Versatile Tone Shaping
The TK-Lizer 2 features three Baxandall bands from the 1950s, known for their smooth, natural sound, allowing gentle overall tone shaping with low, mid, and high frequency adjustments.
The TK Audio TK-Lizer 2 is a 3-band mastering EQ with built-in M/S circuit and a new 12-position high-pass filter.
The TK Audio TK-Lizer 2 uses three baxandall curves found on classic EQ’s from the 1950’s and famed for their smooth and natural sound. Using broad curves, the TK-Lizer 2 lets you gently shape the overall tone of your program material. Both Low and high bands offer a choice between shelving and peak modes.
Using Wayne Kirkwood's M/S circuit design, the TK-Lizer 2 lets you shape the sound of your Mid and Side differently and control the width of the stereo field.
The new 12-position high-pass filter ranges from 20Hz to 225Hz, offering increased flexibility, particularly when used in Mid /Side.
The TK-Lizer 2 also sees improved frequency response with lower distortion thanks to its balanced inputs and outputs. Ideal for mastering applications, the TK-Lizer 2 offers superior sonic performance with a hint of analogue warmth.
TK Audio TK-Lizer 2 Main Features:
Large/Heavy items: Extra charges may apply (e.g., consoles, large monitors). We’ll contact you before processing if so.
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This item, like everything we supply, comes with the complete support of our expert team. Our excellent technicians have been specifying, building and supporting studios for over twenty years. If you have any problems with installation, setup or everyday use, they’re never more than a click away, and always happy to help.
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The TK-Lizer 2 features three Baxandall bands from the 1950s, known for their smooth, natural sound, allowing gentle overall tone shaping with low, mid, and high frequency adjustments.
Utilizing Wayne Kirkwood's M/S circuit design, the unit provides separate control over Mid and Side signals, enhancing stereo width and offering precise spatial manipulation.
Incorporates a 12-position high-pass filter ranging from 20Hz to 225Hz, providing extensive control over bass frequencies, particularly useful in M/S mastering settings for cleaner mixes.