Versatile Connectivity Options
The WesAudio Phoebe includes a top-panel combo jack that supports TRS hi-Z instrument DI, as well as XLR mic and line-level inputs, accommodating a wide range of recording needs.
The WesAudio Phoebe is a 500 Series mic/line/instrument preamp with cutting-edge features. While the Class A signal path remains entirely analogue, Phoebe offers complete control and automation directly from your DAW, representing the perfect fusion of analogue and digital technologies.
The WesAudio Phoebe features a top-panel combo jack providing both TRS hi-Z instrument DI and XLR mic and line-level inputs. This device offers 75dB of microphone gain, ensuring clean headroom for even the most low-output passive ribbon mics. Furthermore, selectable input impedance allows you to achieve optimal sound quality with any microphone. For precise gain staging, Phoebe incorporates WesAudio's proprietary Iron Pad, a passive circuit positioned after the output transformer, allowing you to control output attenuation in 1dB increments, up to -15 dB. Speaking of transformers, Phoebe boasts two genuine Carnhill transformers (input and output), which are integral to Phoebe's renowned big-iron sound. With its state-of-the-art engineering, advanced features, and classic, warm, and punchy analogue sound, the WesAudio Phoebe is the ideal 500 Series preamp for today's DAW-based studios.
The WesAudio Phoebe is a 500 Series mic/line/instrument preamp with cutting-edge features. While its Class A signal path is analogue, Phoebe offers complete control and automation from your DAW, seamlessly integrating analogue and digital technologies. A top-panel combo jack provides TRS hi-Z instrument DI, XLR mic, and line-level inputs. With 75dB of microphone gain available, it delivers ample clean headroom for even the lowest-output passive ribbon mics. Additionally, selectable input impedance ensures optimal sound with any microphone. Phoebe features WesAudio's proprietary Iron Pad, a passive circuit after the output transformer, for precise gain staging, offering control over output attenuation in 1dB increments up to -15 dB. Phoebe includes two genuine Carnhill transformers (input and output), contributing to its legendary big-iron sound. With its state-of-the-art engineering, advanced features, and classic warm and punchy analogue sound, the WesAudio Phoebe is the ideal 500 Series preamp for modern DAW-based studios.
The WesAudio Phoebe is a 500 Series mic/line/instrument preamp with cutting-edge features. Its Class A signal path is analogue, but Phoebe offers complete control and automation directly from your DAW, seamlessly blending analogue and digital technologies. A top-panel combo jack provides TRS hi-Z instrument DI, an XLR mic, and line-level inputs. An impressive 75dB of microphone gain ensures ample clean headroom, even for the lowest-output passive ribbon mics. Additionally, selectable input impedance allows for optimal sound with any microphone. Phoebe boasts WesAudio's proprietary Iron Pad, a passive circuit after the output transformer, for precise gain staging, offering control over output attenuation in 1dB increments, up to -15 dB. Speaking of transformers, Phoebe incorporates two genuine Carnhill transformers (input and output), essential to its legendary big-iron sound. With state-of-the-art engineering, advanced features, and classic warm and punchy analogue sound, the WesAudio Phoebe is the ultimate 500 Series preamp for modern DAW-based studios.
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The WesAudio Phoebe includes a top-panel combo jack that supports TRS hi-Z instrument DI, as well as XLR mic and line-level inputs, accommodating a wide range of recording needs.
Featuring 75dB of microphone gain, Phoebe ensures pristine audio quality and ample headroom, ideal for capturing clear sound from low-output passive ribbon mics.
Phoebe uniquely combines an analogue Class A signal path with complete digital control from your DAW, enabling a smooth workflow and precise automation in modern studio settings.