimensional sound of instruments.

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KMR Audio - Audix D2
KMR Audio - Audix D2

VLM type-B, high gain capsule, excellent for toms, floor toms, and congas. Compact and lightweight, yet featuring full-size diaphragms, the D Series microphones employ exclusive Sub-Impulse Technology designed specifically to achieve the true 3-dimensional sound of instruments.

The Audix D2 uses a VLM type-B, high gain capsule and is excellent for toms, floor toms, and congas.

Compact and lightweight, yet featuring full-size diaphragms, the D Series microphones employ exclusive Sub-Impulse Technology designed specifically to achieve the true 3-dimensional sound of instruments.

Sub- Impulse Technology builds on the principles of the VLM diaphragm design to accurately pick up the subtle nuances of sub-impulse harmonics. These harmonics contribute substantially to the richness of the sound.

Basically, the lower mass of the diaphragm coupled with an extra-sensitive internal air suspension allows the outer wall of the diaphragm to react to sound waves, harmonics and sub-harmonics quicker than other mics. The result is a faster, more precise sampling of the original sound.

Housed in precision-tooled blocks of pure aluminum, these mics offer the size, weight and ruggedness required for instrument mics.

A tight hypercardioid pickup pattern allows clear definition of sound without the feedback problems commonly associated with placing multiple mics in close proximity.

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