The Avid Pro Tools | MTRX II Audio Interface (Base Unit) is a powerful studio centrepiece for producers, engineers, and mixers to handle the most extensive music or audio-post productions. Offering exceptional sound quality, I/O customizability, and comprehensive routing and monitoring control, this interface is a versatile solution for various recording, mixing, ADR, Foley, and sound-design sessions of any scale.
The Pro Tools | MTRX II can be used as a standalone unit or in combination with Pro Tools | HDX, other DAWs, and Avid control surfaces. It boasts an impressive range of connectivity options, including 64 channels of DigiLink I/O, 256 channels of Dante I/O, 64 channels of MADI I/O, Word Clock I/O, and 128 Channels of SPQ speaker processing, ensuring optimal monitoring in your studio.
One of the standout features of the Pro Tools | MTRX II is its extensive audio routing flexibility, allowing you to streamline your studio by replacing multiple single-format and monitoring interfaces with a single 2 RU rack-mountable unit. Its massive matrix mixer offers up to 4096 x 4096 crosspoints, enabling you to route, split, and patch any input to any output from any connected device in your studio. The expanded 512 x 64 summing mixer facilitates summing your mix stems and subgroups or monitoring full Dolby Atmos theatrical configurations.
For seamless integration with Mac/Windows computers, the Thunderbolt 3 optional card can be added, providing 256 channels of native, low-latency I/O for Pro Tools Ultimate and other Core Audio DAWs. Moreover, you can connect multiple HDX systems with a single MTRX II interface by installing up to eight DigiLink I/O Cards, supporting a maximum of 576 DigiLink channels. The MTRX II also allows you to route and control all playback sources, stems, Dolby Atmos rendering, and monitoring outputs across multiple workstations from a single interface. You can save/recall routing workflows for quick access.
When it comes to sound quality, the Pro Tools | MTRX II excels with AD/DA converters supporting sample rates up to 384 kHz PCM and DSD, ultralow-noise DAD mic preamps, high-precision clock circuitry, and less than -120 dB harmonic distortion, providing unparalleled sound transparency and clarity.
Furthermore, with its integrated Dante capability, you can connect your Pro Tools | HDX system to any Dante network, easily integrating Dante-enabled devices into your workflow, regardless of the manufacturer. The included DADman software facilitates routing audio to and from any connected Dante device in your facility using the flexible digital patch bay.
The Pro Tools | MTRX II offers extensive monitoring capabilities with configurable I/O, integrated SPQ Speaker Processing, included Pro | Mon 3 monitoring control, and the expanded 512 x 64 summing mixer, catering to all your monitoring, talkback, and cue mixing needs. It supports up to 128 channels of room correction, each with adjustable delay and filters, making it ideal for stereo to multi-stem Dolby Atmos summing.
For seamless control, the Pro Tools | MTRX II can be managed through EUCON-enabled control surfaces like Avid S6, enabling remote control of all source inputs, talkback, fold-downs, cue mixes, and speaker sets directly from Pro Tools Ultimate. Additionally, multiple monitor profiles can be created for easy switching between multichannel audio formats.
The interface's modular design allows for further customisation with optional cards, including various Analog I/O and Digital I/O options, such as additional mic preamps, line inputs/outputs, DigiLink I/O, Thunderbolt 3 connectivity, AES3 I/O, SDI/HD/3G connections, 128-Channel IP Audio Dante card, and Dual MADI I/O card.
The Avid Pro Tools | MTRX II Audio Interface (Base Unit) is a comprehensive and flexible solution that empowers audio professionals to achieve top-notch sound quality, versatile routing capabilities, and efficient monitoring control, making it a valuable asset in any studio environment.
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The Avid Pro Tools | MTRX II delivers unparalleled sound transparency and clarity, featuring AD/DA converters up to 384 kHz, ultralow-noise preamps, and less than -120 dB harmonic distortion. Ideal for critical listening and recording.
This audio interface boasts an impressive array of connectivity options, including 64 channels of DigiLink, 256 channels of Dante, and 64 channels of MADI I/O, facilitating seamless integration and routing across various digital audio platforms and devices.
With its vast routing flexibility and comprehensive monitoring options, the Pro Tools | MTRX II supports up to 128 channels of room correction and configurable I/O. It simplifies complex setups, making it perfect for multi-stem and Dolby Atmos configurations.
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