TK Audio DP3 dual mic preamp

TK Audio DP3 dual mic preamp

Dual-channel Mic Preamp

CAP2: 0 £1,520.00
£1,266.67 ex VAT

Two-channel mic preamp using a hybrid design including both vintage and modern circuit based on the SP501 500 series mic preamp.

TK Audio DP3 dual mic preamp

Dual-channel Mic Preamp

CAP2: 0 £1,520.00
£1,266.67 ex VAT
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Two-channel mic preamp using a hybrid design including both vintage and modern circuit based on the SP501 500 series mic preamp.

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AT A GLANCE

  • Hi-gain input stage with up to 80dB of gain
    • Selectable vintage class-A stage
  • Lundahl and Carnhill transformers
  • Selectable germanium and saturation circuits for more color and harmonics
  • Sweepable high-pass filter, 30-400Hz, 12dB/octave
  • Instrument input with 2 Mohm impedance
  • Output level placed after class-A stage
  • Headroom meter with eight LED’s
KMR Audio - TK Audio DP3 dual mic preamp
KMR Audio - TK Audio DP3 dual mic preamp

Two-channel mic preamp using a hybrid design including both vintage and modern circuit based on the SP501 500 series mic preamp.

The TK Audio DP3 is an advanced hybrid preamp combining vintage and modern circuits, featuring a mid-60s germanium sound, a low-mid punch from 70s British class-A designs, and contemporary tones from the 80s and '90s, with versatile input and output stages, unique saturation circuit, and a range of tonal options.

Innovative Hybrid Design

The DP3 incorporates a unique blend of vintage and modern technologies, combining our proven input stage and germanium circuit with a new saturation circuit. This combination, alongside the vintage class-A stage, offers many tonal characteristics, from classic midrange crunch to thick, punchy lows and a warm top end.

High-Quality Components for Superior Sound

The input stage is built around a high-quality Swedish Lundahl transformer paired with a hi-gain stage. Users can select between saturation and germanium circuits to add extra colour and harmonics to their sound. The new design positions the class-A stage before the output level control, allowing for greater control over transformer saturation without overloading A/D converters and ensuring consistent output regardless of load impedance. The class-A stage uses a custom-made Carnhill transformer, known for its robust, punchy sound, mid-range character, and smooth top end.

Enhanced Instrument Input Capabilities

The Hi-Z instrument input features a dedicated activation switch, allowing instruments to remain connected at all times. The Hi-Z direct mode bypasses the input transformer and stage, sending the signal directly to the high-pass filter (HPF), selectable saturation, and germanium circuits. With a direct mode gain of +14dB, it is optimised for bass recording, particularly when used with the class-A stage.

Precision Low-End Control

The sweepable high-pass filter (HPF) ranges from 30Hz to 400Hz, enabling precise control over the low end, making the DP3 ideal for fine-tuning bass frequencies in professional recording environments.

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At a glance

  • Hi-gain input stage with up to 80dB of gain
    • Selectable vintage class-A stage
  • Lundahl and Carnhill transformers
  • Selectable germanium and saturation circuits for more color and harmonics
  • Sweepable high-pass filter, 30-400Hz, 12dB/octave
  • Instrument input with 2 Mohm impedance
  • Output level placed after class-A stage
  • Headroom meter with eight LED’s

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