The Motas Electronics MOTAS-6 is a three-oscillator analogue synth that integrates a rich analogue architecture with a compelling and intuitive digital control layer. It provides the best analogue sound with precise digital control.

MOTAS-6 is the culmination of years of research, development, and multiple iterations of MOTAS synths. Version 6 is the latest instrument crafted by Jon Hayes, the man behind the MOTAS project.

At its core, this synthesizer has three multi-wave complex VCOs, three VCFs, and a single VCA with a completely analogue architecture and paraphonic playing capabilities; what sets it apart from the pack is its incredibly versatile modulation capabilities:

Each pot features its modulation page, where you can freely assign any of the 37 LFOS, 37 envelopes, MIDI controller commands, or the CV inputs to said control, creating a deep and unique sound design platform. Furthermore, you can freely route the post-VCO signal into and around the filter section.

There are three filters onboard: a 6-pole low-pass filter that you can mix out of any given pole, another low-pass filter with a voicing characteristic similar to the TB-303, and a high-pass filter. As mentioned previously, the signal patch can be completely configured to your liking to make for sweet, rich, pole-sweeping effects and much more.

This complexity wouldn’t be possible without a clean UI, and the MOTAS6 has just that. A crisp, clear OLED display that is contextually sensitive to the control you’re manipulating at that time can even provide spectral analysis of the outgoing signal or function as an oscilloscope if desired.

Did I mention there’s also an insane step sequencer with parameter recording and recall? Yeah, there’s that, too.

The MOTAS-6 is a unique and powerful addition to the synth market; its “modular” workflow and staggering versatility make it an absolute must-have for any serious sound designer or live performer who wants to cover as many sounds as possible in one box.