Schoeps 65 Stereoset (2x matched MK5,CMC6,SG20,B5D; case)

Schoeps 65 Stereoset (2x matched MK5,CMC6,SG20,B5D; case)

Stereo Small Diaphragm Condenser Microphone (2 x matched MK5, CMC6,SG20,B5D; case)

CAP2: 0 £3,150.00
£2,625.00 ex VAT
Call or Email for availability.

Comprises two CMC 6 analogue microphone preamps and Mk5 Omni/Cardioid which have been frequency matched.

Schoeps 65 Stereoset (2x matched MK5,CMC6,SG20,B5D; case)

Stereo Small Diaphragm Condenser Microphone (2 x matched MK5, CMC6,SG20,B5D; case)

CAP2: 0 £3,150.00
£2,625.00 ex VAT
Call or Email for availability.
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Comprises two CMC 6 analogue microphone preamps and Mk5 Omni/Cardioid which have been frequency matched.

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KMR Audio - Schoeps 65 Stereoset (2x matched MK5,CMC6,SG20,B5D; case)
KMR Audio - Schoeps 65 Stereoset (2x matched MK5,CMC6,SG20,B5D; case)

Comprises two CMC 6 analogue microphone preamps and Mk5 Omni/Cardioid which have been frequency matched.

The Schoeps CMC-65 stereo set comprises two CMC 6 analogue microphone preamps and Mk5 Omni/Cardioid which have been frequency matched.

The Schoeps CMC-65 is ideal for relatively close range stereo recording or spot mic’ing or ORTF or coincident pair.

The Schoeps Mk5 uses a one membrane design providing two directional patterns (omni/cardioid). This design allows full directionality throughout the full audible spectrum and noticeable clarity and purity. Furthermore, the Mk5 exhibits a slight high-frequency boost.

Powering the capsule, the CMC6 mic preamp is designed to accept 48 and 12 Volts phantom power, adapating automatically to the current received.

Schoeps CMC-65 Stereo Set Main Features:

  • omni and cardioid patterns, mechanically switchable
  • slight emphasis of the high frequencies
  • broad range of applications
  • preferred uses similar to those of the MK 2 or MK 2S and the MK 4:
  • in the cardioid setting: for use with singing or speaking voices or most instruments, as a spot microphone, and for stereo recording with coincident, ORTF or M/S microphone arrangements
  • in the omni setting: for recording instruments, singers, etc. at relatively close range
  • Flat frequency response
  • Extremely low noise and distortion
  • Balanced, very low-impedance output
  • Can be used with very long cables
  • Well-protected against RFI
  • For use with 12- or 48-Volt phantom powering

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