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Unmatched SPL Handling
Handles sound pressure levels over 170 dB without distortion, ensuring clarity and punch even during the hardest hits, perfect for both live and studio environments.
KEY FEATURES
The OC‑B6 by Austrian Audio is the world’s first large‑diaphragm condenser bass drum microphone, delivering >170 dB SPL handling, a 220° swivel head, a built‑in 25 Hz sub‑sonic filter and a compact, rugged chassis that fits effortlessly in any studio or stage environment.
Austrian Audio built the OC‑B6 around its proprietary CKR6‑B capsule, combining the classic warm character of vintage kick mics with modern ultra‑high SPL tolerance and a pure, colour‑free signal path. Engineers benefit from limitless positioning options – inside the kick, at the port or external to the shell – while the microphone’s interchangeable thread eliminates the need for additional clips. The 220° rotatable head streamlines set‑up in cramped spaces, and the solid aluminium housing guarantees durability night after night.
Technical Specifications
The OC‑B6 handles sound pressure levels up to 170 dB without distortion, thanks to its true condenser design and large diaphragm. Its frequency response remains flat across the audible range, and the dedicated sub‑sonic filter removes rumble below 25 Hz, preserving low‑end punch without unwanted noise. The microphone outputs a balanced XLR signal, ready for any professional mixing console or audio interface.
Design & Build
Austrian Audio crafts the OC‑B6 with an ultra‑compact form factor that integrates a standard mic thread, allowing quick mounting on stands or directly into drum hardware. The aluminium body resists wear and temperature fluctuations, ensuring consistent performance on tour or in the studio. The 220° swivel head provides precise aiming, reducing bleed and improving isolation regardless of placement.
Performance
Engineers praise the OC‑B6 for its ability to capture the full impact of a kick drum with clarity, punch and authenticity. Whether used for live reinforcement or detailed studio tracking, the microphone reproduces transient attack and low‑frequency depth without coloration, giving producers full control over tone shaping during mix‑down.
Why Choose OC‑B6
- Versatile placement works for any kick‑drum miking technique.
- Exceptional SPL handling prevents clipping even on the hardest hits.
- Built‑in sub‑sonic filter eliminates unwanted rumble at the source.
- Compact, rugged chassis survives demanding touring schedules.
- True‑condenser design offers a clean, neutral sound for precise mixing.
- UK over £99 FREE
- UK under £99 £10
- EU £36
- Rest of World £80
Large/Heavy items: Extra charges may apply (e.g., consoles, large monitors). We’ll contact you before processing if so.
We ship with DPD and UPS across the UK, EU and worldwide. Same-day within the M25 is available depending on stock.
This item, like everything we supply, comes with the complete support of our expert team. Our excellent technicians have been specifying, building and supporting studios for over twenty years. If you have any problems with installation, setup or everyday use, they’re never more than a click away, and always happy to help.
You can contact them here.
KEY BENEFITS
Versatile Placement Options
Engineers can position the microphone inside the kick, at the port, or externally, allowing for limitless miking techniques tailored to any performance or recording scenario.
Durable and Compact Design
Crafted with a rugged aluminium chassis, this microphone withstands wear and temperature changes, making it ideal for demanding touring schedules while maintaining consistent performance.