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500 Series mic/line/instrument preamp with a fully analogue Class A signal path, seamlessly integrating analogue and digital technologies for DAW control and automation. Featuring a versatile combo jack for instrument DI, XLR mic, and line-level inputs, it offers 75dB of microphone gain and selectable input impedance, accommodating a wide range of microphones with ample headroom. The proprietary Iron Pad allows precise gain staging with output attenuation control, and two genuine Carnhill transformers contribute to its legendary warm and punchy analogue sound. The WesAudio Phoebe is the ideal 500 Series preamp for achieving exceptional sound control and quality in modern DAW-based studios.
At a glance
- 100% analogue microphone/line preamp with +28dBu of headroom.
- Class A fully analogue – inspired by famous British design based on dual amp topology.
- Microphone gain up to 75dB.
- Carnhill Transformers (input and output).
- Output signal metering on the front panel with clip detection.
- Phantom power and phase invert control.
- Switchable impedance input (1200/300Ohm).
- All controls/analogue settings are fully manageable via the WesAudio GCon DAW plug-in.
- 15dB OUTPUT PAD – passive output attenuation circuit with 1 dB step. (after the output transformer).
- Front panel XLR/TS socket, which supports – HiZ instrument input (TS), line input (XLR), and microphone input (XLR).
- Recallable signal source to be either back XLR Socket or front panel XLR/TS socket.
The WesAudio Phoebe is a 500 Series mic/line/instrument preamp with cutting-edge features. While the Class A signal path remains entirely analogue, Phoebe offers complete control and automation directly from your DAW, representing the perfect fusion of analogue and digital technologies.
The WesAudio Phoebe features a top-panel combo jack providing both TRS hi-Z instrument DI and XLR mic and line-level inputs. This device offers 75dB of microphone gain, ensuring clean headroom for even the most low-output passive ribbon mics. Furthermore, selectable input impedance allows you to achieve optimal sound quality with any microphone. For precise gain staging, Phoebe incorporates WesAudio's proprietary Iron Pad, a passive circuit positioned after the output transformer, allowing you to control output attenuation in 1dB increments, up to -15 dB. Speaking of transformers, Phoebe boasts two genuine Carnhill transformers (input and output), which are integral to Phoebe's renowned big-iron sound. With its state-of-the-art engineering, advanced features, and classic, warm, and punchy analogue sound, the WesAudio Phoebe is the ideal 500 Series preamp for today's DAW-based studios.
The WesAudio Phoebe is a 500 Series mic/line/instrument preamp with cutting-edge features. While its Class A signal path is analogue, Phoebe offers complete control and automation from your DAW, seamlessly integrating analogue and digital technologies. A top-panel combo jack provides TRS hi-Z instrument DI, XLR mic, and line-level inputs. With 75dB of microphone gain available, it delivers ample clean headroom for even the lowest-output passive ribbon mics. Additionally, selectable input impedance ensures optimal sound with any microphone. Phoebe features WesAudio's proprietary Iron Pad, a passive circuit after the output transformer, for precise gain staging, offering control over output attenuation in 1dB increments up to -15 dB. Phoebe includes two genuine Carnhill transformers (input and output), contributing to its legendary big-iron sound. With its state-of-the-art engineering, advanced features, and classic warm and punchy analogue sound, the WesAudio Phoebe is the ideal 500 Series preamp for modern DAW-based studios.
The WesAudio Phoebe is a 500 Series mic/line/instrument preamp with cutting-edge features. Its Class A signal path is analogue, but Phoebe offers complete control and automation directly from your DAW, seamlessly blending analogue and digital technologies. A top-panel combo jack provides TRS hi-Z instrument DI, an XLR mic, and line-level inputs. An impressive 75dB of microphone gain ensures ample clean headroom, even for the lowest-output passive ribbon mics. Additionally, selectable input impedance allows for optimal sound with any microphone. Phoebe boasts WesAudio's proprietary Iron Pad, a passive circuit after the output transformer, for precise gain staging, offering control over output attenuation in 1dB increments, up to -15 dB. Speaking of transformers, Phoebe incorporates two genuine Carnhill transformers (input and output), essential to its legendary big-iron sound. With state-of-the-art engineering, advanced features, and classic warm and punchy analogue sound, the WesAudio Phoebe is the ultimate 500 Series preamp for modern DAW-based studios.
