Chandler Limited TG Microphone
Chandler Limited TG Microphone Back
Chandler Limited TG Microphone
Chandler Limited TG Microphone Back
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Chandler TG Microphone

Large Diaphragm Condenser Microphone with built-in EMI TG Tape EQ

Solid-state large Diaphragm condenser microphone with built-in EMI’s Tape Equalizer, Dual Tone system, low cut and -10dB Pad.

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CAP2: 191583.0 $3,084.00 $2,570.00 ex VAT
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WHY CHOOSE TO BUY FROM KMR AUDIO?

  • 22+ Years Industry Experience
  • Rated “Excellent” By Our Customers
  • Lifetime Tech Support, Always Free
  • Easy 14 Day Returns

The Chandler Limited TG Microphone is a solid-state large Diaphragm condenser microphone with built-in EMI’s Tape Equalizer found on the original TG12410 transfer consoles.


The Chandler Limited TG Microphone is an extremely flexible microphone that rivals the original FET47, C414 and U47 microphones. The onboard Tape Equalizer uses an adaptation of Abbey Road’s NAB/IEC tape equalizer found on the legendary 12410 mastering console and is used to shape the sound at source. Used in combination with the special Low Cut circuit, offers a set of 5 tonal variations. The Low Cut switch offers a choice between 50Hz and 90Hz.


A Dual Tone System changes the input stage from the microphone modifying its voicing for further versatility. System A gives you the regular TG sound with a mid-forward sound while System B offers a more pristine sound capable of handling higher SPL.


The TG Microphone uses an array of TG amplifier circuits throughout but unlike the REDD Microphone doesn’t include an internal preamp. As a result, an external mic preamp is required.


Two polar patterns are provided with a choice of omnidirectional and cardioid as well as a -10dB switchable via the external power supply. Other included accessories include a shock mount, 25’ Mogami 4-pin mic cable and wooden case.


The Chandler Limited TG Microphone Main Features include:


  • Solid-state Large Diaphragm Condenser Microphone
  • Omnidirectional and Cardioid Polar Patterns
  • Unique Abbey Road NAB/IEC tape Equaliser
  • Dual Tone System offers two different voicings.
  • 50Hz/90Hz Low Cut
  • -10dB Pad
  • External Mic Preamp required
  • Includes shock mount, 25’ Mogami 4-pin mic cable, wooden case
    • DPD UPS
    • UK over £99 FREE
    • UK under £99 £10
    • EU £36
    • Rest of World £80

    Large/Heavy items: Extra charges may apply (e.g., consoles, large monitors). We’ll contact you before processing if so.

    We ship with DPD and UPS across the UK, EU and worldwide. Same-day within the M25 is available depending on stock.

    This item, like everything we supply, comes with the complete support of our expert team. Our excellent technicians have been specifying, building and supporting studios for over twenty years. If you have any problems with installation, setup or everyday use, they’re never more than a click away, and always happy to help.

    You can contact them here.

    Chandler TG Microphone

    Chandler TG Microphone

    AVAILABLE TO ORDER

    KEY BENEFITS

    Versatile Tone Shaping

    The Chandler Limited TG Microphone integrates Abbey Road's NAB/IEC tape equalizer, providing five tonal variations and specialized low cut options to shape audio directly at the source.

    Dual Voicing Capability

    Featuring a Dual Tone System, the microphone allows switching between a mid-forward TG sound (System A) and a clearer, high-SPL handling sound (System B), enhancing recording adaptability.

    Flexible Polar Patterns

    This microphone offers omnidirectional and cardioid patterns, along with a -10dB pad, catering to diverse recording environments and requirements for studio versatility.

    PRODUCT VIDEOS

    RYAN HEWITT (THE LUMINEERS, AVETT BROTHERS, RED HOT CHILI PEPPERS)
    RYAN HEWITT (THE LUMINEERS, AVETT BROTHERS, RED HOT CHILI PEPPERS)

    “The new Chandler TG Microphone is totally a modern classic. The different combinations of tape EQ curves, filters and the system A/B switch gave me great versatility in capturing a number of different sources on a recent recording session. I absolutely loved it on electric bass, acoustic guitars, drums and vocals. Any source on which you’d use a classic FET mic, the TG mic just smoked the old standards. The problem is that I need at least four of them!!!”

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